A closing drift minimal Laid-back, airy, dissolving slowly into silence like a fading horizon.

North African Jazzy Laid-back Drift

Lixus

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

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This is really great.
I am currently not replying to comments or liking comments. Thank you for your understanding.
Please listen to my songs and reposts. Please check out reposts too. These are carefully selected reposts. These are songs by artists I have carefully selected. 
I listen to a lot of songs. That's because your songs are great. Please don't be offended. I am not trying to appeal or cheat you by asking you to listen to a lot of my songs because I want you to listen to mine. It's because I want to hear them. Because I need them. I make a song with Synthesizer V for vocal voice. Thank you for listening my songs.
If you like the songs, please like or repost them, but if you don't like the songs, you don't have to like or repost them. I appreciate your honest feedback.

Hey, hope you enjoy the music 🎹

Attention !!! : At certain intervals the main genres will rotate and occasionally something else will come in between.


And if I can only reach one person who likes my music, it was the right decision to present my works.
Camo


Happy and joyful about any support, whether a like, follow, comment or repost




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Main:


Hip Hop: Valve

Downtempo/Chill/Organic/Ethno-House: Kokon

Cumbia/Latin: Cumbianaut

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Something else:


Breakbeat/DnB: Molch

Rock: Space Station 

Tech-House/Trance: Trittpfad 

Cinematic/2 Tone/Ska/classic: Chair Room

Restless, rebellious, and fiercely independent, aZzma Beh is not just a musician she’s a force of nature. Born in Turkey but raised in California, she has spent over three decades carving her own path in the music industry, refusing to conform to mainstream expectations. Raised by a mother who was both an artist and an activist, aZzma grew up surrounded by raw creativity and a deep sense of defiance against injustice.
She never knew her father, only carrying his name like a ghost of an untold story. But rather than seeking answers in the past, she poured everything into music writing, composing, and producing her own songs. Her journey has been one of relentless independence, navigating the underground and alternative music scenes while collaborating with artists across the U.S., Europe, and Africa.
Her music is a collision of pop, rock, indie, and alternative energy, often infused with electronic elements when working with DJs who seek a voice as haunting as it is powerful. Unlike industry-made artists, aZzma chooses her collaborations carefully, preferring projects that carry meaning, rebellion, and raw emotion.

A Lebanese-born singer with a voice that transcends borders, MALADONNA grew up immersed in the rich cultural tapestry of England, Morocco, Turkey, and the United States. Classically trained, she bridges the worlds of Western classical music and Arabic heritage, creating a sound that is as unique as her journey. Her artistry reflects a profound connection to her roots while embracing global influences, seamlessly blending classical elegance with Arabic melodies and touches of American acoustic traditions. A storyteller at heart, she captivates listeners with her delicate yet powerful voice, weaving narratives of love, loss, and beauty.

12.3 kHz is an electronic label connecting ten projects in one shared universe from cyberpunk trap and acid techno to darkwave and kawaii glitchcore. Strong concepts, bold visuals, and high-impact production. Each release is its own world.

Gn On Fyah is a Moroccan–Russian–Singaporean DJ trio born in Marrakech and raised on chaos. The lineup is Farid (Morocco), Vogne (Russia), and Bbang (Singapore) three minds from three worlds, colliding in one sound.

Their philosophy is simple: beats are bullets, folklore is fire, words are weapons. They do not aim to please; they aim to disrupt. Every set is a battlefield where North African trance, Russian steel, and Asian cadence clash and fuse.

On stage, they are reckless yet precise, fearless yet calculated. Their sound moves between industrial trap, cyberpunk grit, glitch-heavy textures, and dark minimal techno, but always anchored in ritual and trance. For Gn On Fyah, music isn’t entertainment it’s confrontation, initiation, and survival.

This is not a project. It’s a pact. Gn On Fyah stand for turning culture into fire and fire into rhythm.

EDMT is a Tokyo-based duo whose sound was born in the underground clubs of Shibuya and shaped by the sleepless glow of the city. Known for their powerful collaborations with female vocalists, they build a bridge between intimate storytelling and explosive festival energy.
Their music avoids the clichés of EDM by weaving narratives into every drop. Vocals are not simply decoration but central to the journey, carrying fragile emotions into monumental sonic structures. In their productions, basslines roar like racing engines, synths shimmer like neon reflections, and atmospheres stretch as wide as Tokyo’s skyline after midnight.
Before their debut, EDMT gained recognition with underground remixes and live performances where their aggressive yet melodic style stood out. With Neon Highways, their first official album, they present a complete vision: EDM as both poetry and weapon, Tokyo as both city and myth, and music as both memory and acceleration.

Lixus

12.3 Khz