Chilean-born DJ/Producer SIMPLY CITY began his music career embedded in clubs and raves in his native city of Santiago under the alias Cesar “Bass” Romero. After developing a reputation as one of the most in-demand DJ’s in his home country, Cesar left Chile to begin touring across Latin America, Asia, Europe, and North America in the pursuit of launching his DJ career. 

Cesar then spent many years traveling and touring the world internationally as a DJ. It was Montreal, however, where he decided to root himself after much time abroad. Here, he gained a coveted spot as a resident at Montreal's world famous Stereo Afterhours, where he’s been engaging crowds and developing his sound for over 10 years. 

Stereo’s globally recognized sound system, acoustic space, and dedicated club-goers gave Cesar the opportunity not only to apply his breadth of experience as a career DJ, but also to explore a variety of new musical territories. At Stereo, Cesar never fails to flex his mixing skills to an audience of “stereo-heads”; always taking them on truly sonic and atmospheric journeys through his music. Whether opening up the room for some of the biggest names in electronic music or taking over the space for an “all night long” set, Cesar’s mastery of tight mixing and careful track selection have garnered him respect both locally and internationally. 

Outside of DJing, Cesar has released several tracks on some of the most well-renowned progressive house labels; ultimately putting himself on the map as one Montreal’s most recognized progressive house producers. SIMPLY CITY continues to play his music beyond Canada’s borders, and consistently delivers his infectious Stereo flare to audiences across the world.

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


Grammy nominated producer, DJ and radio host.
New album 'Music Rescues Me' out now!

Whirling Dervish Productions came together out of the need for higher quality underground music experiences for adults in the Denver area. A collaboration between Brown Elvis Presents and Mental 69 of the Fantastic Hosts.

DJ / Producer / Label owner / Radio Broadcaster

World Bookings: Carlos Calico
carlos@ingeniumbookings.com
DEMOS: cube@thecubeguys.com

THE CUBE GUYS Biography:

THE CUBE GUYS is a club undertaking that was born in 2005 between two of the most prominent producers in Italy: Roberto Intrallazzi and Luca Provera. Although their backgrounds and professional training differs, their common desire to release new productions and contribute to the international club scene is equivalent. Together, they combine their previous experiences and endeavors to launch a fresh and innovative musical journey!

Roberto Intrallazzi began his musical career in the latter part of the 80’s and beginning of the 90’s as part of one of the most successful projects of the ‘made in Italy’ dance era, F.P.I. Project. Their track ‘Rich in Paradise’ received worldwide acclaim and was one of the first house music releases to come out of Italy. Over the 90’s decade, his sound evolved into more like ‘house’ of today with influences from electro of the 80’s. The combination of the strong energy and search for new rhythms typical of the 80’s along with the contemporary minimal-electronic sound further assisted with the development of Roberto’s style.

In 2000, Roberto Intrallazzi met the DJ and producer, Luca Provera who matched Roberto’s knowledge of music and technology. Luca got involved with music at a very young age by building his own recording studio and becoming familiar with the technicalities of making music. Luca utilized computers, mixers, samplers, and keyboards to launch his career as a producer and sound designer; employing both digital and analog equipment. 

Luca later went on to produce a private Italian radio show and together with the artist Intrallazzi produced the album ‘The Pleasure is All Mine’ by Kym Mazelle. His radio and recording studio know-how led him to quickly gain familiarity with both the software and hardware necessary to produce quality house music. He isn’t just a quality producer however he is also a well-known DJ who plays frequently in alternative venues in Italy and all over the world.  


DJING:

1 mixer... and 4 hands... playing Back 2 Back! 

The Cube Guys know how to make the dancefloor go wild spawning miraculous moments. Continually striving to bring an animated, floor shaking, and diversified attitude to their productions and performances, The Cube Guys draw inspiration from cutting-edge nuances in technology and the international clubbing community. 

Combining house with tech elements and Vocal contributions, The Cube guys steadily persevere to emerge and mature on an international level. Taking part in some of the most eminent and influential parties and clubs globally, The Cube Guys have managed to disassociate themselves from the masses. 


PRODUCTIONS AND REMIXES: 


The Cube Guys sound has traveled all around the globe with recognition from Mark Knight, Pete Tong, Bob Sinclar, Roger Sanchez, Chus & Ceballos, Prok & Fitch, Mike Vale, David Penn, Atfc, Ralph Falcon, Oscar G, Erick Morillo, Dj Boris, David Morales, Hector Romero, and many other big names. 

The Cube Guys' have managed to chart every single on of their releases and have been selected and licensed by the most important international record companies. Day after day they receive requests to have their special 'touch' on new productions and these requests are constantly multiplying. 

Some of the artists they have remixed include:
Anastacia, Sophie Ellis Bextor, Steve Angello, Moloko, Coolio, Luciana, Ultra Nate, Roger Sanchez, Bob Sinclar, Suzanne Palmer, India, Romathony, Shawn Christopher, 
Ralph Falcon, Fish Go Deep, Yello. 


General Infos:
info@thecubeguys.com

[W]: www.thecubeguys.com
[SC]: www.soundcloud.com/thecubeguys 
[BP]: www.beatport.com/artist/the-cube-guys/7091
[TW]: www.twitter.com/thecubeguys
[FB]: www.facebook.com/thecubeguys
[YT]: www.youtube.com/user/thecubeguystv
[RA]: www.residentadvisor.net/dj/thecubeguys

David Morales is a globally revered American DJ, a Grammy award-winning record producer, songwriter, and businessman. He has produced and remixed over 1000+ records for an all-star roster of multi-platinum artists, including Mariah Carey, U2, Michael Jackson, Aretha Franklin, Madonna, and Whitney Houston. A true legend of house music, the global phenomenon and penetration of dance music into Top 40 radio would not have been possible without him.
More recently, Morales launched DIRIDIM Records in 2018. With this new label, David is signing and developing new talent - and naturally, releasing some of his own music. DIRIDIM celebrates all kinds of dance music, ranging from the classic house music sound Morales is known for to straight-up electronic sonorities. In January 2022, Morales released "Life Is a Song", his first full-length studio album in almost 10 years. Produced during the pandemic lockdown, the album featuring artists, Mr. V., Blakkat, Elle Cato, Michelle Perera, Lea Lorien, Blondewearingblack among others, quickly gained an international following eager to hear more and skyrocketed up Traxsource's album chart to #1 for three weeks. His unquenchable thirst for newness is precisely why this native New Yorker remains at the top of his game into the new decade - “It’s about keeping an open mind,” as Morales says. In 2020, due to the global pandemic and inability to travel, he launched, Sunday Mass, a livestreaming show on Twitch to entertain his fans across the world. The 2021 IMS Business Report based on data, cited him as one of the dance music artists who experienced online success during the pandemic. Into post-pandemic times and with the reopening of clubs all over the world, David continued his legacy as a native New Yorker and trailblazing DJ, constantly gracing the best international stages with recent standout performances such as the Hacienda Warehouse Project in Manchester, Clockwork Orange in London, Stereo Montreal, EDC Vegas, Hi Ibiza, and After Caposile Venice. In 2024, David Morales is holding a residency at the legendary Pikes Hotel in Ibiza during the summer. A pinnacle in his repertoire is also the ongoing success of the Sunday Mass parties in NY, featuring both club nights and legendary boat parties during the summer. These events stand as a testament to Morales's enduring impact as a true legend on the house music scene. On top of this all, David is on the brink of releasing a new LP, 'Sunday Mass Vol. 1', the inaugural installment in a series with more to come in 2024. As we venture into 2024, expect a flurry of news and projects, with the new year expected to be a more than ever prolific one for David Morales.
 
FILM /TV/FASHION/RADIO
David Morales has transcended musical genres to create a global brand. His music productions have appeared in popular films and television shows, including The Devil Wears Prada, Ninja Turtles 2, Don’t Mess With the Zohan, and Star (TV Series). His DIRIDIM radio show can be heard on Ibiza Global Radio and numerous other stations around the world which is streamed to millions of listeners around the world. In 2016, Morales was the lead judge on “Top DJ” a national television series broadcast on Italia 1. When it came time to wear his fashion model hat, Morales appeared in a global advertising campaign for luxury design house, Iceberg. 

HISTORY
David Morales honed his skills as a DJ in the 1980s and 1990s at such legendary clubs as the Ozone Layer, Paradise Garage, Red Zone, Zanzibar, Tunnel and Club USA just to name a few. When the remix and DJ work began taking off, Morales teamed up with house music legend, Frankie Knuckles, and For The Record DJ Pool founder/NYC nightlife impresario, Judy Weinstein, to create Def Mix Productions.
Morales’ prolific production career kicked into high gear in the 1990s with the release of his solo debut album, “The Program” by David Morales & The Bad Yard Club. In the late-1990s, with hundreds of remixes (Mariah Carey’s “Dreamlover,” Janet Jackson’s “Throb,” Alison Limerick’s “Where Love Lives,” CeCe Peniston’s “Finally,” Jamiroquai’s “Space Cowboy”, Jaydee’s “Plastic Dreams,” Robert Owens’ “I’ll Be Your Friend,” under his belt, Morales recorded the groundbreaking house classic, “Needin’ U,” under the alias David Morales Presents The Face. Morales’ second album, “2 Worlds Collide,” arrived in 2005, followed six years later, by his third album, “Changes.” 
David Morales was nominated for his first Grammy Award in 1996 as a Producer on Mariah Carey’s album, ‘Daydream’ for the song ‘Fantasy’. In 1998 he won a Grammy Award for “Remixer of the Year.”
Though Morales’ past is surely one for music’s history books, the DJ-turned-artist always has his eyes firmly focused on the future—on what lies ahead. He keeps an ear to the ground, regularly exploring new music, new artists, and hotly tipped DJs who might inspire him to “go and do my homework.” He happily embraces the new generation of clubgoers. “They don’t care about yesterday”, he says, with a knowing smile.

For further information on David Morales please contact:
Valentina Cecchini @ OMNIVERSE S.r.L. on: +39 335 6810626 or email info@omniverse.sm

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