Chaâbi music taken to the extreme. A warped Moroccan violin (kamanja) cries over heavy, murky trap beats, while strange, otherworldly sounds weave in and out. It’s Chaâbi on acid a surreal and avant-garde reinvention of Moroccan folk.

pSYKOK is a groundbreaking DJ duo from southern Morocco, blending trap, dark trap, trip-hop, dark techno, electronica, and drum & bass, all infused with a deep psychedelic essence.
At the decks, Salah Hadri is one of North Africa’s most daring DJs—a fearless innovator who takes risks and pushes sonic boundaries. His sets are unpredictable, hypnotic, and electrifying.
Beside him, Mahmoud Hamdi, a multi-instrumentalist and trumpet virtuoso, brings an organic, melodic touch to their electronic soundscapes. Sometimes, Hamdi plays live alongside Hadri, creating immersive, real-time fusion sets where traditional and modern sounds collide.
Their music reshapes Arab, North African, and African sounds, transforming them into dark, psychedelic electronic journeys unlike anything heard before.

Stati Sko

12.3 kHz is an electronic label connecting ten projects in one shared universe from cyberpunk trap and acid techno to darkwave and kawaii glitchcore. Strong concepts, bold visuals, and high-impact production. Each release is its own world.

Earth-616 is a New York-based collective of three: DJs Peter Stark and D. Princess, and vocalist Nana Wayne, whose stage presence fuses club energy with performance art. Lifelong fans of the Marvel universe, they weave its mythology into their music and visuals and proudly stand by the belief that Marvel beats DC. Their dark underground techno blends minimal grooves, metallic percussion, and deep warehouse reverbs, building sonic worlds as intense as any superhero showdown.

Album release date:
9 August 2025

Tokyo_Nights is a masked trio from Tokyo, shrouded in mystery and wrapped in neon shadows. Multi-instrumentalists with roots deep in the city’s electric veins, they translate Tokyo’s sleepless nights into cinematic EDM landscapes. Their sound fuses the high-energy pulse of kawaii beats with the soulful breath of traditional Japanese instruments most notably the shakuhachi flute morphed into a futuristic, almost cybernetic voice.
Always masked, their identities remain unknown. We do not know who is the man and who is the woman—only that their chemistry is undeniable. Each performance is an open-air movie, their music unfolding like scenes lit by street lamps, billboards, and the moon. Perfection for them is found in imperfection: glitchy textures, recycled sounds from daily life, scratches and distortion, all played with absolute precision. They are the soundtrack of a generation born into a world of perfect production, now chasing the beauty of the imperfect.

Stati Sko

90dB Project