6dimensions founder Steve Bicknell teams up with @Granulart  Recordings to release two slamming techno cuts entitled ‘Constant Movement’ including a remix from PoleGroup’s Oscar Mulero.

Bicknell has been at the forefront of the UK’s electronic music scene since its infancy. His career spanning over a 25-year period has seen him release a number of standout records on his Cosmic Records imprint before starting his 6dimensions label some years later which acts as a home for his newer releases. Steve Bicknell’s productions truly embody his no-nonsense approach to music, delivering energetic yet captivating sonics which also fluidly translates into his DJ sets. ‘Constant Movement’ sees Steve join Kessell’s Granulart Recordings following the likes of Developer, Oscar Mulero, Head Dress and the label boss himself.

‘Constant Movement’ kicks things off with modulated stabs fused with pounding kick drums and a rumbling bassline pulsating underneath before the legendary Oscar Mulero and PoleGroup founder adds slick percussion, soaring oscillations and warped sound-design to his remix of ‘Constant Movement.

Connect with Steve Bicknell
SoundCloud: @Steve-Bicknell
Facebook: www.facebook.com/steve.bicknell.182
Instagram: www.instagram.com/steve_bicknell

Follow 6AM Group
Website: www.6amgroup.com
Facebook: www.facebook.com/6amgroup
Twitter: www.twitter.com/6amgroup
Instagram: www.instagram.com/6amgroup
SoundCloud: @6amgroup
YouTube: www.youtube.com/6amgroup

Constant Movement

Premiere: Steve Bicknell "Constant Movement" - Granulart Recordings

Global techno & house community empowering the culture of work & rave
Est. 2008 Los Angeles

( ͡𓂀 ͜ʖ ͡° ) Rhythm & Sound ~ Human Design - LP out exclusively on Bandcamp.

https://fieldrecordingslc.bandcamp.com

Weird tones on the way to their mission

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20.09.2025
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My musical journey began in a castle, somewhere between bohemian dreams and raw concrete.
As an unnamed duo of art students, we spent our nights in the adjoining 40-square-meter bunker from World War II - no mobile phones, no internet, just cold stone, tangled power cables, and torn-up grunge riffs.
After that band ended in 1995, a whole new world of electronic sounds opened up for me:
The DrumTraks by Sequential Circuits was my gateway; soon came a DX-7, an Atari ST, and endless loops spun through sleepless nights.

I was completely cut off from the outside world of the pre-internet era - lost in my own cosmos. 
Then came Berlin, and with it, new possibilities.
There’s this saying: "If you remember the ’90s, you weren’t really there."

At some point, I drifted into other things and put music aside for a while.
Until that memorable week in the park, just before COVID: I met a philosophy professor from New York, touring Europe, who tried to numb his post-op pain with red wine and oxycodone. He kept talking about his dream of recording a song. So I took him in, got some microphones and an interface, and after a week, we had produced his love song—radio-ready and brimming with magic.

That spark led me back to my own path: In search of new and inspiring sounds, I discovered the Elements by Mutable Instruments and dove headfirst into the world of modular synthesis. Ever since, I’ve been stuck deep in the rabbit hole - when it comes to choosing between new shoes and a new VCA, music usually wins.

Then, in 2022: a roadside, a spontaneous party, everything I owned that could run on 9 volts in my bag. 
My first live performance - improvised, raw, honest.
What’s grown and evolved from there, I call:

"Weird tones on the way to their mission."