Pan Daijing - Jade 玉观音
Format: LP / DL
Cat.No. PAN 113
Release Date: 4 June 2021
Purchase: pan.lnk.to/Jade

What if a song was not a culmination but a singe, an imprint, or a crater left in the wake of creative process? On her new record “Jade”, Pan Daijing composes at a different scale than that we’ve come to know. Since the release of her groundbreaking LP “Lack” in 2017, Daijing has expanded her operatic vision into a series of major commissioned exhibition-performances at institutions including the Tate Modern, Martin Gropius Bau, and the Haus der Kulturen der Welt. Developed for full casts of opera singers and dancers, and reaching for an all-encompassing durational experience of intensity for both performer and audience, the development of these works was for Daijing as emotionally disarming as it was thrilling. In order to continue accessing her own limits, Daijing had to develop a place of sanctuary within her own practice.

Its nine tracks written and recorded over the last three years, “Jade” is the sound of solitary release and refuge, of creative self-sustenance. Written without the imperatives of direct address to performers or audience, “Jade” speaks inward, while inviting a kind of rhetorical listening. The artist draws on materials familiar from her previous work: namely, ascetic electronic textures that rumble and pierce, and voice bent in irreverent directions. In place of catharsis, however, her arrangements here linger in tension, extending curiosity towards the delicate void that nourishes extremes. They toy with the minor capacities of song: repetition, chant, observations that conclude without resolving.

“Jade” comes from a vulnerable place, tender as in an undressed wound caught in the midst of healing over. Vocals, mostly Daijing’s own, arrive as wordless sequences of notes soaring alongside a drone, or plain laughter, or in a few places spoken word. What is said or sung provides fragments of experience and reflection. In the process of piecing together these fragments, the listener is confronted with the tender parts of her own. “Solitude is like an immense lake you’re swimming through,” says Daijing of these songs. “Sometimes you dip your head in and sometimes you lift it above. On album centerpiece “Let,” she speaks to us over the sound of rippling water, returning between anxious scenes to a refrain: “I take my bath in the ocean.” We are not just consuming Daijing’s story; we are being invited to join her in the water.

The album is mixed and mastered by Rashad Becker, featuring artwork by Pan Daijing, cinematography by Dzhovani & design by NMR.

@pan-daijing

Jade 玉观音

Pan Daijing - Ran 乱 (PAN 113)

geometry:
The boundary of the 24-cell is composed of 24 octahedral cells with six meeting at each vertex, and three at each edge. Together they have 96 triangular faces, 96 edges, and 24 vertices. The vertex figure is a cube. The 24-cell is the unique convex self-dual regular Euclidean polytope which is neither a polygon nor a simplex. Due to this singular property, it does not have an analogue in lower dimensions.

dimensions: 4 

harmonic order:
η ·ηa ·η2a ·η3a ·ηb ·η(ηa ·ηb)·η(η2a ·ηb)·η(η3a ·ηb)·η2b ·η(ηa ·η2b)·η(η2a ·η2b)·
η ( η 3a · η 2b ) · η c · η ( η a · η c ) · η ( η 2a · η c ) · η ( η 3a · η c ) · η ( η b · η c ) · η ( η a · η b · η c ) ·
η(η2a ·ηb ·ηc)·η(η3a ·ηb ·ηc)·η(η2b ·ηc)·η(ηa ·η2b ·ηc)·η(η2a ·η2b ·ηc)·η(η3a ·η2b ·ηc)

sonic character:
“Complex constantly varying figure that exceeds the barriers of human perception. Here only intuition works. It is to be examined slowly and in separate parts, connected together by imagination.”

Binaural recording
Use Headphones

24-CELL

Там, Где Ты Начинаешь

Prihodjat Umershie

Прерванный Разговор

Авокадо

"Maxime Gordon's intimate piece Physique (2017) guides us as listeners towards identification and awareness of the human body, and the alienation of this identification by hybrid and augmented spatial perspectives. The work consists of recordings of the most intimate of human sounds: the artist's own breath, touch and teeth clattering, among other sounds.

She explores how human bodies can be represented and understood by sonic technology. By compelling the audience to only listen to her body she does away with its most fundamental element - its physicality. Gordon asks us to understand the human form in another way, through sound. Her piece gives the listener an emotional and uncomfortable experience of the body. The effect is that of a human machine - a steam engine of sinews and bones" - Spatial Sound Institute 

Originally recorded on the 4D SOUND system at MONOM in 2017. 
This recording is a binaural version of the original spatial sound piece.

https://spatialsoundinstitute.com/Physique-2017

Physique [Binaural Recording - 4D SOUND]

We did a mix for the BBC Radio 1 series "Wind Down" on behalf of our label, Domino Recording. We included some of our favorite late night and ambient tunes, as well as a few records from Domino's catalogue. Hope you enjoy! xJ&T

BBC Radio 1's Wind Down - Domino : Bob Moses

Stoked to share Hålbå's new track "Living Is Overrated”, out on LXVIII. Alessio Barbuzza aka Hålbå makes his debut on LXVIII with "Unknown Faiths", a powerful and extraordinary EP which is best described as a "cathartic experience". Dense drones, harsh noises, and eccentric drums present the admirable skills on display that paint a picture of the artist having full control of his own art.

The release is out digitally on Bandcamp: https://lxviii.bandcamp.com/album/unknown-faiths

@halbaofficial
@lxviii-label

Hålbå - Living Is Overrated (LXVIII)

The Brvtalist is proud to present a new mix from Grace Dahl. Since the start of 2017, the artist has presented her thrilling sets at some of Europe’s best events and has released music on labels like Khazad, Courtoisy, Exhale and more. Her sound is ever evolving and she has put out some of our favorite tracks and sets as of late. New Brvtalism No. 256 is an amazing entry to our series and showcases Dahl’s exhilarating and dynamic energy.

@gracedahl

New Brvtalism No. 256 - Grace Dahl

The Brvtalist is proud to present a new mix from DRIADA. The composer and singer-songwriter from Moscow, also runs the label and event series Routine Records. Starting as a live multi-instrument and singer under the name Alexandra Pride, soon the artist started to produce electronic music under the new name DRIADA, releasing her debut album «Obolochka» which attracted the attention of numerous filmmakers and TV producers. Now, Alexandra films bizarre music videos and creates sound-design for Russian museums of contemporary art. In her music, folk fairy tales meets heavy beats and cyberpunk ambience.

 For her New Brvtalism submission, DRIADA recorded her favorite music that she listens to on daily basis, moving away a bit from what is known as her style. At the beginning though, DRIADA records a little sample of her own voice as she always does in mixes. We are thrilled to host this hour of body, wave and techno explorations from one of our favorite artists. 

Thanks to everyone who supported New Brvtalism this year. It is our 6th straight year of doing mixes and we are excited for what 2021 will bring!

@driadaslullaby

New Brvtalism No. 261 - DRIADA

Digital Improvisation & Multidimensional Sound 

sound artist

contacts:

24-CELL

IOANN

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