Daniel Avery - Drone Logic

We Need Cracks - Windrose EP - Traum V177

Release Date: 18th May 2014

available at Beatport
http://www.beatport.com/release/windrose-ep/1298092
and iTunes
https://itunes.apple.com/de/album/windrose-ep/id871826242

Video-Link (youtube) http://youtu.be/L8T7RbtF7fA 

See more at
http://www.traumschallplatten.de/traum/traumv177/traumv177.html

We Need Cracks - Aquilons (Traum 177)

John Tejada - The End Of It All (Original Mix)

Pre-order the album 'Alternative Light Source' to receive this track as an instant download - http://smarturl.it/altlightsourceiTunes
Tour dates at http://www.leftfieldmusic.com

Pre-order:
iTunes - http://smarturl.it/altlightsourceiTunes
CD - http://smarturl.it/altlightsourceCD
Vinyl - http://smarturl.it/altlightsourcevinyl

Universal Everything

My first released track became an instant classic still fits in modern sets very well

thanks to 

jano, riley reinhold, jaqueline and manuel to make this one possible

Daso - Daybreak

SAY NO MORE its this track yeah you know it and u love it

Daso  - Meine

One UK’s most underrated DJ’s in Bonar Bradberry has long been a respected DJ and producer in his own right on the underground scene. After lying about his age and beginning to play sets at clubs he wasn’t legally old enough to attend it wasn’t long before he began to win residencies at some of his native Birmingham’s hottest nightspots before setting off for Leeds and becoming involved with the notorious Asylum party where he shared a booth with some of the industry’s key figures like Gilles Peterson, Jamie Jones and Ricardo Villalobos.

Since then it has been onwards and upwards for Bradberry, firstly beginning work with 2020 Vision which has now become one of the scenes most respected independent labels before in 2007 starting to produce records himself both as a solo artist and with a series of collaborations with fellow ex-Play Music record store staff such as Paul Woolford and Matt Playford.

Now with a formidable back catalogue of his own including releases on 2020 Vision, Red Music, Future Classic and Under The Shade as well as producing remixes for some of the scenes coolest and most names such as Crazy P and Bernard Fevre. Bonar has quickly become an artist hard to ignore.

His latest release forms our Debut Transmission today and we've grabbed the Spirit Catcher remix of 'Ain't Me' for aural delights, you can check it out below.. 

Spotify: https://goo.gl/p1gaWy
YouTube: https://goo.gl/3JmFbF
Facebook: https://goo.gl/ZAsYwY
Twitter: https://goo.gl/yHyvTs
Instagram: https://goo.gl/6LqfCJ

Bonar Bradberry - Ain't Me(Spirit Catcher Remix)

Daso - Go Upstairs

Andrew Weatherall "For quite a number of years now I have been convinced that Mr Finlow is a conduit for musical transmissions beamed from a parallel universe, sometime in the future”.

Maceo Plex "Carl has produced some of my favorite electro tracks of all time, and successfully occupies the most space in my record collection.  And he's possibly not human”.

Keith Tucker / Aux 88 "Carl Finlow has been to the Electro movement a breath of fresh air. When ever visiting Europe and playing clubs , I would always hear some music that always stood out from the rest, and caught my ear. Viewing the dj's record would always show a Carl Finlow moniker or production. Carl Finlow's vocoder work was amazing and inspiring!”.

We hear the phrase ‘unsung hero’ often slung around, but if ever there was a true unsung hero in electronic music it would be Carl Finlow. Active since the early 90s Finlow has produced a prolific catalogue under the pseudonyms Voice Stealer, Silicon Scally and Random Factor on revered labels including Warp, Klang and Novamute but it is now time for Finlow to stand up and be counted for his lifetime contribution under his own name. 

Finlow was the co-founder of 20/20 Vision records and produced many of the early releases so it is a fitting tribute that the label has now compiled a collection of his very best electro works including the timeless classics ‘Anomaly’, ‘Convergence’ and ‘Broken Mirror’ as well as undiscovered cutting edge gems like ‘Undercover’ ‘Format Wars’ and ‘Electromotive Force’.

Born in Liverpool, Finlow was given a Moog Concert Mate MG1 by his father at the age of 13. He spent his lunch breaks entertaining the bored kids of Fisher Moore High School with the original Axel F theme by Harold Faltermeyer.  Carl was completely self-taught, managing to work out how to play keys and program synthesizers in his downtime. He has a pitch perfect ear and a natural gift for producing music. 

Of course there was Kraftwerk at the centre of Finlow’s universe but his knowledge was honed from a young age into the more experimental worlds of Tomita, Raymond Scott, Wendy Carlos, Delia Derbyshire and the BBC Radiophonic workshop. Early forays intro electro included listening to Cybotron and Model 500 but Finlow’s prolific period co-insided with the second wave of Detroit electro led by Drexciya and Aux 88 and the superb album by Dopplereffekt - 'Infophysix'. But it was the late James Stinson (1969-2002) produced Elecktroids - 'Elektroworld' that left the biggest imprint.  Both albums were on constant repeat at the infamous after-parties that happened at The Farm most weekends after going to back to basics club in Leeds. After the weekend dust had settled, Finlow retreated into the studio to forge his own unique marque on the electro genre. The product is in your hands now.

Carl Finlow - Convergence (Introspective Preview)

20/20 Vision