Cloudy EXPWAY

Additional instrumentation on my end: A kalimba with Valhalla delay (resembles a haunting synth), and a ratchet with lots of reverb

More on this 592nd weekly Disquiet Junto project, Better Than One (The Assignment: Record the second third of an asynchronous trio), at: https://disquiet.com/0592/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0592-better-than-one/

Somebody's Home (disquiet0592)

I was listening through the tracks and hit "The Lonely Pelican Has a Friend" and it absolutely wowed me with its gorgeousness combined with just a bit of glitchyness. The delay on the guitar made me think about setting up a Frippertronics-like loop and playing that over top.

I loaded the original track into AUM's file player on the iPad, fired up the iOdyssey app, and found a suitable fluty/chirpy patch; I've been itching to try it out more, and this seemed like just the right thing for it.

I added the K7D audio effects unit to give me a panning looper for the Odyssey, and recorded two takes of the original plus the Odyssey. Neither of which was quite what I wanted -- just a little thin...so I decided, why not try both? 

I loaded both takes and the original track into AUM, and played it all back in sync to record the final track. This slightly emphasized the grittiness in spots, but I decided that I liked the effect...partly because it is interesting, and partly because getting two more isolated takes was more time than I had to spend.

This was definitely couch (actually bed) synthesis; I did the whole performance, recording,  and mixing on the iPad. I only needed to move the final track to the Mac to MP3 encode and add the track metadata before uploading.

Downloaded the final track, as noted, and tagged the file with Fission, generating a quick bit of art with ML.

Lonely Pelican No More [disquiet0593]

Collaborative work for the Disquiet Project:
https://disquiet.com/2023/05/18/disquiet-junto-project-0594-threemix/

The unmixed source track:
https://soundcloud.com/merlebardenoir/merle-bardenoir-sonic-search-4light-unknown-eden-disquiet0593

Merle Bardenoir, Sonic Search & Forelight - Unknown Eden [disquiet0594]

For this project I made a recording in a small bathroom with open window with for different mics in 4 different positions. The mics were: built in mic of a Dell Latitude E7440 laptop, built in mic of a Huawei P smart smartphone, a Zoom H5 and a Zoom H2N in stereo surround mode. The recording was made simultaneously with all 4 mics. Then I played these recordings simultaneously in Ableton, muting and activating them in different constellations and slightly processing them with GRM tools Evolution, Reson and Band Pass. https://inagrm.com/en/store

More on this 598th weekly Disquiet Junto project, Mixmaster Mic (The Assignment: Record the same sound with multiple mics; mix the results), at: https://disquiet.com/0598/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0598-mixmaster-mic/

Listening in a Small Room (4 mic mix) [disquiet0598]

[disquiet0598] Sgt One - Up

Pleshmant

Disquiet Junto Project 0599: Minimal(ist) Blend

How the sounds were created might best be described as follows: 
- Recorded 5 polyrhythmic guitar tracks (in 3, 4, 5 and 7) live, over the entire duration of the track ~3.5 minutes
- Disguised them, only allowing each to come to the fore occasionally
- Added up-front metallic sounds, single hit percussion and a bassy pad
- Mixed those ingredients to allow different aspects to shine in turn.

Thanks @disquiet and @tobiasreber for this inspiring prompt!
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More on this 599th weekly Disquiet Junto project, Minimal(ist) Blend (The Assignment: Make a piece of music that combines self-contained minimalist parts), at: https://disquiet.com/0599/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0599-minimal-ist-blend/

Free Download

Enilpicsid [disquiet0599]

This track uses all the samples provided by Marcus Fischer, modified & combined in numerous different ways.

More on this 600th weekly Disquiet Junto project, Reaching Out (The Assignment: This is a shared sample project. Rework a set of seven WAV files provided by Marcus Fischer), at: https://disquiet.com/0600/ 1

Please credit Marcus Fischer when posting your track.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0600-reaching-out/

This project’s cover image is a detail of a photo by Marcus Fischer.

600 - 747 (disquiet600)

Disquiet Junto Project 0600: Reaching Out
The Assignment: This is a shared sample project. Rework a set of seven WAV files provided by Marcus Fischer.

Step 1: The musician Marcus Fischer, long a friend of and participant in the Disquiet Junto, has graciously put together a set of shared samples that will be the source audio for this project. Part of the beauty of a shared sample project is that there will be an underlying quality — a tonality, a texture, a commonality — to all the disparate works that are produced from the foundational material. Listening to the variations as they surface will be its own special source of pleasure. You can access the files here:

https://www.dropbox.com/t/TGexgpq93GPLGFxE 34

Step 2: You can rework the audio from Step 1 in any way that you see fit. You can use all of it, or just one tiny piece, or whatever subset you find strikes your ear. The one stipulation is your finished piece should begin and end with an unadulterated segment of one of the provided tracks for at least two seconds. Please credit Marcus Fischer when posting your track.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0600” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0600” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0600-reaching-out/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you.

Deadline: This project’s deadline is the end of the day Monday, July 3, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, June 29, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 600th weekly Disquiet Junto project, Reaching Out (The Assignment: This is a shared sample project. Rework a set of seven WAV files provided by Marcus Fischer), at: https://disquiet.com/0600/ 2

Please credit Marcus Fischer when posting your track.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0600-reaching-out/

DC feat. the samples of Marcus Fischer - disquiet0600

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