Name: Lumoj by 6klop
Duration: 4 min 30 s
Description: EP composed during the first wave of covid in France

An excellent symbiosis of a tight bass and a beautiful piano!

Very good atmosphere. Nice compositions!!

This bass reminds me of dust brothers, fight club soundtrack!

EP composed during the first wave of covid in France

Lumoj

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A Cover of The Who's "Behind Blue Eyes" at Goodnite Gracies in Royal Oak, Mi.

Behind Blue Eyes (Cover Live @ Goodnite Gracies)

Tonight, at all the bars

Could it be that we are in the afterlife?
Only lies and malice hold reality together.
A town where it never rains and 
a town that no longer needs rain.

Tonight, at all the closed-down bars.
The ghosts may curse the future.

Another name for the network is chaos.
Entropy is on the verge of runaway.
A view we've never seen before and 
a view we don't need to see anymore.

Tonight, at all the closed-down bars.
The ghosts may mourn themselves.

We're queuing up in front of the closed door.
Unfortunately, no one knows why.
Could it be that we are in the afterlife?
None of the people on the street were breathing.

Tonight, at all the closed-down bars.
The ghosts may curse the future.

Tonight, at all the closed-down bars.
The ghosts may mourn themselves.

Tonight, at all the bars

Photo: Elvis from the Albuquerque show 1972
Recording: Elvis Presley's TBC band

This concert, recorded April 19th 1972 in Albuquerque at the Tingley coliseum, was meant, in part, to be a warm up for the upcoming four sold out dates at Madison Garden in New York. Elvis’ intention was for the band to play a bit more loose and have some fun. They were hoping to capture a more relaxed mood for the live album. In the interest of achieving that, wine was served to the band during a mid-concert intermission. Unbeknownst to most of the members of the band the wine served was spiked with LSD. Teedy Turney a roadie and guitar tech, who had previously worked for the Grateful Dead, had picked up the homemade wine from a hippie commune out in the New Mexico desert. Elvis had been interested in doing a version of I’ll Take Romance ever since seeing Eydie Gorme perform it on the Seventh Allen show in 1957. He had also appeared on the Steve Allen show as well in 1957, around the last time he had appeared in New York City. The second half of the show got understandably odder and odder and the recorded version heard here was one of two songs preformed as an encore. Elvis allegedly requested I’ll Take Romance but “overwhelmed by the moment” he, reportedly, laid down on the stage and ate brownies. Only part of the full band came out. Elvis thought this recording was worth keeping anyway even though he had the rest of the concert’s recordings erased.

I'll Take Romance

The van broke down
just 5 miles from O'Hare
Not sure what we were doing
Had no tickets anyway
As the sun set in the West
We walked East
Planes roaring overhead

We ran as fast as we could run
Escape our only goal
From small town suffocation
And our designated roles
BBQs on Saturdays
Cold Millers with the guys
The vanishing horizon
Matched the dulling in our eyes

Not quite a decision
That either of us made
But a moment of clarity
And what it meant to stay
It never matters
Which road we take
As long as right beside me
I have Karla with a K

We ran as fast as we could run
Escape our only goal
From small town suffocation
And our designated roles
BBQs on Saturdays
Cold Millers with the guys
The vanishing horizon
Matched the dulling in our eyes

The excitement and the newness
As we move from town to town
As we worked to settle down
Turned piece by little piece
into what we'd sworn not to become
we lived the lives we ran from

We ran as fast as we could run
Escape our only goal
From small town suffocation
And our designated roles
BBQs on Saturdays
Cold Millers with the guys
The vanishing horizon
Matched the dulling in our eyes

The Vanishing Horizon

Mother Earth (A Love Letter)

Now For Sale (Demo)

cclEs

to the few people who listen to my songs and feel the emotion that I put in them, thank you. i hope you like this one, it's more reflective and deep than what i usually put out. im trying my best to expand my style and i appreciate everyone who has heard my music over the years and still listens every time i put out a new track🙏

Spotify: link will be up soon.

Fear of God

An Opera

Fake Electro-Acoustic musician

other projects (past & present)
@sguall (rap)
@sonsofapache1 (rock)
@oyojo (rap)
@secheprod
@ortta (rock)
@pulsarsessions (jam)

Background photography by Navi

Lumoj

6klop

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