Your fault is now a feature,.m4a

I started by recording a couple of modular feedback patches, with a loose goal of generating steady, slowly animated tones. A Doepfer BBD delay was used as a hub to process a mix of droning pulse waves from two VCOs—the result of which was fed back into the delay. The BBD also outputs CV that corresponds to manually set controls as well as input CV signals, and this was used to modulate other patch parameters in the feedback loop.

The output was split to a crossfader that was sent to a handful of filters and another delay with a long interval—the idea here was to create a bit of slow movement to keep the timbral/spectral qualities in slow motion. 

I stacked a couple of sections of the drones together in Ableton, and layered in parts of a recent recording Tides (in chord mode) being granularly processed with Nebulae v2. This created some mid-higher frequency 'blooms'. Also added some simple granular processing in Ableton that was spread wider in the stereo field. Lastly added in some looped field recordings that introduce some higher frequencies and textures that I wanted to include.

– • — • – • — • – • — • —

Disquiet Junto Project 0611: Music That Listens to Itself

The Assignment: Record a piece of music that repurposes itself as it proceeds.

Background: On September 29, 2023, there is going to be an event at a place called the Berkeley Alembic, in Berkeley, California, where I’ll play recordings of music that share a specific theme, and I’ll discuss the sounds with the people who come to listen. The event is titled Music That Listens to Itself, part of the Expanded Listening series developed by Erik Davis (Techgnosis, Burning Shore). That is the theme. Part of the goal of this project is to develop tracks for potential inclusion in the event, and to pursue ideas related to the event’s theme.

Step 1: The underlying idea is to produce music that, so to speak, listens to itself. This would be music that employs techniques to revisit itself — repurposes itself — as it proceeds. From reverb to echo to tape loops to granular synthesis to accessing a buffer, various techniques serve such a compositional and performance purpose. Consider a means to achieve this result.

Step 2: Record a piece of music that employs the technique you focused on as a result of Step 1. Please note: for the Berkeley Alembic event, I’ll be sharing music that is particularly quiet, particularly appropriate to a meditative state of mind. You don’t need to record quiet music for this project, but quiet music is what I’ll be playing at the event.

Additional details: disquiet.com. Tickets: eventbrite.com 1. About the venue: berkeleyalembic.org.

(...)

More on this 611th weekly Disquiet Junto project, Music That Listens to Itself (The Assignment: Record a piece of music that repurposes itself as it proceeds), at: disquiet.com/0611/

Some of the music resulting from this project may be included in a September 29, 2023, event at the Berkeley Alembic in Berkeley, California: www.eventbrite.com/e/expanded-list…ts-712124101357 1

About the Disquiet Junto: disquiet.com/junto/

Subscribe to project announcements: tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: llllllll.co/t/disquiet-junto-pr…-listens-to-itself/

Pulse Animation • [disquiet 0611]

Composition inspired by haiku by Sôen Nakagawa

Disappearing

Disappearing
snow on mountain peak
unfurls a rainbow

Sôen Nakagawa was a key figure in the transmission of Zen Buddhism from Japan to the Western world. Author Sean Murphy, in his “One Bird, One Stone: 108 Contemporary Zen Stories”, tells us an interesting story about the Zen Buddhist master during his time in the U.S.:

“Soen loved to walk around New York City. He’d stare at the lighted skyscrapers, at their tops, he claimed he saw Buddha figures in the lights. “Look at the Buddha,” he’d point, “Shining Buddha!” He’d fill the sleeves of his robes with nuts and berries from Central Park or herbs growing in the sidewalk cracks, and add them to his bowl at the next meal. He loved the musical Fiddler on the Roof, and when asked a question about why some particular point of ceremony needed to be performed in a certain way, he might burst into song, responding “Tradition…!”

Unfurling

Unfurling - (naviarhaiku509)

in pre-dawn darkness
the avant-garde soundtrack
of orchestral rainfall

Elliot Carson is a teacher living in Japan who doubles as an artist/designer/translator in his free time. He writes haiku under the pen name EKC and is currently working to self-publish his first book of haiku.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

NaviarHaiku510

Created with AUM and various plugins on iPad, mastered in Cubase 12 with Ozone 10

Inspired by Naviar Haiku 510:
https://www.naviarrecords.com/2023/10/11/naviarhaiku510-in-pre-dawn-darkness/

Photo by zenbytes (2023, near Pathfinder Dam, Wyoming, USA)

darkness of rainfall - Naviarhaiku 510

Disquiet Junto Project 0615: Introspective Failure
The Assignment: Fall short again, this time on purpose.

Thanks to Junto member XHG (aka Alex) for having proposed this week’s project.

The goal of this project is to purposefully produce an unsatisfactory piece of music in a systematic way, in the hope of potentially learning from the experience. Your approach should be introspective and technical but also lighthearted and humorous.

Step 1: Think about a piece of music you have produced that you were not satisfied with.

Step 2: Try to analyze why this was the case. Is it possible to identify a main reason — like the concept, the process, the instrumentation, or simply the outcome?

Step 3: Take a break and let these thoughts simmer for a while.

Step 4: Try to produce a different unsatisfactory piece of music than you analyzed in Step 2, purposefully replicating the failure. (It might be sensible to keep it short so as to torment yourself not too much.)

Note: Before you start the process, plan something fun and gratifying to do after you finish your piece of music, in case the process lowers your mood.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0615” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0615” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0615-introspective-failure/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you.

Deadline: This project’s deadline is the end of the day Monday, October 12, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, October 16, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

Thanks to Junto member XHG (aka Alex) for having proposed this week’s project.

Just another introspective failure - disquiet0615

This track was created for the Naviar Haiku group.
511
https://www.naviarrecords.com/2023/10/18/naviarhaiku511-in-dark-autumn-nights/

2023-10-19

In Dark Autumn Nights  (Naviarhaiku 511)

release date :21/10/2023  
foto by Katiuscia Valerio

Quieto Silenzio Modulare(disquiet0616)

News story from the Kentish Express archives, 2nd February, 1973.
May all news someday be this dreary.

Disquiet Junto Project 0618: Burying the Lede
The Assignment: Turn old news into new music.

Step 1: Locate an old news article, the less dramatic perhaps the better, from roughly 50 years ago. Try to find something local to where you live now or have lived.

Step 2: Use a text-to-speech tool to convert the article to audio. There are numerous such software applications, and no doubt discussion in the Junto thread on llllllll.co 1 will yield suggestions should you require one.

Step 3: Set to music the voice recording that resulted from Step 2. A length of two and a half to five minutes is recommended. Use an article sufficient to that length — you may end up not using the entire text. As the piece goes on, have the voice slowly get subsumed by the music, until by the end the voice is no longer intelligible — perhaps not even audible.

Note: In case the word isn’t familiar, a “lede” is “the opening sentence or paragraph of a news article, summarizing the most important aspects of the story.”

More on this 618th weekly Disquiet Junto project, Burying the Lede (The Assignment: Turn old news into new music), at: Disquiet Junto Project 0618: Burying the Lede – Disquiet

About the Disquiet Junto: Disquiet Junto F.A.Q. – Disquiet

Subscribe to project announcements: Disquiet Junto by Marc Weidenbaum (Disquiet.com)

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0618-burying-the-lede/

Queasy Quantity Quandary disquiet0618

This piece transforms text from Black Panther, Vol. 9, No. 3, November 4, 1972 “A Matter Of Life Or Death, vote “no” on proposition 17, 4th paragraph,” into music.

Recorded, mixed & mastered 02-03 Nov 2023 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Samples, electric bass, cymbal, nylon string guitar & effects

---

This original version of "Begrabe Das Lied" was submitted as part of Disquiet Junto Project 0618: Burying the Lede. The Assignment: Turn old news into new music.

More on the Disquiet Junto at: disquiet.com/junto/
Project discussion took place on https://llllllll.co/t/disquiet-junto-project-0618-burying-the-lede
Artwork generated via Adobe Express Generative AI by Jim Lemanowicz, 03  Nov 2023

Look for me at patreon.com/blisterpop - patrons get my albums for free!

This track was originally released under the artist name "Two-Finger Modal Box."

Music & art ©2023 Jim Lemanowicz

Patreon & Soundcloud - blisterpop
YouTube - Jimmy Lem
TikTok - jimmlem
Bluesky - jimmylem.bsky.social
Mastodon - blisterpop

Begrabe Das Lied (disquiet0618)

Disquiet Junto Project 0618: Burying the Lede
The Assignment: Turn old news into new music.

I love reading very old news articles and noticing the ways life is still the same and the ways is very different. I wanted to find something from 100 years before I was born in The San Francisco Chronicle. My actual birthday (August 20th) was missing pages in the archive where I looked (newspapers.com) so I went with August 27th, 1884. I enjoyed the style of writing and storytelling about a dog that was addicted to opium. It carries echos of the present day anxiety about fentanyl but in other ways has no moral or backstory - just a snapshot of life.

To create this sonically, I used the "Matthew" voice from TTSmp3.com and played a bit with inserting commands for spacing or emphasis on particular words (always a challenge with text to speech). It worked OK though I think this piece might have been good with someone just reading it.

After creating an initial draft of the piece where I faded out the voice to let the music take over, I thought it would be more fun to disappear him into something that sounds more musical. So I auto-tuned the voice to try to keep it to F# and G. Then I exported the voice file and uploaded it into Holly+, Holly Herndon's AI tool for converting any audio file into her voice. This created something staticky and singsongy. I crossfaded this with the original voice and then chopped up some bits that worked rhythmically for the end.

Just because, I included a little sound design early on using a "Victorian street" simulation by Timbre on Freesound.org. I then processed it and played it backwards, as is *required* of any *real* sound art...

More on this 618th weekly Disquiet Junto project, Burying the Lede (The Assignment: Turn old news into new music), at: https://disquiet.com/0618/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0618-burying-the-lede/

Just another introspective failure - disquiet0615

33per