Some emotions don’t need words. Rooftop Neons is pure sound no lyrics, not a single word yet it speaks volumes. Created in solitude during the 2020 lockdown, this track was TooF@n’s first experiment with shoegaze, blending hazy synths, swirling atmospheres, and infinite reverb. A soundscape where time dissolves, capturing a moment that now exists beyond time itself.

Now, as he prepares to unveil his 100% shoegaze album, TooF@n finally releases this hidden gem a glimpse into the sonic waves yet to come. A gift, frozen in sound, echoing into eternity.

Rooftop Neons

A Lebanese-born singer with a voice that transcends borders, MALADONNA grew up immersed in the rich cultural tapestry of England, Morocco, Turkey, and the United States. Classically trained, she bridges the worlds of Western classical music and Arabic heritage, creating a sound that is as unique as her journey. Her artistry reflects a profound connection to her roots while embracing global influences, seamlessly blending classical elegance with Arabic melodies and touches of American acoustic traditions. A storyteller at heart, she captivates listeners with her delicate yet powerful voice, weaving narratives of love, loss, and beauty.

The Bartenders is a band founded in Toronto, Canada, by two passionate musicians: Johnny D. and Stephaan Rayes. This dynamic duo has mastered the art of modern blues, infusing it with soulful grooves and a touch of rock. Their signature track, Hey Bartender!, quickly struck a chord with music lovers thanks to its infectious energy and catchy riffs. Known for their captivating live performances, The Bartenders turn every stage into a vibrant mix of rhythms, blending classic influences with a refreshing modern twist.

Dark Earl a shadows and light sorceror who roams through transmutating from mystery into sublime, immersive worlds that are singular and mesmerising.
Influenced by dark trip-hop and beat oriented electronic textures with innervining rhythms, he fuses some depth into the darkness of despair background with notes of redemption and escape.
Dark Earl, hailing from a polyglot melting pot, interprets the borders of his multi-ethnic sounds. By his tracks it as if stories – usually contemplating where every note holds feeling and each pause perpetuates reflection.
Amateur music productionist from the beginning back in 2003, Dark Earl evolved his sound and gone into the realms of experimental weirdness and outlandishness.
He refuses to limit himself to a 1-genre domination and finds outlet where music is more than just a quest for empire, but freedom and authenticity.
He is one of the most important figures today in a group of young artists supporting hands-on, and collaborating with DJs, sound engineers as well as singers from all over.
Dark Earl is not a producer, he makes experiences.

Maya Guzmania, alias Ghost Of Maya, est une artiste belge dont le parcours oscille entre l’ombre et la lumière. Avant de devenir autrice-compositrice-interprète, elle a longtemps œuvré dans la production musicale, sculptant les sonorités des autres sans jamais oser imposer sa propre voix.
À six ans, elle enregistrait déjà des bribes de mélodies sur de vieux magnétophones, convaincue que la musique était un langage secret. Adolescente, elle passait ses nuits dans les clubs underground de Bruxelles, absorbant les rythmes du breakbeat, du dubstep et de l’électro, en quête d’une alchimie sonore qui lui échappait encore. À vingt ans, elle plongeait dans l’industrie musicale en tant que productrice, affinant son art dans l’ombre des studios. Pendant des années, elle façonnait des morceaux pour d’autres artistes, effleurant l’idée d’écrire pour elle-même, sans jamais franchir le pas.
Puis, un soir, au détour d’un morceau inachevé, elle a compris que sa place n’était plus derrière la console, mais au cœur du son. La voix qu’elle modelait pour les autres devait désormais être la sienne. C’est ainsi que Ghost Of Maya est née, fruit d’un vertige et d’un besoin urgent de rattraper le temps perdu.
Aujourd’hui, elle prépare son premier album, une œuvre immersive où les spectres du passé rencontrent les pulsations du futur. Et demain ? Si le futur appartient aux âmes qui osent, Ghost Of Maya pourrait bien devenir l’un de ces mystères musicaux qui traversent les époques, insaisissables et hypnotiques.

Maya Guzmania, known as Ghost Of Maya, is a Belgian artist whose journey sways between shadow and light. Before becoming a singer-songwriter, she spent years behind the scenes as a music producer, shaping the sound of others while keeping her own voice in silence.
At six, she was already recording fragments of melodies on old cassette players, believing that music was a secret language. As a teenager, she wandered through Brussels’ underground clubs, absorbing the pulse of breakbeat, dubstep, and electro, searching for a sonic formula that remained just out of reach. By twenty, she had dived into the music industry as a producer, perfecting her craft in the shadows of recording studios. For years, she created for others, brushing against the idea of writing for herself but never taking the leap.
Then, one night, amidst an unfinished track, she realized her place was no longer behind the console but within the music itself. The voice she had shaped for others had to become her own. And so, Ghost Of Maya was born—from that moment of vertigo, from the urgency of reclaiming lost time.
Now, she is preparing her debut album, a hypnotic journey where echoes of the past merge with the rhythms of the future. And what lies ahead? If the future belongs to those who dare, Ghost Of Maya may soon become one of those musical enigmas elusive, timeless, unforgettable.

Rooftop Neons

90dB Project