Eventless Plot borrows elements from different genres and aesthetics to build their own hybrid of sound. Formed in Thessaloniki in 2002 by Vasilis Liolios, Aris Giatas and Yiannis Tsirikoglou, the trio exhibits great attention to sonic details expressed in different forms of experimentalism. From free impro and noise to new electronica, electroacoustic composition and jazz, their music remains always unconventional and contemporary. They use a variety of instruments, analog sources, field recordings and Max/MSP patches. Eventless plot often collaborate with Chris Cundy (bass clarinet), Angelica Vasquez Salvi (harp) and Stefanos Lazaristos (bass saxophone).

Eventless plot have several releases in their archive including “ikon” (Granny records 2009), “Recon” (Aural terrains 2012), “Points of attraction” (Another timbre 2013), “Structures” (Creative sources 2014) and “Killing Realism” (Granny records 2015). Moreover, the trio has performed live in different cities such as Bologne, Milan (O gallery), Thessaloniki, Porto (Sonoscopia), Coimbra (Salao Brazil), Skopje (Swiss music days festival), Den Haag (Studio Loos), Athens (Synch festival).

Eventless Plot are also working on designing sound and composing for art installations, films and dance projects. In November 2008, they joined Thessalonikiʼs International Film Festival along with Granny records label mates Good Luck Mr. Gorsky by composing and introducing a soundtrack for Victor Sjostrom' s “Phantom Carriage”. In 2009, they composed music for the short film“Ceremony 273.749” which won the first prize in ArtWave Athens Festival, while in 2015, they presented the “Time | Tone” project, an electroacoustic composition based on graphic score along with the dancers Dafni Stefanou, Loukiani Papadaki, Eddie Lame and Mina Ananiadou.

Bana Haffar is a synthesist currently based in Montreal, Canada.

Félix Blume is a sound artist and sound engineer. 
His work is focused on listening, it invites us to live sonic experiences that enable a different perception of the surrounding. He uses sound as a basic material in sound pieces, videos, actions and installations. His process is often collaborative, working with communities, using public space as the context within which he explores and presents his works. He is interested in myths and their contemporary interpretation, in human dialogues both with inhabited natural and urban contexts, in what voices can tell beyond words.

35C414NT3  - a.k.a - JM Escalante
A repository of sound studies.

Guilty Pleasures is Lisa Gervassi & Tana Barbier

non-symmetric

All current tracks are 10+ years old.

Licensing: 
https://www.musicbed.com/artists/alaskan-tapes/43333

Contact: Brady.Kendall@live.com

Metáforas sonoras

Productora e intérprete musical que utiliza la guitarra como instrumento principal. Desarrolla experimentos sonoros con medios acústicos, análogos y electrónicos inclinados hacia paisajes y ambientación sonora. Formo parte del colectivo Híbridas y Quimeras donde buscamos la difusión del trabajo de personas que se identifican como mujeres en las prácticas sonoras.
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Guitar meditations///////

Producer and musician who used the guitar as a main instrument. Develops sound experiments with acoustic, electronic and analog media inclined towards landscapes and soundtrack.

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