The final descent into sonic excess—a theatrical, operatic eruption of sound where baroque grandeur meets the brutal intensity of dark techno. With haunting vocal crescendos and seismic bass, the track distorts into a feverish climax, the last tremor before silence.

Bonus Track - When He Began to Sway (The Last Tremor)

MOONJUICE🤘🎸⚡ Everett MA 


All Music Written By:

*Scott Burton (Guitar)
*Mike Wiley (Bass)
*Cameron McGowan (Vocals)
*Paulo DeSousa (Drums)


Email: MoonJuiceXCVI@Gmx.Com

WARNING: Unauthorized use of this band's music & imagery without explicit consent from ALL writers and creators  is strictly prohibited. This includes reproduction, distribution, or commercial use. Violators may face legal action. 

All Music Recorded @ XCVI.


Restless, rebellious, and fiercely independent, aZzma Beh is not just a musician she’s a force of nature. Born in Turkey but raised in California, she has spent over three decades carving her own path in the music industry, refusing to conform to mainstream expectations. Raised by a mother who was both an artist and an activist, aZzma grew up surrounded by raw creativity and a deep sense of defiance against injustice.
She never knew her father, only carrying his name like a ghost of an untold story. But rather than seeking answers in the past, she poured everything into music writing, composing, and producing her own songs. Her journey has been one of relentless independence, navigating the underground and alternative music scenes while collaborating with artists across the U.S., Europe, and Africa.
Her music is a collision of pop, rock, indie, and alternative energy, often infused with electronic elements when working with DJs who seek a voice as haunting as it is powerful. Unlike industry-made artists, aZzma chooses her collaborations carefully, preferring projects that carry meaning, rebellion, and raw emotion.

A Lebanese-born singer with a voice that transcends borders, MALADONNA grew up immersed in the rich cultural tapestry of England, Morocco, Turkey, and the United States. Classically trained, she bridges the worlds of Western classical music and Arabic heritage, creating a sound that is as unique as her journey. Her artistry reflects a profound connection to her roots while embracing global influences, seamlessly blending classical elegance with Arabic melodies and touches of American acoustic traditions. A storyteller at heart, she captivates listeners with her delicate yet powerful voice, weaving narratives of love, loss, and beauty.

Lotus Pastel is one of those rare artists who seem to exist slightly outside of time. Her origins remain undefined, with brief chapters spent in Tokyo, Seoul, and Tangier before finally settling in Paris. This rootless journey shapes her music: delicate, ethereal, and quietly fearless.

With a voice both fragile and luminous, she creates songs that feel like secret confessions, half-whispered and half-sung. Her sound drifts between dreampop, poetic electronica, and intimate pop, always tinted with surreal imagery and a sense of soft resistance.

In 2025, Lotus Pastel unveiled not one but two striking albums. "Ma Vie, L’Univers" opens like a diary scattered in the wind: playful and dreamlike on tracks such as "La Machine à Café a Pété", tenderly reflective on Je suis là…, and cosmic in its collaborations with Dark Earl (L’Univers) and OldNEO (Echoes of a Myth). Later that year, "Ici, Daba et Ima" expanded her palette, weaving Franco-Japanese moods (Yuki no Shita), Moroccan shades (Daba, Sous le bleu de Chefchaouen), and fragile nocturnes (Que la nuit m’oublie).

Lotus Pastel does not chase anthems, she builds atmospheres. Each release is less an album than a landscape, pastel skies, blurred edges, words floating like fragments of a dream. And in that liminal space, she is already carving her own place in tomorrow’s music scene.

Bonus Track - When He Began to Sway (The Last Tremor)

90dB Project