Step into the boundless realm of sound with ' The Open Circle ', a masterful dub artist who will envelop your soul with enchanting melodies.
Embark on a musical journey like no other, where deep basslines and mesmerizing rhythms interwine into a harmonious cadence. let yourself be carried away by lush soundwaves that embrace your senses and liberate your mind. The Open Circle takes you to a transcendental dimension of sound, where time and space blur, and only the magic of music prevails. Don't miss this opportunity to immerse yourself in the sonic artistry of ' The Open Circle ' an experience that will resonate with you for years to come. Enjoy take care of yourself, and Peace from somewhere in this universe.

booking:  

Worldwide: sherif@peoplesagency.nl
Mgmt: n@avmetronome.net

Known for her impeccable selections, which she has been sharing around the globe for the past two decades, Lola Palmer is considered by many as one of Europe’s finest deep techno selectors. Her consistent output of online DJ-mixes has earned her an impressive following through channels such as RTS.FM and MixCult – gathering up to 270K streams per mix. After collaborating with the likes of Terry Lee Brown Jr, Lola Palmer continues her musical journey with releases on Mixcult and a debut vinyl EP on the well-regarded BERG AUDIO label, featuring reworks from the scene’s favourites, Janeret, Priku and Dinu. There is no doubt Lola is only at the start of her artistic path, with much more exciting news to come.

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

// bry oni
200 resident 

booking ///// 
kai@zweihundert.de
booking@provedbooking.de





https://200-records.com

test-login: ./ > hello world
warn:checksum is uneven
root@dsb-468311467: ./ > attempt to fix failed -print -f .log
: ./ >
..//.^.\\V//.^.\\..
..//.^.\\V//.^.\\..
.°\\_.__.\\V._._//°.
corrupted sys-config.log detected
root@dsb-468311467: ./ > attempt to execute
change V/ resist \V/ lock \V
> .
> . start simulation
> . init recursive world building >> >>
> . if >> then >> start game_of_live.exe
**** create particles ****
**** setup entropy >> args * const main(E = h * f)
**** begin procedural chain functions
**** processing
**** max velocity c = 299.792.458 m/s
**** if >> growth m => i
> . then >> stop observer.exe:purge
> . live | cd ./

Since winning Muzik magazines “Best New DJ” award in 1997, Terry Francis has had what can only be described as a meteoric rise to fame. To those previously unfamiliar with his flawless mixing skills and instinctive ability to work a crowd it probably seemed as if he’d arrived out of nowhere. Fact is though, he had been blazing a trail through the underground for no less than ten years before the world at large sat up and took notice and his unanimously praised “Architecture” mix album helped put him on the map. A seamless mix of deep dubby house, celestial breaks and ethereal vocals – it was shot through with the kind of shimmering techno sensibility that really marked it out as something special. Some called it “tech house”, whilst Terry himself jokingly described to it as “house no”. Ultimately though, any labelling of Terry’s style is fairly pointless because what he does is what all the very best DJ’s do. He blurs the lines between the past and the present to create the future and always plays from the heart. Crucially though, he does ft just that little bit better than almost anybody else.

Grammy nominated Producer & DJ
co-founder of @yomorecords
1/2 of @sudhausmusic

The DBH Music Distribution GmbH, founded in 2007, has established itself as one of the few leading worldwide vinyldistributors for electronic clubmusic. Providing a worldwide customer network, including all relevant stores and partnerdistributors, the idea of spreading high quality underground clubmusic is the driving force behind the Frankfurt (DE) based team. Dedication to the product and love for the music is the key, no matter if talking about vinyl or digital distribution.

/briony

///// 200 resident 


https://200rave.com
https://200-records.com

200 Records was founded as a Techno label for vinyl and digital releases by Kai Sasse and Dirk Middeldorf in Cologne, Germany at the beginning of 2009. 200 Records releases music for the club and defines itself as an open-minded label striving to provide a platform for both established and new artists. They are putting an emphasis on connecting with their artists musically and personally. The motivation behind starting this label is Kai’s and Dirk’s love for electronic music; the will to contribute a piece to its development – to give back – and last but not least, due to their close friendship, the desire to create something new together.

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