Song craft & design is top notch.  These dudes we can honestly say are virtuoso’s. Their pieces are masterfully fashioned & put IIgether with class. We are nowhere near a coast so we can’t  ‘Look towards the River’. So we look ‘8000 miles’.  🤙 IV sup

So so talented guitar player, and such composition quality, always surprising! I’m truly charmed!

Wonderful musical trip, enjoyed from start to end!

You guys really work well together this us spectacular!

I'd missed this on my first journey through your music; shame on me. This is a great prog track and right up my street. As always amazing guitar works and soundscape. I particularly like the panning and separation to enable a clear listen to all the complexities. That's not easy to achieve properly.

Crystal Confetti is the second album released by 8000 Miles. As you may notice, the cover art harkens back to a familiar cover from 1973 and that is intentional, because Andrea and Rebecca are strongly influenced by music from that time period. Many fans of 8000 Miles’ first album, Aggregate, have remarked on that influence. The title Crystal Confetti represents the clarity 8000 Miles is honing in their duo’s style and the contrast of weighted moods and flying inspirations.

Of important note is the last song on the album, Flowers Bloom In Your Starlight, which Andrea wrote in dedication to his late mother. It is a powerful story of devoted love, sadness, and forever remembering.

Get it at https://8000miles.bandcamp.com 

Credits:
Rebecca Williams - bass, percussion, synths, production
Andrea Pierantoni - guitars, production
Mixing and mastering by Andrea at Never Enough Cowbell Studios
Cover art by Rebecca

Buy the Album 🔥

Crystal Confetti (Album)

Let this Music Play /Original Music
Written and performed by Dgé breton
All guitars & arrangement By  Dgé breton
 pour :
Dgé.B.SoundProjectMusic
Youtube :  https://youtu.be/c9pZRc99Klk
Here is a summer slow as we did in the 70s / 80s in France, vintage way. A little bit guitar, a little bit voice, a nice melody.(the concept was to establish a dialogue between an acoustic guitar, an electric guitar and backing vocals)
(I’ll deliver one to you, as it was recorded, without touching it. I hope you like it, and some, maybe even, remember meeting at a club during the summer holiday. Happy listening and have a great summer 2021 to all of you. 
--------------------
Voilà un slow d’ été comme on les faisait dans les années 70/ 80 en France. Un peu de guitare, un peu de voix, une belle mélodie.(le concept c’ était d’ établir un dialogue entre 1 guitare acoustique, une électrique et  choeurs) je vous en livre un ,tel qu’ il a été enregistré, sans rien y toucher. J’ espère qu’ il vous plaira, et à certain ,peut-être même,rappeler une rencontre dans un club pendant les vacances d’ été. Bonne écoute et bel été 2021 à toutes et à tous.

Let This Music Play.AIF

The first single, Looking Towards The River, from 8000 Miles’ second album, Crystal Confetti, carries us through highs and lows of searching for fulfillment of a dream.

As you may notice, the cover art harkens back to a familiar cover from 1973 and that is intentional, because Andrea and Rebecca are strongly influenced by music from that time period. Many fans of 8000 Miles’ first album, Aggregate, have remarked on that influence. The title Crystal Confetti represents the clarity 8000 Miles is honing in their duo’s style and the contrast of weighted moods and flying inspirations.

The entire album, Crystal Confetti, has been released on Bandcamp. Go to https://8000miles.bandcamp.com to check it out and follow 8000 Miles on Bandcamp to get first notices of new releases.

Video: https://www.youtube.com/watch?v=UYc_SCxuKh0

\m/ Love Music and Stay Safe <3

Credits:
Rebecca Williams - bass, percussion, synths, production.
Andrea Pierantoni - percussion, guitars, production.
Mixing and mastering by Andrea at Never Enough Cowbell Studios.
Cover art by Rebecca. 
SafeCreative Registration code: 2201300363491
© 2022 8000 Miles All rights reserved.

Crystal Confetti

Looking Towards The River

Buy our Music 🔥

Crossing The Divide is the lead off track from 8000 Miles second album, Crystal Confetti. It sets the tone of the album — hard hitting and pretty much non-stop — so, buckle up and enjoy the ride.

As you may notice, the cover art harkens back to a familiar cover from 1973 and that is intentional, because Andrea and Rebecca are strongly influenced by music from that time period. Many fans of 8000 Miles’ first album, Aggregate, have remarked on that influence. The title Crystal Confetti represents the clarity 8000 Miles is honing in their duo’s style and the contrast of weighted moods and flying inspirations.

The entire album, Crystal Confetti, has been released on Bandcamp. Go to https://8000miles.bandcamp.com to check it out and follow 8000 Miles on Bandcamp to get first notices of new releases.

\m/ Love Music and Stay Safe <3

Credits:
Rebecca Williams - bass, percussion, synths, production.
Andrea Pierantoni - guitars, production.
Mixing and mastering by Andrea at Never Enough Cowbell Studios.
Cover by Rebecca. 
SafeCreative Registration code: 2201300363507
© 2022 8000 Miles All rights reserved.

Crossing The Divide

Somewhat is the 3rd cut on 8000 Miles' second album Crystal Confetti. Written by Andrea, the song tells a story of an argument as two voices fight each other until an explosion of anger resolves the situation into a calm reflective moment by the entwined individuals. Finally, together, the harmony of the two unites again.

As you may notice, the cover art harkens back to a familiar cover from 1973 and that is intentional, because Andrea and Rebecca are strongly influenced by music from that time period. Many fans of 8000 Miles’ first album, Aggregate, have remarked on that influence. The title Crystal Confetti represents the clarity 8000 Miles is honing in their duo’s style and the contrast of weighted moods and flying inspirations.

The entire album, Crystal Confetti, has been released on Bandcamp. Go to https://8000miles.bandcamp.com to check it out and follow 8000 Miles on Bandcamp to get first notices of new releases.

\m/ Love Music and Stay Safe <3

Credits:
Rebecca Williams - percussion, synths, production.
Andrea Pierantoni - bass, guitars, production.
Mixing and mastering by Andrea at Never Enough Cowbell Studios.
Cover art by Rebecca
SafeCreative Registration code: 2201300363484
© 2022 8000 Miles All rights reserved.

Somewhat

Original Music by Charles Chambaz
All instruments are performed by myself.
For more information, see my public Profile
All rights reserved. 
Vocals and lyrics by IPG1 (https://soundcloud.com/ipg1)

Heavy Magic Vox: A Charles (music) & IPG1 (vocal) Collaboration

An Invincible Summer is the fourth cut from 8000 Miles’ second album, Crystal Confetti. Remember your favorite summer? Maybe it was exploring your first freedom to go where you wanted to go to find adventures and the love of your life. Perhaps it was later when a new beginning turned you around in the heat of a summer to see something you’ve never seen before. Summer has a way of being a powerful time of the year. We all feel it.

As you may notice, the cover art harkens back to a familiar cover from 1973 and that is intentional, because Andrea and Rebecca are strongly influenced by music from that time period. Many fans of 8000 Miles’ first album, Aggregate, have remarked on that influence. The title Crystal Confetti represents the clarity 8000 Miles is honing in their duo’s style and the contrast of weighted moods and flying inspirations. 

The entire album, Crystal Confetti, has been released on Bandcamp. Go to https://8000miles.bandcamp.com to check it out and follow 8000 Miles on Bandcamp to get first notices of new releases.

\m/ Love Music and Stay Safe <3

Credits:
Rebecca Williams - bass, percussion, synths, production.
Andrea Pierantoni - guitars, production.
Mixing and mastering by Andrea at Never Enough Cowbell Studios.
Cover art by Rebecca
SafeCreative Registration code: 2201300363477
© 2022 8000 Miles All rights reserved.

An Invincible Summer

Through thick and thin, everyone needs those whom they can count on. As in life, the music can get dark and then the light shines through, as we rise to go on with the help of our friends and loved ones.

As you may notice, the cover art harkens back to a familiar cover from 1973 and that is intentional, because Andrea and Rebecca are strongly influenced by music from that time period. Many fans of 8000 Miles’ first album, Aggregate, have remarked on that influence. The title Crystal Confetti represents the clarity 8000 Miles is honing in their duo’s style and the contrast of weighted moods and flying inspirations.

The entire album, Crystal Confetti, has been released on Bandcamp. Go to https://8000miles.bandcamp.com to check it out and follow 8000 Miles on Bandcamp to get first notices of new releases.

\m/ Love Music and Stay Safe <3

Credits:
Rebecca Williams - bass, percussion, synths, production.
Andrea Pierantoni - guitars, production.
Mixing and mastering by Andrea at Never Enough Cowbell Studios.
Cover art by Rebecca
SafeCreative Registration code: 2201300363460
© 2022 8000 Miles All rights reserved.

Count On Me

Made with Trope from www.generativemusic.com/

Trope Composition In Idiomarina

I had to record a second time due to some over the top reverb. Features the Cat, and the DX gets to rock.

Emergency Embrace

Lyrics: 

A Hand to Hold Forever

A hand to hold forever in this world
A hand to hold forever

A simple question: what do you want?
Shouldn't have to answer with excuses and caveats
I pursued everything and I felt no fear
At the end of the line everything is clear
All I really need is

A hand to hold forever in this world
A hand to hold forever

It was unexpected, out of the blue
Didn't fear rejection - you knew what was true
The world was no longer what it seemed to me
Just a simple gesture was everything to me
All I really need is

A hand to hold forever in this world
A hand to hold forever

The end is coming, I'm gonna disappear
Memories are flooding, some I hold so dear
One surpasses everything, stands outside of time
Feeling the warmth of your loving hand in mine.
Oh I think I found it

A hand to hold forever in this world
A hand to hold forever

Art by Jody Tseng: www.instagram.com/jodytsengart/

Inspired by the VR game, Lone Echo II.

A Hand To Hold Forever

A couple of analog synths and a digital sampler got together and did this sort of sinister sounding track.

Someone Strange Happened

A L’OMBRE DE TES SILENCES  
Compositeur : Laurent Kordek
Parolier : Alain Varlet
Interprète et arrangement musical : Camille Seneau

(Maman)
Je me souviens du temps béni de mon enfance
Même si parfois je fus puni de mon insouciance,
Tu étais là, et j’ai construit mon existence
Autour de toi ; et je pâtis de ton absence. 
J’ai tant besoin de ton écoute, d’ton indulgence,
Sur mon chemin, les mauvaises routes et mes tangences ; 
Je ne t’ai pas tout dit, manque de souffle ; une négligence,
Tu es partie, et moi, j’en souffre par résonance.  

REFRAIN :
Dans les jours sombres, sans importance,
Je vis à l’ombre de tes silences ;
Et mes succès, mes influences,
Je les dois, je sais, à ta présence. 
Là, dans mon cœur, tendre évidence,                 
Porte-bonheur, douce assurance,
Tu seras toujours ma dame de chance
Et chaque jour, à toi, d’amour, je pense. 

Tu es en moi, une étincelle, une récurrence,
Je puise en toi monts et merveilles, une exigence ;
Ton esprit libre, tes mains câlines, ta pertinence,
Puisses-tu me lire entre les lignes en confidence.

REFRAIN :
Dans les jours sombres, sans importance,
Je vis à l’ombre de tes silences ;
Et mes succès, mes influences,
Je les dois, je sais, à ta présence. 
Là, dans mon cœur, tendre évidence,                 
Porte-bonheur, douce assurance,
Tu seras toujours ma dame de chance
Et chaque jour, à toi, d’amour, je pense. 


Alain VARLET

A l'ombre de tes silences (version revisitée)

Part of a soundtrack from a movie, that will never be made, based on a novel, that will never be finished.

Lovers

The British press killed my family
Yes they did, yes they did
As if they cut them with a Stanley
Yes they did, Yes they did 

Corporations killed democracy
Yes they did, yes they did
"Rolling" news blinds our faculties
With bullshit, bullshit 

"Reporters" tell themselves
It's not their fault, not their fault
They ruin lives, so what
Just an unfortunate assault 

On the lives of the poor
But they don't count, they don't count
"If I don't do it someone else will
And helping the poor don't pay the bill
They don't have the clout
They're worth nowt" 

And they are right
They are right
Unless we change the system
They are right 

The public killed my daughter
Yes they did, yes they did
Her dinghy sank in the water
Yes it did, yes it did 

Foaming at the mouth
With their daily hate in hand
With the TV & phone telling them not to take a stand
They scream at anyone who is different
They scream and hate and kill 

Because it suits the corporate agenda 
To be a big spender
And distrust helps divide 
And take people for a ride.


307. the british press killed my family (harding).mp3

Undead rise up from the muddy grounds
Shadows lurking in the dead of night

Distorted minds and jaded deep within
Hand in hand in a world immersed in flames

Come and see...
And I saw and my eyes began to bleed
Come and see...
And I looked and I teared my eyes out

In a moment, in a dream we danced
As raindrops fell and washed away all fears
In dark hearts, a pure flame, of love
In this our moment before the end

Distorted minds and jaded deep within
Hand in hand in a world immersed in flames

Can you feel, the shifting? 
Can you feel the change that's coming... 

Everything's in motion, and soon everything will change
Life will tear the both of us apart
I'll follow you down my love, knowing all is gonna be ok...
We're falling yet ascending knowing all is gonna be ok... 

Come and see...
And I saw and my eyes began to bleed
Come and see...
And I looked and I teared my eyes out
Come and see

Come & see

Come And See

🔥 Purchase on https://8000miles.bandcamp.com
🔥 Follow us https://ffm.to/links8000miles

8000 Miles is currently on vacation.

8000 Miles is the distance between Rebecca in Hawaii and Andrea in Italy. Both have rock backgrounds and have joined forces to create an elegant blend of progressive & hard rock, with shiny metal bits, layered in symphonic lushness. Andrea brings his Strat, Les Paul, & Ibanez guitars to the party, while Rebecca provides many things synthy & virtual. Together, they deliver Music Beyond Barriers.

Looking Towards The River

8000 Miles

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