Trainwreck

Paukkuneuvos Kauppinen - Vocals, guitars
Klädiaattori - Guitars
Guutsamoukari - Guitars, backing vocals
Käihämöinen - Bass, backing vocals
Jurrikaani - Drums

Your Youtube channel, check it out and follow: https://www.youtube.com/channel/UCICNzgJVEcAH0yRpHCM_4BQ

I am a solo recording artist who produces his own original music in Tweed Heads West, NSW, Australia.
 
My songs are released under the band name Retrospection. The joy and satisfaction I get from making music and sharing it, is my reward, although I do like to receive some recognition for my efforts!

Back in December 1963, after graduating from high school in Brisbane, QLD, Australia, I formed the rock band The Avengers in which I played lead guitar and sang backing vocals. We were semi-professional, playing any or all of the nights from Friday through to Sunday.

After two years I had to leave the band to take up a teaching career. Throughout my life I kept up (unpaid) entertainment as extra-curricular activities in the various schools in which I worked.

Unfortunately, I am no longer able to give live performances because of health problems.

Keith Ryan

Just your enthusiastic music lover who loves making instrumental pieces of music for a hobby with his guitar and other handy instruments....Peace and Love!

m@tro-music is my life I grew up in Yucaipa CA. My musical influences are the rolling

Stones,faces,Ronnie,wood,also men at work, Colin hay and Bruce Springsteen.Colin hay and Bruce Springsteen are my favorite song writers.Another artist I enjoy is j.mascis I grew up in the 80s so i had a lot of music in my life.Im just a working class guy making music from my heart my solo stuff can be found @ https://share.amuse.io/jSUEL2CnWzqz
also my m@tro YouTube link👇
https://www.youtube.com/@matro951


STH (band)-STH-(small town heroes) 2 best friends,matt hanson aka m@tro  (vocals) and Jeff pippin aka p@radigm(guitar)write songs and play music together since 2004 with long hiatuses in between we just started playing together again most of our songs where recorded in 2004 and 2008.STH project acoustic album can be found @ https://share.amuse.io/QIuo-GJgsVnK also on bandcamp@ 
sthmusic3.bandcamp.com
YouTube link------👇
https://www.youtube.com/@sth8453
Donations 
https://www.paypal.com/donate/?hosted_button_id=JB3T2ZU6PLUX8
to buy our CDs here is our store
http://Kunaki.com/MSales.asp?PublisherId=189585&PP=1

Tom Markey weaves his unique sound from songwriting and sonic explorations in rock, punk, pop, ambient and beyond. His songs are infused with a sense of justice, optimism and humor in the face of darkness. He draws inspiration for his music from dystopian visions, space travel, books and friendship. Tom is based in Austin, Texas.

I will soon be without distribution and  have only rarities left on Soundcloud. I'm transitioning to be a Bandcamp exclusive artist for my next album (if I choose to release it).
Previously distributed Sönderrevet albums will be available on Bandcamp only, where you can actually support artists and not murder drones etc. 

Indie rock, post-punk. Backed by high energy strums, synth leads and earworm guitar hooks.

Debut "Songs That Wouldn't Die" was released in October 2021 and created during the pandemic lockdown in Oslo.

Sophomore album "Chapters Missing" was released on the 5th of January, 2024.

All songs are written, recorded, mixed & mastered by Jan aka Sönderrevet.

Deutscher Independent Artist 🇩🇪
Neuer Song „Unsichtbar“ OUT NOW

https://beacons.ai/nachtzwach

Main DAW :  Studio one pro 7    Mixcraft pro 10 studio    Ability pro 5

The music of songwriter, arranger, composer, & multi-instrumentalist Daron Anthony Randolph.

Tribal Tone
🇵🇷🇵🇷🇵🇷🇵🇷🇵🇷🇵🇷🇵🇷🇵🇷🇵🇷 
O.D.L 
🇨🇴🇨🇴🇨🇴🇨🇴🇨🇴🇨🇴🇨🇴🇨🇴🇨🇴
KOMU 
🇵🇷🇵🇷🇵🇷🇵🇷🇵🇷🇵🇷🇵🇷🇵🇷🇵🇷
DR.SKAR 
🇵🇷🇵🇷🇵🇷🇵🇷🇵🇷🇵🇷🇵🇷🇵🇷🇵🇷
LUIE the TONE

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

Trainwreck

A Proper Quantum