Buenos Aires born, Colombia based artist Yatuza deftly delivers the largest and most expansive Liondub Street Series project to date. Bogota Nights is a brilliantly crafted 15 track LP that took a full year to complete and speaks volumes about the depth, and spirited essence of the young producer’s music. The album includes an outstanding set of collaborations with talented producers from around the globe such as Dunk, Alex SLK, B-Plexx and Teej, featuring a wide ranging track selection crafted to the highest standard, catering to all lovers of rolling Drum and Bass music.

Want to get in touch?
General/Licensing → liondubpromo@gmail.com
Facebook → facebook.com/liondubstreetseries
SoundCloud → soundcloud.com/liondubinternational
Instagram → instagram.com/liondubinternational
Yatuza Facebook → facebook.com/yvtuza
Yatuza Soundcloud → soundcloud.com/yatuza

Liondub Street Series Vol. 58: Bogota Nights [LDSSVOL058]

Liondub Street Series, Vol. 58: Bogota Nights

Yatuza - Mantis Feat. Teej [Liondub International]

The OCC boys are back, this time featuring the one and only Jakes. Tectonic by name, tectonic by nature. 

Buy Link: https://www.beatport.com/release/tectonic/3657658

Tectonic Ft. Jakes | OUT NOW

Dive into the gritty depths of drum & bass with "Breeze" a relentless roller that introduces a unique twist with its infectious steel drum melody. The track is a testament to both parties ability to fuse raw energy with inventive musical elements. "Breeze" is a sonic journey that propels listeners into a frenetic dancefloor experience, driven by its pulsating beats and innovative use of steel drum sounds

Breeze

Wavs £1.10

Serial Killaz & Jaydan - Breeze

05 True Tactix - Run It

AN ATLAS OF LOSS

Do minerals dream of becoming semiconductors? Do they yearn to carry charges, amplify, switch, and convert energy into emotions comprehensible to humans? And what if, from the darkness of the underground, they had been listening to us sing in caves before the emergence of the first flute? Could they have guided us, through the course of history, to find them, extract them, and create new sounds through sinusoidal waves, to form valves and bend circuits?


If so, minerals would transition from what philosopher Eugene Thacker defines as the ‘planet’—that virginal and unreachable realm for humans that we study through geology, paleontology, and environmental sciences—to the ‘world,’ the space we inhabit, interpret, and synthesise in our daily lives. Sadly, we only remember the world when it erupts violently, through climate catastrophes or when a new virus emerges. Sometimes a tsunami collides with a nuclear plant, or viruses are cultivated as biological weapons in high-security laboratories, provoking a deep biological anxiety, hard to quell, which we all feel beneath our skin.

There exists a third realm, disconnected from both the world and the planet: the ‘earth’, an immense, dense rock floating in space alongside other planets, situated in the cosmological dimension. Relating to the earth is so complex that we only do so through theoretical speculations of a scientific nature or through science fiction, interweaving until one becomes the prophecy of the other, in an infinite, pendular dance. Beyond the darkness of space and Lovecraft’s cosmic horror, the fantasy of human extinction is the most recurrent: to reach a collapse so devastating that we do not survive it, even though the earth does, without us.

In a world where we quantify everything through body sensors, financial algorithms, nanometre-scale robots, and surveillance drones—a world in which everything that can be domesticated and controlled can also be commodified—a superior artificial intelligence would survive the collapse of the species (some speculate it might even cause it) and learn from our mistakes, thanks to our obsessive gathering of data.

Long after our voices fade, minerals will persist in the darkness of screens, in the silicon of chips, and in their pure form, still unexploited underground. Over the millennia, this intelligence might piece together fragments of our reasoning, as if an alien civilization finally connected with one of our spacecrafts loaded with messages cast into the void. It would sort through endless streams of data, unable to grasp the depths of emotion behind what it quantified, recreating simulations of our past, stripped of the nuance that once defined us and conducting experiments in sandboxes.

Some remnants of our existence—faint echoes of forgotten beauty—would be pieced together in an atlas of loss, buried beneath layers of numbers, decayed bots, and corroded hard drives. What will follow? Perhaps bison will once again roam—trotting to the strange pulse of techno, their ancient forms framed by the ruins of our cities. Buildings will crumble, slowly dissolving under the soft touch of ambient music, and a thousand flowers will bloom with that ancient music created through electrical signals and computation.

7 songs for a future both improbable and inevitable—a final message from a world lost to itself, from planet Earth to planet Earth.
A1 by Alex Dickson, Joe Baker.
A2 by Olivier van der Lugt.
A3 by Andre Lira.
B1 by Flore Morfin.
B2 by Jdotbalance.
B3 by Charlie “Eric” Baldwin.
B4 by J. Coles, P. Tipler.


Mastered by Pedro Pina.
Artwork by Aleix Font.
CEEXYZ05.
©️ & ℗ 2025 Lapsus Records.
ceexyz.bandcamp.com

Buy Link (Bandcamp)

Air Max '97 - Marginalia [CEEXYZ05]

Free Download

No Onion [Subdue Audio] [FREE DOWNLOAD]

Bandcamp

Arriving In Yesterday

https://thirtyonerecordings.bandcamp.com/album/impossible-ep
https://store.thirtyonerecordings.com/download/31rs049d

Lupo & Induction - Badman

FREE DOWNLOAD - From @valiant-emcee (CAN) and @conradsubs (UK), a chaotic tune for chaotic times. Now streaming on Spotify, Apple Music, and all other streaming platforms. If you like it, please consider donating through my SoundCloud.

Valiant Emcee x Conrad Subs - "Killzone" (FREE DOWNLOAD)

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Lupo & Induction - Badman

31 Recordings

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