Damg what did you turn here? The whole enchilada sounds cool.

I rarely go straight noise. I experience multiple streams of sound data as noise. These streams can be comprised of un-noisey sorts of sounds. But it's the density that makes me feel it as noise. That, and any sort of feedback feels like noise to me. So this piece is a combination of those characteristics. I find working in a modular environment that things can get overly dense too easily in my hands. I have to really work to breathe some air into my patches, and that's how I start this piece ... light, and not too dense. Then, I gradually pull out all of the stops and let it wobble it's way through to the end.

More on this 257th weekly Disquiet Junto project — “Remember Noisevember: Make some noise” — at:

http://disquiet.com/0257/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/disquiet-junto-project-0257-remember-noisevember/5549

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Noisevember (MI Westside NANP Exploration)[disquiet0257]

heart-open & earth-honoring 
synthesist & field-recordist 
journalist & dreamtime walker
visualist & connector
​
The seemingly limitless manifestations that are observed during improvisational performance of electronic audiovisual materials drive me to seek collaborative interactions between compositional systems, machines, and myself. In holding space to facilitate an emergence of indeterminate phenomenon through analog synthesis, feedback systems, and field recordings, I share elements from multiple sources to celebrate shapes, patterns, and spaces.
​
I hold BAs in Art and English from Andrews University, and am currently enrolled in the Electronic Integrated Arts MFA at Alfred University. I was an artist in residency in 2017 at Signal Culture in Owego New York and in 2015 at Sachaqa Centro De ARTE, San Roque Peru. My visual works, and live electronic improvisational performances, have been featured across Peru, at The MuseumsQuartier in Vienna, and throughout the Midwest of America.
 
Note: Much of the work here is subtle in nature and I encourage you to listen via headphones or using a decent system whenever possible. Most computer speakers will not reveal the tracks fully.  Unless otherwise noted in the track description, everything is recorded direct to stereo track live and on the fly with no overdubs. Thanks for stopping by and listening!

Comments

Formant

rpcollier

Hypoid

Detritus Tabu

Daniel Diaz

WÜST

337is (three three seven is)