Souk

A little piece, sort of dedicated to castle in the sky

23.11.23

will work for peace

Laputa

D-What does your sweat taste like?

Mentally Guitarded

I am a robot error error
I’m programmed following the instructions ” Zen of Python
I don’t understand 
my own instructions:

Beautiful is better than ugly.
Explicit is better than implicit.
Simple is better than complex.
Complex is better than complicated.
Flat is better than nested.
Sparse is better than dense.
Readability counts.
Special cases aren't special enough to break the rules.
Although practicality beats purity.
Errors should never pass silently.
Unless explicitly silenced.
In the face of ambiguity, refuse the temptation to guess.
There should be one-- and preferably one only one --obvious way to do it.
Although that way may not be obvious at first unless you're Dutch.
Now is better than never.
Although never is often better than *right* now.
If the implementation is hard to explain, it's a bad idea.
If the implementation is easy to explain, it may be a good idea.
Namespaces are one honking great idea -- let's do more of those!

Error error error
I am a robot 
Give me clear instructions, give me a manual

simplicity is the ultimate sophistication
but I’m complex by nature, consisting of many moving parts and layer
am I an error
 I am a robot i don’t understand my own instructions

Zen Of Python

Sally's Pepper Flakes Instrumental Jam
TMS Music, Mix, and Mix
MJ-Brewer-Bass

This song was inspired by a fun riff and cool guitars. Special thanks to Sally.

Sally’s Pepper Flakes w/ TexMex Shaman

Iryna Aleksiychuk 
Fantasy cantata "Lullabies of the Reeds" for mixed choir and symphony orchestra in five parts based on lyrics by Olena Stepanenko. 
Artists:
Classical Music Ensemble of the National House of Organ and Chamber Music
named after B. Lyatoshynsky
Soloists - Olga Shvydka (soprano), 
Anna Labud (mezzo-soprano)
Conductor - Igor Andrievsky

Many years ago, Blaise Pascal called man a reed capable of thinking. Bearing in mind the fragility and fluidity of human life, man's loneliness before the universe, fear of death, and defenselessness before love.
Paraphrasing the French thinker, we can say that a person is a reed pipe near the mouth of God, on which He plays his lullabies. That is why each of the five movements of this work is a kind of lullaby - from the Little Mermaid's lullaby (in the first movement), through the lullaby to Self and Beloved (in the second and third) - to the lullaby of Death, which destroys, leaving no hope of salvation (in the fourth movement), and the lullaby Death, which renews and heals, opening the door to a new, enlightened dimension (in the fifth movement).
The dramaturgical unification of the cycle is facilitated by the system of leitimages, which are transformed throughout the work. In particular, these are the Lullaby and Resurrection leitmotifs, the Calling leitmotif, as well as the Heartbeat and Breathing leitmotifs.
All movements of the cantata are performed without a break, attacca.
1 mov. "Lullabies through water"
2 mov. "Order of God's grace"
3 mov. "Windows of insomnia"
4 mov. "Order of God's Wrath"
5 mov. "Lullaby last"

1 mov. "Lullabies through water"

COGENERATION

Happy Drone Day 25th May 2024! www.droneday.org

More on the 647th weekly Disquiet Junto project, Day Drone — The Assignment: Make some daylight drones for Drone Day — at https://disquiet.com/0647/

more halF unusuaL

halF dronedaY [disquiet0647]

2024-06-11

Adieu

NOT for bendy mod okay ?
rap by wrathstetic, inkpot by creativelimeyt

COGENERATION

In Mind

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