The date was the 30th of February 3030 and the sun was setting on Geneva. The air was thick, filled with ash from an impact that has radically modified the scenery. At the surface of the Rhône, jellyfish were adjusting their perceptronic implants in order to map out this sudden modification of their environment that had become the largest crater in the history of the Jonction area. The trail of debris ran from the junction of the Rhône and Arve rivers right up to the legendary derelict factory called formerly called l’Usine, which used to be a centre for alternative arts, culture and live music.
Terrified by the deafening crash of the astral body into the millennia-old building, humanoids and robots alike flocked to the smoking hole that seemed to lead straight to purgatory. Among the curious crowd, Burd Bibendaze, Salt Lake City’s infamous astral body impactology in fresh water environments specialist. Burd had been in town for a thousand years by now, still studying the hybrids created by the impact of the last asteroid to hit Geneva’s lake region in the early 21st century.
As Burd was still trying to fathom his luck at witnessing a second impact in such a short space of time, he saw something move in the gaping hole beneath him. A relatively small, half slug-like, half humanoid being was floating it’s way up out of the hole. The creature had a mask in the shape the like of which Burd had only seen in history books, as if there really was a life-form that fit the 21st century human’s idea of what an extra-terrestrial.
As the automated security forces rushed to the unkown creature, it waved them aside with a deft movement, stopping them mid-air with a power beyond Burd or any of the onlooker’s comprehension. The creature stopped and looked straight through Burd’s eyes and into his soul. “Hello Burd”, came a voice in his head, “My name’s Brian”. And with a little wave, it vanished in thin air before the second batch of automated security forces flew into sight. 5 track digital record. out April 15th, buy here: https://brainwavescrew.bandcamp.com/

Artwork by Thomas Perrodin 

https://soundcloud.com/weith
https://soundcloud.com/brainwaves_crew

PREMIERE #884 | Weith - Frequency Submission [Brainwaves] 2020

linktr.ee/432hz_social

for promo:
44100hzsocialclub(at)gmail(dot)com

GAIT01: youtu.be/eVxzdAABSFs
GAIT02: https://youtu.be/ZAfPiXsPSzI
GAIT03: youtu.be/wvSqmxbTQ1o
GAIT04: youtu.be/mu6GkR7JZtY
GAIT05: https://youtu.be/WB3gu0eDnpI
GAIT06: https://youtu.be/LGJJQsAp0iU
GAIT07: https://youtu.be/W6JEzvoIBHQ
GAIT08: https://youtu.be/HTHWnfXLfCE

GENRES ARE FOR JOURNALISTS

Radu aka The Riddler
Visuals and digital aesthetic 
Born in Bucarest // based in Rome

finest quality in everything I know I like

1993/ad oggi Hyppie Killer Cyberpunk Chill out Abstract. tecno trance.

Thy simple man herith to convey gods work 

PREMIERE #884 | Weith - Frequency Submission [Brainwaves] 2020

44,100Hz Social Club