Written 1984 by Terry Reeves
Performed by: Vocals - Terry Reeves, Guitar Terry Reeves, Bass - Brian Reeves
Recorded: Wallington Croydon London


For me George Best was the greatest player that ever lived, but suffered from being better at what he did than everybody else. 
At one time in my life I think I was within an inch of becoming an alcoholic and yes at the time it solved all my problems. I was rescued by a beautiful women but unfortunately George was not.
He was one of my greatest heroes and I spent a large amount of my early years trying to emulate some of his football skills. I was given the opportunity to meet him on two occasions and he was a really nice genuine man and I was really upset when he died.
My brother Brian and me completed this recording in one afternoon and he came up with the fantastic bass line, it was always our intention to develop it and take it further.

This is my tribute to George Best

LYRICS

Yes I drank the bottle dry
Please don't ask the question why
Just except this drunken man
Drinking for another plan

Couldn't take things in my stride
Second place it hurt my pride
Told to take some time to think
Think I'll have another drink

CHORUS

Yes he's the greatest he really has it all
The king of any man who ever kicked a ball
He makes the head lines every time he shows his face
I wonder if they know our hero up in space
If not it's just a disgrace

He's here
Georgie   
No fear

Tried to force me to retire
From the bottle I admire
Knew I'd lose out in the end
Destroying me or my best friend

Belong to no one else but me
I'm not public property
I know I have myself to blame
Life is not my favourite game

CHORUS

It's not as sad as you might think
Not looking for a missing link
And I don't need an open door 
Cause all I have to do is poor

Georgie Georgie come back Georgie
Georgie Georgie come back Georgie

Best Of Both Worlds

Cruisin

A version of the prayer Christ taught his disciples - 

The voices are from East/West Hollywood Choirs

Our Father

A little good mood song. The music is again almost unplugged. Acoustic guitar, tongue drum, djembé, tambourine, shaker, triangle, clapping hands. Only bass & drums are plugged in. 

Check out the video: https://youtu.be/Dk0Lws79tlQ

Vocals by CloudyDaze on Looperman:  https://www.looperman.com/loops/detail/321573/vocal-fun-1-free-120bpm-acoustic-vocal-loop

 Music & Arrangement: OMCB

Cover Picture: pixabay.com

Music Video

What A Beautiful Day - OMCB [Music Video]

one of mine from the past , sadly still apt today 
Guitar/Vox Walker
Bass Ivan Berisford 
Drums Ray Massy 
recorded by Jake Evans at Big Red studios Macclesfield .  
mix and guidance Jake Evans , smashin' lad :-)
LYRICS ..
check it out ....
kick it out ... 
can you handle the kill ?
is it making you pine ?
are we justified matter ?
are we falling behind ?
can you handle the difference ?
us and them soil 
two towers will topple 
for only one wall ..
..we are data 
we are lying 
we are danger 
er .. er .. er .. can you handle the kill ?
let's keep on pushing 
blindly ahead 
don't let it roll backwards 
keep it outa the red .. 
can you handle the difference ?
us and them soil 
two towers will topple (again and again)
for only one wall .

by RJ. Walker 2016

THE KILL (1) WEAR EAR GOGGLES :-)

Semantic Error

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocal composition, arrangement, and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 
  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 
  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.
  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 
  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.
  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.  

TheSiege

Watch the video on Youtube:

https://youtu.be/9PQDX3Cuj1Y

Quiet Place

December 63 (2001) Four Seasons Cover

Guitars, Bass and Keyboards by Robert Grigg

Axle Grease

Experimenting with music


Telegram @K1saragii

Semantic Error

Kira