re:34
12" vinyl + digital, edition of 105. Label sticker design by Efentwell.

www.juno.co.uk/products/cedar-transfer-ep/853389-01/
www.redeyerecords.co.uk/vinyl/141658-re34-cedar-transfer-ep
disc-world.com/products/re34
suburbantrash.com/experimental-abstract-ambient/1309--pre-order-re34-cedar-transfer-ep.html

Jon Schorah aka Cedar is a producer intent on finding new ways to embrace his musical influences, from deep house, ambient, techno to drum & bass and minimalism. Much of his early work (circa 1999) appeared on the infamous Good Looking Records and sub labels.

Later works quickly saw Cedar embrace a more eclectic style, including deep house and broken beat excursions, combining intricate programming with electronic atmospheres and warm harmonic pulses.

Switching from production to music software design led to several years of silence in the commercial world, shortly to be broken with the forthcoming Transfer EP. Again incorporating his signature atmospheric sound, now more technical and experimental, this release pushes the boundaries of genre classification and signals a direction for future works.

At the intersection of minimalist, technical drum n bass & atmospheric electronica lies the latest release, Transfer. The title track sees hypnotic evolutionary rhythms cross pollinate and slide between pure sub tones, ebbing and flowing in a modernist architectural landscape infused with heavily manipulated natural noise recordings, stretched and looped into ghostly shimmers and pulsating tones.

Driving polyrhythms push and pull the tide of natural radio ambience throughout Sferics. Threatening darker overtones spill over, but never quite overcome, as warm pulses eventually enfuse the panorama.
Proxima pushes and pulls with half-time layers anchoring double time pulses, anchored with suckin-sub bass and modulated noise breathing into the space between. From the tension, eventually, harmony arises to fade away almost as it began.

Tension and pressure predominate as VLF ticks toward some serious sub tones. Deep house influences abound yet the signature d’n’b tempo remains.

Cedar – Transfer

Electric Caress

COLOR SQUAD RECORDS 106/EP048

https://colorsquadrecords.bandcamp.com/album/plug-industry

CSR106 - Tunnel One - Plug Industry - Plug Inc.

Another deposit of bubbling acid and sanguine, emotive beats roll out of a bedroom studio Braindance producer’s machines. Utilising multiple 303’s, classic drum machines and modern multitracking, Demux Seq oozes with a platter of acidic nostalgia.

Bandcamp: https://xephem.bandcamp.com/album/demux-seq
Bleep: https://bleep.com/release/375009-mause-demux-seq
Boomkat: https://boomkat.com/products/demux-seq
Juno: https://www.junodownload.com/.../mause-demux-seq/5998298-02/

Mause - Hyco Acid (From Demux Seq)

Gv T P Np Hd Swedge Refry

lump

ALL VSTS
tb-303
tr-909
vital
renoise
happy new years
august2024

ulyses part 1

Spectralrotation

your knee is my hostage

Anthoney Hart is hardly a newcomer. Cutting his teeth spinning hardcore, jungle and D&B at legendary pirate radio station Rude FM, Hart eventually began producing under the Imaginary Forces moniker, channeling his early influences into noisier, more abstract territory. As Imaginary Forces plumbed the depths of abstraction, Hart was keen to find an outlet for dancefloor material, and that’s where Basic Rhythm comes in.

Hart wanted to reference the hardcore and jungle he grew up obsessing over, but not simply as an exercise in nostalgia. Avoiding breaks altogether, he went back to the samples that littered the genre, reframing them with contemporary rhythms. Raw Trax is not an attempt to recapture the sound of jungle or hardcore, but a new twist on a familiar setting.

This isn’t a dull academic experiment: Basic Rhythm was always intended to be fun to listen to, fun to dance to and fun to mix. Raw Trax delivers in spades.

Basic Rhythm - Raw Basics

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