Gorgeous piece with a dramatic back story!

simply great. music of the lonely seashell.

story was great and this is a very good piece

Almost like you can sense its "behavior"...

beautiful..  cant wait till my g0 arrives. think patches with the serge eq and lot feedback definitely need some sort of safety net compressor/limiter after tho..

the night before i left for japan a few weeks ago i plugged a module in wrong into one of my eurorack cases. burning ensued and i sadly fried 4 modules. among them was the mungo g0, a sampling/granular module known for its rather quirky behavior and expensive price tag. not exactly the module you want to be fried, considering it had to go back to australia for repair and cost nearly half the price of the module's new price.

anyway…. i finally got it back today and was eager to put it back to use. despite it acting differently on different days of the week (i swear the designer has built this functionality into the code somewhere) it can actually be coaxed into doing very interesting things…

tonight's sound comes courtesy of an OP1 being sampled into the g0 which uses an LFO to move about within the sample. it's going into an animated intelllijel korgasmatron filter and through a bit of make noise echophon delay.

the fun, however, comes as the signal is routed through a custom modified serge resonant eq where i carefully play with a feedback network.

this was an 8 minute recording, and some great (as well as explosive) feedbacks happened throughout the time. this bit i felt was free of the most uncontrollable feedbacks… so it's this i post.

a great little combination of modules that one could get a lot out of...

May 05, 2014 (mungo g0 meets serge resonant eq)

Ain't docile Automatons, Vol​.​2

Cinap

▲ ◙ ▲

Mix from @powerdynamics & @yakayaka

originally aired on March 12th, 2024 on Ola Radio https://olaradio.fr/

𝓼𝓮𝓬𝓻𝓮𝓽 𝓰𝓮𝓽𝓲𝓲 
Akio Suzuki - A record of the space
Lorien... Live!!! - love bites
Wilted Woman - The Worm Should Have a Treat
imryll - come out and play
Topdown Dialectic - 20170804-02
resilient - 1.2
pent - 2_
Chaperone - Miniature Plastic Flower
Pontiac Streator - l'amour toujours
sean mccann, matthew sullivan & jeff witscher - barb

𝓨𝓪𝓴𝓪
Yaka - ???
Deepchord - Immersion I
Yaka - ???
Mikkel Rev - Sphal
Volodymyr Gnatenko - Subra
Mike Midnight - You Are How the Light Gets In
Pupajim - Homeless

Long Thaw 🍂 with secret getii & Yaka

This mix was recorded live during a sound & movement workshop I ran with my partner, Bex, at the studio back in early March.

The idea was to stitch together sounds, moods  and textures that complimented the accompanying yoga flow being taught by Bex, moving slowly through breath-work and meditation into some gentle movement and yin yoga. 

I tried to build a sort of collage of warm, dubby ambient, with some sparse percussion later on to soundtrack the movement part of the session. Perfect listening for a Spring stroll or at home melting into the sofa 🫠

mix series | max q

Alyssa Moxley’s »City Replica Souvenir,« a composition reflecting on the pioneering composer and KSYME co-founder Iannis Xenakis’ unrealised »Athens Polytope.« Moxley attempts to deconstruct the sound politics and massive coordination inherent in Xenakis’ city-sized proposal to a smaller, souvenir-sized aesthetic abstraction.

Credits

Chronotopia Echoes / Αντηχήσεις took part within a wider project titled Chronotopia, initiated by CTM Festival and Goethe-Institut Athen. Through several events and commissions the initiative  aimed to highlight connections between experimental music, research, and media practice, for instance via re-articulations of pre-modern musical forms and practices, media-archeological research, or archives amongst others. 

Co-produced by CTM Festival, Goethe-Institut Athen, Athens & Epidaurus Festival. In collaboration with KSYME/CMRC.

Mastered by Rashad Becker, Berin.
Artwork by VOJD.

CTM Editions 001
All Rights Reserved to the respective owners.

Chronotopia Echoes / Α​ν​τ​η​χ​ή​σ​ε​ι​ς

City Replica Souvenir

Free download

Alyssa Moxley - City Replica Souvenir

This last episode of “Chien de Temps” revolves around a tormented and nostalgic plot which sometimes breaks up on experimental motifs with rough and shattered contours which aspire to be close to the celestial light.
More Info here : https://lyl.live/show/chien-de-temps

CHIEN DE TEMPS #15 w/ Why Pink? - LYL Radio (29/03/24)

READ > https://inverted-audio.com/premiere-jean-emmanuel-rosnet-les-ocres

French experimentalist @jean_emmanuel_rosnet is set to release his first album in nearly four years. Following a pair of releases in 2020, 'Stories concerning the heroes and rituals' and 'The Distant Murmur of the City', 'Les Alentours' is his debut with California imprint @not-not-fun-1

Les Alentours

Jean-Emmanuel Rosnet - Les ocres [Not Not Fun]

Still Life

Artist: Hubert Zemler
Title: groove 18
Data premiery: 28.06.2024
Format: digital / cassette (edition of 50) 
Mastering: Mateusz Wysocki
Artwork: Iwona Jarosz

In 2018, Outlines released a cassette by Polish drummer Hubert Zemler in the groove series dedicated to mixing footwork with dub. Zemler brilliantly dismantled this idea by creating two unique hybrids at 160bpm. So when the idea for a groove series created by drummers came up, it was a natural choice for Outlines owner Pawel Dunajko to approach Zemler to take part in the project.

Groove 18.1, subtitled 'OCD Soundsystem', opens with a completely different register and aesthetic to outlines' previously released groove 8. The track begins with a slow minimalist tempo reminiscent of Andy Stott's deep rhythms. Zemler gradually incorporates individual intensity-enhancing sounds to situate a layered synth loop in the central part of the piece. In the final moment of the recording, against the backdrop of an ever-recurring random phrase, the sounds of piano, bass guitar and an effects-driven voice appear, evoking associations with post-classical music and kosmische musik.

The first part of 'groove 18.2 (Cowboy, Cable TV And Roller Skates)' could appear on any of David Holmes' albums for its illustrative nature. In the second part of the recording, all these cinematic ornaments fade away in favour of raw and hypnotic layers built on short synth phrases. In the last part, the density of the track becomes increasingly intense with a rising culmination abruptly ended by a few single sounds reminiscent of Massive Attack's 'Dissolved Girl'.

Groove 18 is Zemler's own vision and his journey back in time to sounds that evoke some form of vintage sentiment and shards of nostalgia. In contrast to the earlier footwork of Groove 8, the leap into the future is made here with an imagination firmly rooted in the past, revitalising and refreshing it. This allows new musical and surprising associations to emerge, where krautrock and post- classical intermingle with Andy Stott, David Holmes and Massive Attack.

Hubert Zemler - groove 18.1 (OCD Soundsystem) preview

FLORILEGIO’S MIXTAPE #23
A tapestry of contemporary experimental and underground tracks from Florilegio’s worldwide network of female musicians.
www.florilegio.org
www.freeformfreakout.com/florilegio-mixtape-23/

TRACKLIST:
Yu Ching “You, An Illusion” The Crystal Hum (Night School) 00:02 – 04:52
Heta Bilaletdin “Anaksa” Nauhoi (Kraak) 04:27-9:20
Signe Emeluth “2.2” BANSHEE (Motvind Records) 9:15-10:47
Maria Bertel “Bertel Solo 2” Live in Murmansk (School of the Arts) 10:37-13:52
Yao Chunyang “旁旁 Beside Her” Post-Oblivion 泯默集 (Dusty Ballz) 13:49-18:06
Jiyoung Wi “Swipe Left” Accept All Cookies (Enmossed) 18:05-21:45
Avola “In The Mourning” Psykor (SIGE Records) 21:43-31:11
Martina Berther “Cymbal” Bass Works: As I Venture Into (Kit Records) 31:01-33:01
Ka Baird “Gate IX” Bearings: Soundtracks for the Bardos (RVNG Intl) 32:53-38:26
Ma-Beyn & Sabine Salamé “7RK” N7S (Self-released) 38:16-42:49
Hiele Kinsella “The Third Summer of Love” The Third Summer of Love (Stroom) 42:43-49:00
Jessica Sligter “The Finest Hour” (Self-released) 48:39-53:18
Marta De Pascalis “Harmonices Infinity” Sky Flesh (Light-years) 53:09-58:09

FLORILEGIO MIXTAPE #23

Ben Frost's stunning performance from Unsound Krakow 2008, in St Katherine's, a 16th century Gothic church. The recording was made from the audience seating area, rather than via the mixing desk, to capture a sense of the church's massive interior and acoustics. At Unsound 2009, Biosphere and Stars of the Lid will perform in the same space.

Unsound Podcast 01: Ben Frost - "Live at Unsound 2008"

With over 100 physical releases since its inception by Taylor Deupree in 1997, New York-based music label 12k has decisively defined and developed the concept of minimalism in the realms of electronic music for more than a decade. Fusing elements from Ambient and Electro-Acoustic Composition with carefully arranged digital textures and associative micro-noises, the label's aesthetics revolve around a precisely-outlined, yet deeply emotional concoction of the technological and the organic. Eschewing the typical marketing mechanisms of the commercial music industry, Deupree has sculpted a platform whose influence today extends well beyond the confinements of the experimental community. 12k's integral approach, in which the label's instantly recognizable, elegantly spartan artwork enters into an inseparable symbiosis with the music, has created a timeless audiovisual language respected and appreciated all over the world.

May 05, 2014 (mungo g0 meets serge resonant eq)

12k

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