Demo & requests : 
- harrys@madorasindahouse.com 
- alkis@madorasindahouse.com 
- demo@madorasindahouse.com

http://www.instagram.com/Madorasindahouse

♀ boot up HM & surf ♀

snapchat: muldvarb


open.spotify.com/album/2yQjJAZZhhdrM9oOpHE7xK?si=8pt4kmQTSPSG2OD3J65WWg

Tailored for the dance floor.
Demos and Inquiries: info@tailoredrecord.com

Clearing space, getting rid of clutter, and optimizing the flow of energies: These are the principles of Feng Shui, but it’s also a very precise description of the sound of Hatikwa. The producer from North Germany gained popularity for his minimalist approach towards Progressive Trance, an approach that might take different directions but that always proves to have compelling hypnotic powers.

Hatikwa is one of those artists who reached a career breakthrough via Social Media. It is 2009 when he plays his debut live act at Hamburg’s Lonely Forest Project, and this experience is such a rich source of inspiration that he creates a track and names it after that party. Once uploaded on YouTube, "Lonely Forest" spreads rapidly and within no time the name Hatikwa is on the lips and on the Facebook profiles of Progressive Trance fans all over the world. Working with the netlabel Multiplex Records at the time multiplies the viral distribution of his music. After releasing some single tracks and digital EPs he drops his debut album "Point of View" on Magical Sounds Records in 2013, a step that puts him even higher on the agenda – especially in the Progressive Trance hotspots Denmark, Germany and Switzerland where Hatikwa has a solid fanbase. 

In 2015, Hatikwa decided to stand on his own two feet completely - Xonica Records was born. Xonica Records was launched to open a dimension of sound that can't be achieved by any piece of studio equipment: Creative Freedom! Xonica Records is an autonomous platform for Hatikwa, a portal that enables him to keep up his truly eclectic and independent approach towards modern Trance music. In 2017, he created his second album "The Second Narration" and released it on his own label Xonica Records - a true milestone for him and his career. 

When it comes to production Hatikwa is extremely detail oriented. Sometimes it takes him months to finish a track because he’s just not quite satisfied with a single element. Like the music itself, this approach represents his signature style: Less is more, and quality surpasses quantity. Hatikwa knows exactly that a single sound can trigger the most profound emotions if it’s only in perfect tune, and if it only has enough space to unfold its unique vibration. Just like a spatial environment that has been designed in accordance with the priciples of Feng Shui, his sound creates an intense feeling of flowing harmony and effortless power – a highly energizing listening experience that can best be described as deeply psychedelic. 

Back to the roots...and then a step further..

Colin Patrick Harper hails from the Bermuda Islands. In the music industry, he is known as the reggae artist Collie Buddz. Buddz was born on August 21, 1984 in New Orleans, Louisiana. After graduating from high school, he attended Full Sail University in Orlando, FL, where he decided to study studio engineering.  Upon graduating from college in 2006, Buddz began looking for work in the recording industry as a performer or producer. One of his first major gigs was working with recording star Shaggy on the single "Mad Mad World" from Shaggy's new album entitled Intoxication, which was release in 2007. That was the same year he released his self-titled debut album with Sony Music. The album was a moderate success, but well-received by critics.  WWE (World Wrestling Enterprises) fans would immediately recognize Buddz's voice from the entrance theme ("SOS") for WWE superstar wrestler Kofi Kingston, which was included on the 2008 compilation WWE The Music, Vol. 8. Over the next year, he would continue making guest appearances on the works of other artists.  It is no small coincidence that his stage name "Buddz" is slang for marijuana. There have been photographs taken of the artist holding bongs and other pot-smoking paraphernalia over the years. Of course, other reggae artist such as Bob Marley have made weed seem an essential part of the reggae lifestyle.  At the end of the decade, Buddz started his own record label called Harper Digital. When not working in the studio, he found himself selling out venue after venue on one of his many exhaustive tours. In 2011, he would finally release his second album entitled Playback. As was the case with the first album, this album was a modest success commercially, but the critics loved his work.  With a couple of albums and a good reputation under his belt, Buddz is a frequent performer at many of the major reggae festivals around the world.

Linktree: https://linktr.ee/Skatebard
Booking: https://www.klsbookings.com/skatebaard

Bård Aasen Lødemel, aka Skatebård, got into techno and rave during the '90s before he became a producer of retro-futuristic disco, house, and techno. 
Hailing from a town called Ørsta on the Norwegian west coast, Lødemel moved to Bergen in the year 2000, where he quickly became part of the town's growing club scene. 
After handing over a homemade demo to Tellé Records label boss Mikal Telle, Lødemel was signed to offshoot label Tellektro in 2001. 
His first release under the name of Skatebård, a concise vinyl-only album called Skateboarding Was a Crime (In 1989), was released in 2002, and slowly but surely Skatebård's reputation started spreading beyond Norway's borders. 
Throughout his impressive career of releasing five albums and more than twenty 12-inches, he has steadily carved out his own corner of dance music with a unique flair. Traversing a range of seemingly disparate genres and emotions comes incredibly naturally to the Norwegian artist, whose music oscillates between Italo disco and raw Detroit infused house and techno. With an enviably eclectic collection of the mastery to navigate it seamlessly, Skatebård’s DJ sets offer exploratory excursions through the unknown and unexpected. From festival mainstages to intimate clubnights, Boiler Rooms and radio shows, Skatebård has captivated audiences across the globe, performing at many of electronic music’s most revered institutions.
The dynamic scope of Skatebård’s artistry extends to his work in the studio. Spanning over two decades, his impressive discography is dispersed across labels including his own Digitalo Enterprises, Sex Tags Mania and Bordello A Parigi. With a knack for balancing kitsch with elegance, Skatebård creates music that exudes an air of nonchalant fun.

Alex Felix is following