3 LIKE US LIVE
Eletronic Pop Music

✖ OUT NOW! 3Like Us - Start Over (Jetlag Live Edit) on BEATPORT https://www.beatport.com/release/start-over/1825529 ✖️


• Criado pelos irmãos Camila, Luciano e Rafael o "3 LIKE US" tem uma proposta de formato live misturando batidas eletrônicas da House Music e elementos orgânicos como guitarra, baixo e voz. Com uma identidade Pop, traz diversão e musicalidade para as pistas de dança mesclando diversos estilos musicais em sets dinâmicos, criativos, dançantes e com hits explosivos, incluindo remixes, versões e composições próprias.
Com uma sintonia facilmente expressada através da arte, o trio é cheio de atitude, carisma e conhecimento musical. Essa união, sendo uma DJ conhecida pelo seu apurado feeling de pista e dois músicos que esbanjam dons musicais e habilidades instrumentais, faz do "3 LIKE US" um projeto diferenciado e promissor na cena musical eletrônica Pop. 

Camila Vargas - DJ e voz
Luciano Vargas - Baixo e voz
Rafael Vargas - Guitarra e voz


• Created by three brothers the project "3 LIKE US" is innovative and mixes House Music in a Live format, using guitar, bass and vocals. Their irreverence reflects the artistic harmony, charisma, attitude and musical knowledge. DJ Camila is famous for her dancefloors feelings and Luciano and Rafael for their instrumental skills what makes a different and promising musical concept in eletronic pop scene.
The Pop style of the "3 LIKE US" is intense, has musicality and hot hits mixing musical styles into dynamic, creative and dancing sets with remixes, new versions and own songs.

Camila Vargas - DJ and vocals
Luciano Vargas - Bass and vocals
Rafael Vargas - Guitar and vocals



/// Saiba mais:
3likeus.com.br
facebook.com/3likeus
twitter.com/3likeus
youtube.com/3likeus
instagram.com/3likeus


/// Bookings:
contato@3likeus.com.br
+55 (51) 9321.6158
Porto Alegre, RS - Brasil


BOOKINGS & INFOS: 

NRG Music & Management
email: dj@rogerlyra.com.br

Reference in the brazilian scene for over two decades , Roger Lyra is an icon when it comes to electronic music in his home country . Stamped in major festivals , events and clubs in Brazil like Skol Beats, Paradise Weekend, Creamfields, Rio Music Conference and XXXperience Festival , also made his mark on the international scene in events such as Ultra Music Festival and the renowned Nikki Beach , both in Miami, with also successful gigs overseas in Holland, France, Belgium and Germany. 

Historical events marked his career in Rio de Janeiro , as the Superstar DJ's alongside Tiesto at in 2007 on Ipanema Beach with over 300,000 people or Reveillon in Barra da Tijuca alongside Above & Beyond for more than 1 million people WITH energetic and contagious sets. An expert when it comes to BIG ROOM sounds, his performance is a mix between progressive sounds & melodies.

We're open to receive new demos! Please send via inbox!

MGMT: mgmt@fellreis.com 

ASIA BOOKINGS: rachel@mac-artists.com
SA BOOKINGS: jota@creativeminds.art.br




https://fellreis.komi.io

Música nova (Spininn' Records)
Alok, Bhaskar, Jetlag & André Sarate - Bella Ciao

Bookings
contato@andresarate.com

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

From early breakout hit "Phat Dope Shit" in 2002 to "Heavy Heart", a new collaboration with Skrillex and Fireboy DML, Dice has always been in the headlines. After his debut album "7 Dunham Place" on his own now long-running and well-regarded Desolat in 2008, came the major label follow-up "Underground Sound Suicide" on Ultra Music with guests like Giggs, Just Blaze, and Neneh Cherry, then the agenda-setting and club-focussed house and techno showcase that was "Love Letters" in 2018. 

Add in tens of EPs on Ovum, Minus, Cocoon, to name a few, and his remixes from everyone from Kevin Saunderson to Moby, Black Coffee to Disclosure, Warren G to Basement Jaxx, Loco Dice has always been at the beating heart of the electronic scene. 

His DJ sets, too, always brim with personality, whether in a small underground basement or on an iconic main stage at some of the world's top festivals like EDC Ultra, Tomorrowland and Coachella to name a few, playing to thousands. He has had era-defining residencies at iconic Ibiza super clubs like Circoloco at DC-10 and on the Amnesia Terrace as well at Space Miami. 

His lockdown move has been to unveil En Coleur, a label reserved exclusively for his own music produced at that time. SB Recordings followed. A new label open to all styles of dance music.

Since day one Loco Dice constantly pushes the boundaries of techno and house music production, from his appearance in 2004 PlayStation2 game "Decks & FX" to cooking up his own ideal fusions of hip hop and electronic music with his FKD side project or writing critically acclaimed runway soundtracks for Italian fashion designer Marcelo Burlon during Men’s Fashion Week in Milan for both FW20 and SS20.

Dice's distinctive fashion sense and strong visual aesthetic manifest in his collaborations with Amsterdam fashion label Daily Paper, pro sports hat purveyors New Era and in his own clothing brand Seran Bendecidos. 

All of this and his longevity prove that Loco Dice is undoubtedly an insatiable creative force most interested in the uncharted territory between genres and styles, the elements that link everything together.

FABIANO REIS . HYPNO ARTIST AGENCY/QUALITY HOUSE/L•I•S•T•E•N

Atuando na industria da música eletrônica há mais de 10 anos, Fabiano trabalhou muito até tornar-se um dos nomes mais emblemáticos do estilo no Rio Grande do Sul. Desdê 2004 ele apresenta sua extensa bagagem musical e produz eventos nas principais casas noturnas da região norte e noroeste do estado, fazendo o cenário crescer e fidelizando o público por onde passa. 

Possessor de uma personalidade extrovertida, Fabiano, quando apresenta seu trabalho, deixa muito mais do que a sua musicalidade, seu carisma e entusiasmo se transferem para a pista, transbordando-a de boas vibrações, uma euforia do bem, uma experiência revigorante e inesquecível. Com esta estratégia de indulto espontâneo, seu legado tomou forma. 

Com um repertório musical que trafega entre o deep house e o techno, Fabiano busca traduzir em sua musica as influências que recebeu em logo de sua carreira, percebendo e conduzindo a pista de dança com destreza e um bom gosto inquestionável.

Sempre atrás de novas experiências, morou uma temporada em Barcelona na Espanha, onde  marcou passagem por diversas casas noturnas, sendo residente do club Suton, e do conhecido club dos brasileiros, Bikini. Por lá também passou pelas famosas Pacha de Barcelona e Ibiza.

Buscando quebrar paradigmas e movimentar a noite na sua cidade natal, criou em 2006 em Cruz Alta - RS a Quality House. Um evento com personalidade idônea e formato itinerante, que trouxe para a região alguns dos principais nomes da música eletrônica nacional e internacional, e que  promove grandes encontros. Mais tarde, o evento veio a se tornar um verdadeiro festival, com produção e estrutura de altíssima qualidade, além de uma programação artística diferenciada, paralelamente, surge em 2014 o mini-projeto L.I.S.T.E.N, segmentado em casas noturnas com pistas em formato "club", ambos muito bem recebidos pelo público. 

Reconhecido pela sua frequente participação junto com outros grandes artistas, em diversas festas e casas noturnas da região, Fabiano segue conquistando seu espaço, mantendo aceso com muita autenticidade, o verdadeiro espirito positivamente contagiante da música eletrônica.

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