Wild Earl presents his groundbreaking new album titled "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music". This ambitious project takes listeners on a journey through a futuristic, surreal, and emotionally charged soundscape.
Set in the year 2070, the album explores a dystopian world where humanity faces the consequences of its technological obsessions. Tracks like Arabian and Motor evoke the relentless hum of machines and the mystique of desert landscapes, while Man reflects on the human condition in an increasingly artificial world.
The energy shifts with Playing and Dangerous, capturing the thrill of risk and the tension of living on the edge, before plunging into the chaos of Distortion, where reality begins to warp. Game then pulls listeners into a labyrinth of choices, where every move carries weight.
The album’s emotional core lies in moments of introspection, like But, a pause between hope and uncertainty, and Jumping, a bold leap into the unknown. Tracks like And and Enjoying weave together fleeting moments of connection and joy amidst the chaos.
As the journey continues, Another opens the door to alternate realities, while Abstract and Sunset paint vivid, surreal landscapes of endings and new beginnings. Away offers a sense of escape, leading to At, the point of convergence where everything comes together.
The enigmatic Ameder stands as a symbolic destination, shrouded in mystery, while With and Music remind us of the universal bonds that transcend time and space.
Wild Earl’s "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music" is a sonic adventure that challenges, inspires, and captivates, leaving listeners eager to explore its depths again and again.

JUMPING

Un adieu suspendu dans l’air, une mélancolie douce-amère. La guitare, fragile, appelle à la mémoire, chaque note un murmure d’âme. Les larmes tombent, emportées par un vent d’éternité, et l’absence se fait musique, indélébile et sublime.

Pleure, car l’Adieu est Scellé [OldNeo Edit]

The melody awakens like a distant echo, unfolding through layers of ethereal textures and rhythmic tension. Breakbeat pulses intertwine with haunting synths, crafting a delicate balance between nostalgia and futuristic dynamism. A hypnotic initiation into the trilogy’s evolving sonic journey.

When He Began to Sway

A symphony of chaos and elegance where orchestral strings collide with dubstep growls and darkpsy undertones. The track sways between grandeur and madness, merging cinematic swells with relentless basslines. The unseen echoes of tradition and modernity reverberate in a haunting dance of sound.

When He Began to Sway (Echoes of the Unseen)

A fractured reflection of the original theme, caught between past and future. Darkcore energy surges through broken rhythms and distorted harmonies, as if the melody itself is struggling to exist in two realities at once. A visceral, unpredictable transformation of the dance that once was.

Shattered Motion

The final descent into sonic excess—a theatrical, operatic eruption of sound where baroque grandeur meets the brutal intensity of dark techno. With haunting vocal crescendos and seismic bass, the track distorts into a feverish climax, the last tremor before silence.

Bonus Track - When He Began to Sway (The Last Tremor)

Urgency builds as Dark Earl braces for an unseen challenge. Pulsing basslines and urgent arpeggios create an atmosphere of action—something is coming, and there is no time to hesitate.

Shattered Motion

90dB Project