FKTML is Rif Kif Dubman's latest creation, a raw and hypnotic dubstep track that invites listeners to embrace the present moment. Without lyrics, the song speaks volumes through its bass-heavy rhythms and haunting melodies. According to Rif Kif, FKTML which stands for "F**k Them All" is his way of rejecting anything that doesn’t belong in the here and now. It’s a sonic declaration of inner peace, a moment of pure, existential clarity wrapped in deep, resonating beats.
This track is not just music; it’s a statement a reminder to let go of the noise and focus on the peace within.

Bio of Rif Kif Dubman :
Born and raised in the Rif mountains of northern Morocco, Rif Kif Dubman is a genre-blending DJ and producer who has carved out his own unique space in the global music scene. Proudly calling himself "the only Black man of the Rif," he challenges stereotypes in a region known for its European-like appearances, bringing a fresh perspective to Moroccan identity.
Rif Kif started his journey in the underground music scene, blending dub, reggae, dubstep, and downtempo into a hypnotic soundscape that reflects his roots and his vision of peace. In the 2010s, he was part of the multinational collective MasterOp Federation, where he honed his craft before embarking on a solo career. Over the years, he has traveled the world, carrying the sounds of the Rif, his dub-infused beats, and his message of unity and self-expression to audiences everywhere.
Through his music, Rif Kif Dubman has created what he calls his "Peace Universe," a sonic refuge where listeners can escape, reflect, and connect. His tracks are not just music they are experiences, deeply rooted in his heritage and his journey as an artist.

FKTML v.1

I've always been too busy to stop and take in the beauty all around me... I'm sharing musical magic I find across the Googlewebs. Music inspires, rejuvenates and i'm learning to live again🥰🎶🎯

The Bartenders is a band founded in Toronto, Canada, by two passionate musicians: Johnny D. and Stephaan Rayes. This dynamic duo has mastered the art of modern blues, infusing it with soulful grooves and a touch of rock. Their signature track, Hey Bartender!, quickly struck a chord with music lovers thanks to its infectious energy and catchy riffs. Known for their captivating live performances, The Bartenders turn every stage into a vibrant mix of rhythms, blending classic influences with a refreshing modern twist.

Dark Earl a shadows and light sorceror who roams through transmutating from mystery into sublime, immersive worlds that are singular and mesmerising.
Influenced by dark trip-hop and beat oriented electronic textures with innervining rhythms, he fuses some depth into the darkness of despair background with notes of redemption and escape.
Dark Earl, hailing from a polyglot melting pot, interprets the borders of his multi-ethnic sounds. By his tracks it as if stories – usually contemplating where every note holds feeling and each pause perpetuates reflection.
Amateur music productionist from the beginning back in 2003, Dark Earl evolved his sound and gone into the realms of experimental weirdness and outlandishness.
He refuses to limit himself to a 1-genre domination and finds outlet where music is more than just a quest for empire, but freedom and authenticity.
He is one of the most important figures today in a group of young artists supporting hands-on, and collaborating with DJs, sound engineers as well as singers from all over.
Dark Earl is not a producer, he makes experiences.

Maya Guzmania, alias Ghost Of Maya, est une artiste belge dont le parcours oscille entre l’ombre et la lumière. Avant de devenir autrice-compositrice-interprète, elle a longtemps œuvré dans la production musicale, sculptant les sonorités des autres sans jamais oser imposer sa propre voix.
À six ans, elle enregistrait déjà des bribes de mélodies sur de vieux magnétophones, convaincue que la musique était un langage secret. Adolescente, elle passait ses nuits dans les clubs underground de Bruxelles, absorbant les rythmes du breakbeat, du dubstep et de l’électro, en quête d’une alchimie sonore qui lui échappait encore. À vingt ans, elle plongeait dans l’industrie musicale en tant que productrice, affinant son art dans l’ombre des studios. Pendant des années, elle façonnait des morceaux pour d’autres artistes, effleurant l’idée d’écrire pour elle-même, sans jamais franchir le pas.
Puis, un soir, au détour d’un morceau inachevé, elle a compris que sa place n’était plus derrière la console, mais au cœur du son. La voix qu’elle modelait pour les autres devait désormais être la sienne. C’est ainsi que Ghost Of Maya est née, fruit d’un vertige et d’un besoin urgent de rattraper le temps perdu.
Aujourd’hui, elle prépare son premier album, une œuvre immersive où les spectres du passé rencontrent les pulsations du futur. Et demain ? Si le futur appartient aux âmes qui osent, Ghost Of Maya pourrait bien devenir l’un de ces mystères musicaux qui traversent les époques, insaisissables et hypnotiques.

Maya Guzmania, known as Ghost Of Maya, is a Belgian artist whose journey sways between shadow and light. Before becoming a singer-songwriter, she spent years behind the scenes as a music producer, shaping the sound of others while keeping her own voice in silence.
At six, she was already recording fragments of melodies on old cassette players, believing that music was a secret language. As a teenager, she wandered through Brussels’ underground clubs, absorbing the pulse of breakbeat, dubstep, and electro, searching for a sonic formula that remained just out of reach. By twenty, she had dived into the music industry as a producer, perfecting her craft in the shadows of recording studios. For years, she created for others, brushing against the idea of writing for herself but never taking the leap.
Then, one night, amidst an unfinished track, she realized her place was no longer behind the console but within the music itself. The voice she had shaped for others had to become her own. And so, Ghost Of Maya was born—from that moment of vertigo, from the urgency of reclaiming lost time.
Now, she is preparing her debut album, a hypnotic journey where echoes of the past merge with the rhythms of the future. And what lies ahead? If the future belongs to those who dare, Ghost Of Maya may soon become one of those musical enigmas elusive, timeless, unforgettable.

Lotus Pastel is one of those rare artists who seem to exist slightly outside of time. Her origins remain undefined, with brief chapters spent in Tokyo, Seoul, and Tangier before finally settling in Paris. This rootless journey shapes her music: delicate, ethereal, and quietly fearless.

With a voice both fragile and luminous, she creates songs that feel like secret confessions, half-whispered and half-sung. Her sound drifts between dreampop, poetic electronica, and intimate pop, always tinted with surreal imagery and a sense of soft resistance.

In 2025, Lotus Pastel unveiled not one but two striking albums. "Ma Vie, L’Univers" opens like a diary scattered in the wind: playful and dreamlike on tracks such as "La Machine à Café a Pété", tenderly reflective on Je suis là…, and cosmic in its collaborations with Dark Earl (L’Univers) and OldNEO (Echoes of a Myth). Later that year, "Ici, Daba et Ima" expanded her palette, weaving Franco-Japanese moods (Yuki no Shita), Moroccan shades (Daba, Sous le bleu de Chefchaouen), and fragile nocturnes (Que la nuit m’oublie).

Lotus Pastel does not chase anthems, she builds atmospheres. Each release is less an album than a landscape, pastel skies, blurred edges, words floating like fragments of a dream. And in that liminal space, she is already carving her own place in tomorrow’s music scene.

Born in Marseille and now based in Paris, Anisa Boualem is a 31-year-old French-Algerian singer who turns emotions into melodies like secrets whispered to the sky. With a voice both fragile and fearless, she navigates genres like chanson, soul, electro-folk, and modern French touch. Her music walks a line between dream and confession, southern sun and northern twilight. Anisa doesn’t sing to be heard she sings to make silence resonate.


Née à Marseille, bercée par les vagues et les voix du sud, Anisa Boualem est une chanteuse française d’origine algérienne, installée aujourd’hui à Paris. À 31 ans, elle compose des chansons comme on raconte des secrets à la lune. Anisa jongle avec les genres chanson française, soul, jazz, électro organique et sa voix tantôt douce, tantôt rugueuse, évoque les silences pleins, les souvenirs qui dansent, et les émotions à fleur de peau. Son art est une passerelle entre les rives : entre Alger et Pigalle, entre l’intime et le cosmos.

12.3 kHz is an electronic label connecting ten projects in one shared universe from cyberpunk trap and acid techno to darkwave and kawaii glitchcore. Strong concepts, bold visuals, and high-impact production. Each release is its own world.

Earth-616 is a New York-based collective of three: DJs Peter Stark and D. Princess, and vocalist Nana Wayne, whose stage presence fuses club energy with performance art. Lifelong fans of the Marvel universe, they weave its mythology into their music and visuals and proudly stand by the belief that Marvel beats DC. Their dark underground techno blends minimal grooves, metallic percussion, and deep warehouse reverbs, building sonic worlds as intense as any superhero showdown.

Album release date:
9 August 2025

FKTML v.1

90dB Project