The track "Sijilmassa" by Sy Xavi, produced by the talented Spanish artist, is a unique and introspective musical piece. This song, however, carries an extraordinary twist: the melody of "Sijilmassa" was dreamed by Toofan, an artist known for transforming his dreams into music. A different follow-up to the previous title "Sanhaja", this composition explores a surreal dimension where time flows backward, inspired by a reversed dream.

Sijilmassa

Une élégie suspendue entre deux mondes. Une guitare éthérée, un souffle fragile. Ici, le vent emporte les adieux et l’écho répond en silence. La douleur de l’absence devient mélodie, et le dernier regard un vers qui ne s’efface jamais.

Lyrics:
Pleure, car l’adieu est scellé
Pleure, si ton âme en secret se déchire, Car l’heure est venue où s’efface l’empire. Le vent s’est levé, le seuil est désert, Et l’ombre des jours s’efface en éclairs.
L’ami s’éloigne, le seuil se brise, Tout ce qui fut n’est plus qu’une brise. Oh, garde en ton cœur l’éclat du passé, Car nul ne retient ce qui doit s’en aller.

Pleure, car l’Adieu est Scellé (Original version)

A powerful and immersive track where dark basslines and fractured percussion blend with futuristic synthetic layers. This piece evokes a crumbling city illuminated by flickering neon lights, remnants of a glorious past.

Wild Earl presents his groundbreaking new album titled "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music". This ambitious project takes listeners on a journey through a futuristic, surreal, and emotionally charged soundscape.

Set in the year 2070, the album explores a dystopian world where humanity faces the consequences of its technological obsessions. Tracks like Arabian and Motor evoke the relentless hum of machines and the mystique of desert landscapes, while Man reflects on the human condition in an increasingly artificial world.

The energy shifts with Playing and Dangerous, capturing the thrill of risk and the tension of living on the edge, before plunging into the chaos of Distortion, where reality begins to warp. Game then pulls listeners into a labyrinth of choices, where every move carries weight.

The album’s emotional core lies in moments of introspection, like But, a pause between hope and uncertainty, and Jumping, a bold leap into the unknown. Tracks like And and Enjoying weave together fleeting moments of connection and joy amidst the chaos.

As the journey continues, Another opens the door to alternate realities, while Abstract and Sunset paint vivid, surreal landscapes of endings and new beginnings. Away offers a sense of escape, leading to At, the point of convergence where everything comes together.

The enigmatic Ameder stands as a symbolic destination, shrouded in mystery, while With and Music remind us of the universal bonds that transcend time and space.

Wild Earl’s "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music" is a sonic adventure that challenges, inspires, and captivates, leaving listeners eager to explore its depths again and again.

SUNSET

#Day_07 - Midnight Glow 🌙  Neon-lit rain, distant city echoes glimmering yet melancholic in its flickering beauty.

#Day_07 - Midnight Glow

Rooftop Neons (Bonus Track) 🌃 The genesis of it all TooF@n’s first shoegaze experiment, now fully realized.


Rooftop Neons (Bonus Track)

Wild Earl presents his groundbreaking new album titled "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music". This ambitious project takes listeners on a journey through a futuristic, surreal, and emotionally charged soundscape.
Set in the year 2070, the album explores a dystopian world where humanity faces the consequences of its technological obsessions. Tracks like Arabian and Motor evoke the relentless hum of machines and the mystique of desert landscapes, while Man reflects on the human condition in an increasingly artificial world.
The energy shifts with Playing and Dangerous, capturing the thrill of risk and the tension of living on the edge, before plunging into the chaos of Distortion, where reality begins to warp. Game then pulls listeners into a labyrinth of choices, where every move carries weight.
The album’s emotional core lies in moments of introspection, like But, a pause between hope and uncertainty, and Jumping, a bold leap into the unknown. Tracks like And and Enjoying weave together fleeting moments of connection and joy amidst the chaos.
As the journey continues, Another opens the door to alternate realities, while Abstract and Sunset paint vivid, surreal landscapes of endings and new beginnings. Away offers a sense of escape, leading to At, the point of convergence where everything comes together.
The enigmatic Ameder stands as a symbolic destination, shrouded in mystery, while With and Music remind us of the universal bonds that transcend time and space.
Wild Earl’s "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music" is a sonic adventure that challenges, inspires, and captivates, leaving listeners eager to explore its depths again and again.

Virágzik az akácfa, kisangyalom
Virágzik a vígasság az arcodon
Kiáradt a szomjúság
Kezdődjön a mulatság
Virágzik az akácfa, kisangyalom


Virágzik a rózsafa, kisangyalom
Besütött a holdvilág az ablakon
Nyiss ki, babám, minden  ajtót
Áradjon a nótaszó
Virágzik a rózsafa, kisangyalom


Music and Lyrics : Lucza

Virágzik az akácfa, kisangyalom

🔊🎶⧹╲⧹༼◕_◕ ༽⧸╱⧸🎶🔊

🔥 More Sound for Every Taste! 🎧: soundcloud.com/peachhorror/sets

music by PeacHHorroR 🎶 ██████████████] 99%🎶

My swee† D∆RKИESS

I tried some different beats and offbeat claps/snares/hihats in this one to make it a bit more interesting and less straightforward. The sidechain melody part seems like a total Bicep rip off but that was unintentional. I just liked the way it sounded and during the making I didn’t really notice it. I’ve used the Monomy synth plugin for this song. It’s a very nice plugin with great sounds. As for the last songs I made I again used some Hainbach “Landfill Totems” sounds by Spitfire Audio. I also used Carbon 2 with Reaktor and some strings and trumpets from Labs by Spitfire Audio. I simply can’t get away from all the nice and good sounding options Spitfire Audio offers. Off course I also had to use my one of my favourites effects; Camel Crusher and ValhallaSupermassive. All in all I liked this one enough to put it on Soundcloud. The picture is some weird cloud formation we saw from out of our bedroom and I took some photo’s of it. With some simple filters it almost looks as something out of this world.

Sijilmassa

90dB Project