33p Get noticed, get heard! 🌟🔊 -  insclife

Love this approach, nice sounds and edits

Such a good concept and so well made. Great track!

Reminds me of SHXCX(...), whatever their full name is

Disquiet Junto Project 0639: Path Ways (4 of 3)
The Assignment: Rework musical trios using the constituent parts — one of two ways.

These instructions are fairly lengthy. Please read carefully. Originally this trios sequence of projects would have ended with the completion of the trios after three consecutive weeks. However, those went particularly well, so let’s see if we can push it a little further.

Please note: You needn’t have participated in any of the prior Junto projects to participate in this one.

Step 1: In the previous project, we completed musical trios. Project 0638 was the third of three consecutive projects. In the first one, 0636, musicians recorded solos. In the second, 0637, musicians took those 0636 tracks, nudged them to the left side of the stereo spectrum, and then added their own music to the right, forming duets with a hole in the middle. In project 0638, other musicians introduced a third track down the center of the 0637 recordings, completing the trios. You can revisit the music via the blog posts disquiet.com/0636 1, disquiet.com/0637 2, and disquiet.com/0638 2, and you can follow the forking paths through the related Google Drive spreadsheet 9.

Step 2: The goal of this project is to rework the material that accumulated over the course of the previous three projects. There are two main ways to go about this. One is to simply choose one or more tracks and remix, combine, mash-up, or otherwise transform them. The other is to move on to Step 3.

Step 3: Choose one 0636 track, a solo, that yielded more than one 0638 trio. (These are highlighted in light blue, or maybe it’s teal, in the leftmost column of the spreadsheet 9.) Trace the various routes that 0636 track took. Perhaps it also led to some 0637 tracks that never went any further. Perhaps there are various 0638 versions based on varied 0637 versions. In any case, record a piece of music that lets the listener experience the branching paths that the original 0636 track took over the course of the three phases of the trios project sequence. Clearly you will be using a linear form to represent variations, so how to achieve that will require some compositional ingenuity. But you’re up to the task.

Tasks Upon Completion:

Label: Include either “disquiet0639remix” (if you follow the loose rules of Step 2) or “disquiet0639paths” (if you follow the more specific rules of Step 3) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track (but if you post more than one, clarify which is the “main” rendition).

Share: Post your track and a description explanation at https://llllllll.co/t/disquiet-junto-project-0639-path-ways-4-of-3/

Discuss: Listen to and comment on the other tracks.

Full circle (ft @Raincat, @tristan_louth_robins, @xhg, @krakenkraft, @SinnySounds) disquiet0639paths

Recorded for the Naviar Haiku challenge #536.

The intention is to illustrate the passing; peacefully, into darkness, into light.

Starting with a simple arpeggio on the Vintage Vibe, running through a Space Echo, followed by a slow and mellow bass on the Moog One and a bit of space glitter from the Waldorf Quantum. Finished off with an ambiguous melody on the Moog.

Recorded in Logic Pro X with a Soundcraft MTK22.

into light [naviarhaiku536]

DESERT  SYMPHONY   1

"A piece of quiet"
Acoustic, Passerelle, Lo-Fi

Music by Stu King
Acoustic Guitar (Passerelle)
Korg Monologue Synth
Delay (Strymon Timeline)
Reverb (Strymon Big Sky)
Mixed in Cubase

Field Recording by Stu King
Blueberry Hill
Schoodic Peninsula, Maine 2022

Kinokawa

Kinokawa (naviarhaiku538)

VERY excited to be featuring the brand new Sumu (early access) instrument in this track, from the amazing Madrona Labs! It's been a bit of a wait, but, as expected, there are no half measures. It sounds wonderful and there's SO much scope for sonic play! This is the first little thing I got out of it after a little tweaking fun ... There are two instances of Sumu, playing bass and lead …

@madronalabs

heat in waves ̶
in the stones
angry reverberations

Katō Kyōtai was a poet from Nagoya who entered the world of haikai in 1759. His work shares with Buson a careful observation, not just of nature itself, but also of the complex emotions and reactions that characterize human existence.

haiku by Katō Kyōtai

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF heaT [naviarhaiku541]

How do you interpret the literal translation of karaoke - empty orchestra? 

Well I had a go; started with opening the BBC orchestra Plug in - spitfire audio - violins.  Made something very simple and looped it.
I had this playing through my main stereo which my decks are plugged into.. I let this playing on a loop and went down the hall in my house and used my digital tascam recorder to record from the far end of the house. I left this recording. 
I went back to the decks and selected an old classical record - Ketelbey Orchestral Concert - Bells Across the Meadow. I played this slowed down as low as my turntable can go, with no bass and treble to full... slowly faded this in. Near the end I pulled the 'earth' cable out the back of the mixer so it goes a bit crackly and caused one of the speakers to cut out. Perfect! 

That was more or less it. I opened this recording back up in Ableton and edited for a bit longer, reversing bits and adding extra effects. 
 ------------------


Disquiet Junto Project 0646: Empty Orchestra
The Assignment: Interpret the literal translation of “karaoke.”

Step 1: You may or may not be familiar with the literal meaning of the word “karaoke.” The first two syllables are the Japanese word for “empty.” The final two syllables are an abbreviation of the Japanese word for “orchestra.” Consider how the term “empty orchestra” connects with the idea of karaoke.

Step 2: Think about the term “empty orchestra” on its own, apart from its association with karaoke. Come up with a new meaning for it. What kind of genre or musical form would “empty orchestra” be on its own?

Step 3: Record a piece of music exemplifying the ideas that arose to you during Step 2.

Tasks Upon Completion:

Label: Include “disquiet0646” (no spaces/quotes) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track, but if you post more than one, clarify which is the “main” rendition.

Share: Post your track and a description/explanation at https://llllllll.co/t/disquiet-junto-project-0646-empty-orchestra/

Discuss: Listen to and comment on the other tracks.

Disquietly an Empty Orchestra From Down the Hall [disquiet0646]

memories of concert walls

Long after the orchestra went from stage, the audience left the concert hall, the room has been cleaned: the walls still hold their musical resonances. Together with electricity, pipes, screws, wood and stone we listen to this phenomenon.

Disquiet Junto Project 0646: Empty Orchestra
The Assignment: Interpret the literal translation of “karaoke.”

The first two syllables are the Japanese word for “empty.” The final two syllables are an abbreviation of the Japanese word for “orchestra.” 

More on the 646th weekly Disquiet Junto project, Empty Orchestra — The Assignment: Interpret the literal translation of “karaoke” — at Disquiet Junto Project 0646: Empty Orchestra – Disquiet

memories of concert halls

memories of concert walls (disquiet0646)

Disquiet Junto Project 0646: Empty Orchestra
The Assignment: Interpret the literal translation of “karaoke.”

Step 1: You may or may not be familiar with the literal meaning of the word “karaoke.” The first two syllables are the Japanese word for “empty.” The final two syllables are an abbreviation of the Japanese word for “orchestra.” Consider how the term “empty orchestra” connects with the idea of karaoke.

Step 2: Think about the term “empty orchestra” on its own, apart from its association with karaoke. Come up with a new meaning for it. What kind of genre or musical form would “empty orchestra” be on its own?

Step 3: Record a piece of music exemplifying the ideas that arose to you during Step 2.

Tasks Upon Completion:

Label: Include “disquiet0646” (no spaces/quotes) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track, but if you post more than one, clarify which is the “main” rendition.

Share: Post your track and a description/explanation at https://llllllll.co/t/disquiet-junto-project-0646-empty-orchestra/

Discuss: Listen to and comment on the other tracks.

Additional Details:

Length: The length is up to you.

Deadline: Monday, May 20, 2024, 11:59pm (that is: just before midnight) wherever you are.

About: https://disquiet.com/junto/

Newsletter: https://juntoletter.disquiet.com/

License: It’s preferred (but not required) to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).

Please Include When Posting Your Track:

More on the 646th weekly Disquiet Junto project, Empty Orchestra — The Assignment: Interpret the literal translation of “karaoke” — at Disquiet Junto Project 0646: Empty Orchestra – Disquiet

The depicted theater in the cover image is the Teresa Carreño Cultural Complex in Caracas, Venezuela.

An ending with no beginning - disquiet0646

revel (disquiet0647)

Sometimes a junto challenge inspires me and makes me go for something new and unexpected. Rarely (very rarely) is it the other way around. 
This week's junto seems to be inspired by what I just did (have been doing for the last 2 days).

I mentioned in a previous post my new instrument, the Ronroco built by Argentine luthier S. Vazquez a couple of months ago.
I am recording a mini album (at the request of a producer) and this particular track had the working title “Concerto for Ronroco and Strings”. I wanted to create a little piece of music in which the orchestra would play around this peculiar little guitar.

I wasn't planning to share it (I have a meeting with the producer tomorrow to show him the first mix), but here it is. I'm quite proud of this, two long days of work.
Regards 
dd

https://llllllll.co/t/disquiet-junto-project-0649-concerto-for

pseudo-concerto for ronroco and strings (disquiet0649)

This track was created for the Naviar Haiku group.
551
https://www.naviarrecords.com/naviarhaiku551-imagine-a-temple/

An ending with no beginning - disquiet0646

33per

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