FKTML is Rif Kif Dubman's latest creation, a raw and hypnotic dubstep track that invites listeners to embrace the present moment. Without lyrics, the song speaks volumes through its bass-heavy rhythms and haunting melodies. According to Rif Kif, FKTML which stands for "F**k Them All" is his way of rejecting anything that doesn’t belong in the here and now. It’s a sonic declaration of inner peace, a moment of pure, existential clarity wrapped in deep, resonating beats.
This track is not just music; it’s a statement a reminder to let go of the noise and focus on the peace within.

Bio of Rif Kif Dubman :
Born and raised in the Rif mountains of northern Morocco, Rif Kif Dubman is a genre-blending DJ and producer who has carved out his own unique space in the global music scene. Proudly calling himself "the only Black man of the Rif," he challenges stereotypes in a region known for its European-like appearances, bringing a fresh perspective to Moroccan identity.
Rif Kif started his journey in the underground music scene, blending dub, reggae, dubstep, and downtempo into a hypnotic soundscape that reflects his roots and his vision of peace. In the 2010s, he was part of the multinational collective MasterOp Federation, where he honed his craft before embarking on a solo career. Over the years, he has traveled the world, carrying the sounds of the Rif, his dub-infused beats, and his message of unity and self-expression to audiences everywhere.
Through his music, Rif Kif Dubman has created what he calls his "Peace Universe," a sonic refuge where listeners can escape, reflect, and connect. His tracks are not just music they are experiences, deeply rooted in his heritage and his journey as an artist.

FKTML v.1

A powerful and immersive track where dark basslines and fractured percussion blend with futuristic synthetic layers. This piece evokes a crumbling city illuminated by flickering neon lights, remnants of a glorious past.

Wild Earl presents his groundbreaking new album titled "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music". This ambitious project takes listeners on a journey through a futuristic, surreal, and emotionally charged soundscape.

Set in the year 2070, the album explores a dystopian world where humanity faces the consequences of its technological obsessions. Tracks like Arabian and Motor evoke the relentless hum of machines and the mystique of desert landscapes, while Man reflects on the human condition in an increasingly artificial world.

The energy shifts with Playing and Dangerous, capturing the thrill of risk and the tension of living on the edge, before plunging into the chaos of Distortion, where reality begins to warp. Game then pulls listeners into a labyrinth of choices, where every move carries weight.

The album’s emotional core lies in moments of introspection, like But, a pause between hope and uncertainty, and Jumping, a bold leap into the unknown. Tracks like And and Enjoying weave together fleeting moments of connection and joy amidst the chaos.

As the journey continues, Another opens the door to alternate realities, while Abstract and Sunset paint vivid, surreal landscapes of endings and new beginnings. Away offers a sense of escape, leading to At, the point of convergence where everything comes together.

The enigmatic Ameder stands as a symbolic destination, shrouded in mystery, while With and Music remind us of the universal bonds that transcend time and space.

Wild Earl’s "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music" is a sonic adventure that challenges, inspires, and captivates, leaving listeners eager to explore its depths again and again.


Biography of MiraeBliss:
MiraeBliss (미래블리스) – a star born under the sign of dreams and happiness. Born on December 21, 1990, in Seoul, and now residing in Tokyo, MiraeBliss embodies a perfect fusion of two worlds: the vibrant electro beats of the metropolis and the deep heritage of Korean culture. Away from the spotlight, she is an independent artist, a free spirit navigating life with a dreamy soul, captivated by sensations and the simple pleasures.
Her music, a blend of atmospheric electro and alternative pop, is an invitation to escape into a parallel universe, where every note tells the story of a world yet to be discovered. Passionate about exploring love, happiness, and freedom, MiraeBliss writes and composes her songs with the intention of celebrating the beauty of the moment, while also addressing deep, personal subjects.
She has never been one to follow the crowd. Since childhood, she’s always identified with the fluidity and simplicity of art, especially in the realm of electro. She started producing her own music in her room, playing with sounds and beats, drawing inspiration from her love of the color blue, a symbol of peace and depth.
Though often solitary, her music is a universal cry of love, a bridge between cultures, between East and West. MiraeBliss also collaborates with many DJs and artists worldwide, adding her unique touch to exciting collaborations. Her influence grows each day, and she continues to pave her path with one mantra in mind: live in pleasure, simplicity, and love, while moving toward a bright future.
The name MiraeBliss reflects her future filled with happiness (Bliss) and dreams (Mirae), a future where everything is possible, where beauty is found in every simple and pure detail of life.


ABSTRACT (ft. MiraeBliss)

Yamalki
A mind-expanding fusion of Malhoun poetry and warped electronic sound design. Chopped-up samples, hypnotic rhythms, and Hadri’s fearless manipulation of sound create a hallucinatory sonic experience.

pSYKOK is a groundbreaking DJ duo from southern Morocco, blending trap, dark trap, trip-hop, dark techno, electronica, and drum & bass, all infused with a deep psychedelic essence.
At the decks, Salah Hadri is one of North Africa’s most daring DJs—a fearless innovator who takes risks and pushes sonic boundaries. His sets are unpredictable, hypnotic, and electrifying.
Beside him, Mahmoud Hamdi, a multi-instrumentalist and trumpet virtuoso, brings an organic, melodic touch to their electronic soundscapes. Sometimes, Hamdi plays live alongside Hadri, creating immersive, real-time fusion sets where traditional and modern sounds collide.
Their music reshapes Arab, North African, and African sounds, transforming them into dark, psychedelic electronic journeys unlike anything heard before.



Yamalki

A nocturnal prayer. Between desire and surrender, Lotus Pastel sings of a night that refuses to remember her name. A ballad of letting go.

Lyrics :

Couplet 1
Je dérive, l’air est si léger,
Les étoiles tombent, rien pour veiller.
Mes pas s’effacent dans le silence,
Emmène-moi loin de l’existence.

Refrain
Emporte-moi sous d’autres cieux,
Là où le monde devient brumeux.
Serre-moi fort quand l’aube soupire,
Que la nuit cesse de me lire.

Couplet 2
Le vent chuchote dans les feuillages,
Comme une ombre sur un rivage.
Mes doigts s’égarent dans la mémoire,
Laisse-moi fuir sans faire d’histoire.

Refrain
Emporte-moi sous d’autres cieux,
Là où le monde devient brumeux.
Serre-moi fort quand l’aube soupire,
Que la nuit cesse de me lire.

Parolier : Zachary Tali

Que la nuit m’oublie

Inspired by the myth of Kharboucha, reimagined through quiet strength. Not a scream, but a haunting hum of resistance. 

“Est-ce possible” is a love song caught in the in-between. Anissa Boualem drifts through uncertainty with soft vocals and lo-fi textures, like a question left hanging in warm night air. It’s about almosts, maybes, and moments we let slip. A song for late evenings, when silence says more than words.

Titre : Est-ce possible


[Couplet 1]
Est-ce possible, qu’on se croise, sans rien se dire ?
Juste des regards, un soupir… puis repartir ?
Est-ce normal, de vouloir s’aimer sans promesse ?
Sans futur, sans détour, ni même une tendresse ?

[Pré-Refrain]
On s’touche pas, mais j’le sens, ton cœur bat sous la table.
Tu souris, mais t’es flou, comme un rêve instable.

[Refrain]
Est-ce possible… d’aimer sans y croire ?
D’te laisser partir sans vouloir te revoir ?
Est-ce possible… que ce soit ça l’histoire ?
Deux inconnus, qui s’effleurent dans le noir…

[Couplet 2]
Est-ce un jeu, ou bien pire, une fuite maquillée ?
On s’embrasse du silence, on joue à s’oublier.
J’te connais à moitié, et pourtant t’es en moi,
Comme une idée tenace, qui n’me lâche pas.

[Refrain]
Est-ce possible… d’aimer sans y croire ?
D’te laisser partir sans vouloir te revoir ?
Est-ce possible… que ce soit ça l’histoire ?
Deux inconnus, qui s’effleurent dans le noir…

[Outro – parlé, douce ironie]
Ou peut-être qu’on s’est aimés… juste au mauvais endroit.

Est-ce Possible

"J’aime Nous" feels like a letter not just written for love, but by Love itself.
In this gentle, poetic confession, Anissa Boualem speaks to all those who shape her world, family, friends, the familiar and the forgotten. With spoken verses and whispered truths, she embraces a kind of human polyamory: a deep, non-romantic affection for many, an openness of the heart that holds space for everyone.
This song, for Anissa, is a hymn. A tribute to presence, kindness, and the invisible threads that bind us.
It’s not about loving one person, it's a declaration of love to all who make us feel alive.
And in the end, she leaves us with this:
“Et si toi aussi, tu entends ça… sache que je t’aime.”
(If you too hear this… know that I love you.)

J’aime Nous (Lettre d’Amour)

Nabil C. delivers. A smooth Neo-soul / RnB take on Could it Be. A warm, intimate version that never made it to the official releases, hidden until now through rare_version.

Yamalki

90dB Project