The Vortex : Operation 4.0 b2b Redd Ophis - Aaja Music - 19 03 21

Booking and other inquiries :
wannasleeplater@gmail.com

WANNA brings thumping techno beats that will make you dance till dawn.
Growing up in gritty Bucharest, WANNA had Balkan beats in her ears and hips since childhood. Her travels took her to Amsterdam where she experienced the Detroit swindle nights of Studio 80 which irreversibly accelerated her desire for techno. The Level 32 Paris industrial techno had the latest and deepest influence. WANNA accumulates unique sounds and musical journeys (mental ones nowadays) that she brings in the industrial old school mixes.
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Record Labels - Instruments of Discipline + House of Reptile + Brvtalist Sound Recordings + Khoinix + Depth Request + Vast Perception + Theory of Yesterday


EXILED | Events - Artists featured so far: Violet Poison, Faux Naif, End Train, Blush Response, Operant, Melania, Philipp Strobel, Phin, Polanski, Codex Empire, Rendered, Øliver, Lupus, Tonia Nee, Tomohiko Sagae, Jose Macabra, Inhalt Der Nacht, 74185#, Dahc Dermur VIII, Years Of Denial, Domenico Crisci, Luna Vassarotti, Vercetti Technicolor, Agency, U.R.S.U.L.A. ...

Aaja is a multi-purpose community radio station, event space and bar. Situated along Deptford High Street, the local cultural hub hosts an eclectic mix of radio hosts, DJs and events. Open since 2018, Aaja has provided a space that has nurtured and aided the growth of creative minds and groups within South-East London and beyond.
‘A unique hi-spec sound installation that’s non-intrusive, but heavy for the heads’ 

‘An authentic melting pot, dedicated to music and culture’

www.aajamusic.com

27 November @ Space 289 w/ Sticky Ground, London
https://ra.co/events/1470130

Tonia Nee, aka Redd Ophis meaning “red snake,” co-founded Kollektiv Affair and founded Synthapise, leveraging music for charity. Her name reflects the root chakra’s grounding force and Ophiuchus, the “forgotten 13th zodiac,” symbolised by a snake-bearing man. The red snake represents transformation, shedding old layers while staying rooted, bridging ground and sky to navigate personal and musical evolution. Drawn to raw, deep, and impactful sounds, she merges music with activism, featuring her voice on End Train’s The Day I Didn’t Want to Wake Up, challenging societal conditioning. A career milestone was playing at Fabric in 2024, and she continues to keep challenging herself as an artist and finding ways to fuse music with meaningful causes.