Liberation Free

"The Last Goodbye Waltz No. 38 (Original Composition)” - A melancholic broken heart waltz that captures the essence of longing and nostalgia. Composed with a poignant melody that echoes the depths of my broken heart, this piece invites listeners to immerse themselves in its soothing yet sorrowful beauty. As a composer and countertenor, I’ve poured my emotions into this waltz, creating a hauntingly beautiful soundscape that resonates with the soul.

Detail: G Minor, 3/4-time, 105 BPM and G Minor, 3/4-time, 100 BPM

Watch, listen, and feel the emotions.
If you enjoyed my Waltz, please press like, subscribe to my YouTube channel, and share with your friends!

https://taulantmurativoximus.bandcamp.com
Bandcamp: Shadows Dance Alone (Original Waltzes Collection Vol. 2)

YouTube:  @TaulantMuratiakaVoximus  

#thelastgoodbyewaltzno38originalcomposition #melancholicwaltz #tearswaltz #composerlife #countertenor #instrumentalbeauty #heartfeltmusic #brokenheart #grief

Shadows Dance Alone (Original Waltzes Collection Vol. 2)

The Last Goodbye Waltz No. 38 (Original Composition)

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Beneath A Blanket (with Niklas Paschburg)

My father died on 16 March 2011.  His body had battled emphysema for years.  After complications caused by a bout of pneumonia he finally succumbed.  In the aftermath of these events I turned to my piano for solace and escape.  The resulting record attempts to address the emotions experienced during the 7 days between his death and funeral.  In collaboration with Ed Hamilton, who brilliantly tapped in to my experience and emotion, and with contributions from Christoph Berg, this record is about, and in memory of, my father. - Euan

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Glacis is Euan Alexander Millar-McMeeken with Ed Hamilton

All pieces written and performed by Euan Alexander Millar-McMeeken and Ed Hamilton

Violins on tracks 1, 5 & 7 performed and arranged by Christoph Berg

Violins on track 6 performed by Christoph Berg, arranged by Ed Hamilton

Piano recordings by Ana Roman and Alex Galler at the University of Edinburgh

Produced and mixed by Ed Hamilton

Mastered by James Plotkin

Art by Todd Umhoefer
www.oldearthcontact.bandcamp.com

Writing by Ali Millar 
www.readthesupplement.com

Released through Fluid Audio (May 2016)
www.fluidaudio.bigcartel.com

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Thanks, and thanks, and ever thanks
 
In memory of Euan's father, Sandy McMeeken 6 November 1937- 16 March 2011

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Glacis - From One Room To Another (So You Leave Me Now)

Taken from my latest album "(For Now We See) Through A Glass Dimly", ‘Elegy (ii)’ features the elegantly dexterous vocals of Joanna Swan (Ilya) and the incisive strings of Christoph Berg (Field Rotation).
The album, as described by Hidden Shoal:
The 10 tracks that comprise "(For Now We See) Through A Glass Dimly" have an emotional potency and compositional dexterity that surpasses the acclaimed body of work that precedes them, drawing you into their evocative world and demanding engagement. The album includes contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley. Mixed by Stefano Guzzetti and Paul Humphreys (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring.
For more releases by Antonymes: https://antonymes.bandcamp.com/
This music is available for licensing. Email Cam at Hidden Shoal for more details: cam[@]hiddenshoal.com | www.hiddenshoal.com/licensing

Antonymes on Spotify: http://spoti.fi/2cAJxyL

Elegy (ii)

03 183 Times

from compilation ‘Algorithmics’ (Piano Day 2017)
Bandcamp: http://bit.ly/2oG1fbz
iTunes: https://itun.es/ca/wNf5ib
Spotify: http://spoti.fi/2pfs44p

@daigohanada
Written and recorded by Daigo Hanada
Mastered by Emil Thomsen at ET Mastering

Artwork by Marin Blanc (http://www.marinblanc.com)
Layout by Nicolas Hyatt

Daigo Hanada - Once Heard (Algorithmics/Piano Day 2017)

‘The Birds’ are three tracks released together as the lead singles from the upcoming album, aptly named ‘Sketches’, due to its stripped down nature, is bejeweled by thematic undercurrents. 

‘Sketches’ serves to reintroduce listeners to Ackroyd’s most stunning pieces from her previous albums, all of which have been reworked into ‘acoustic’ solo piano arrangements alongside four brand new unheard pieces, which offer a taste of a new forthcoming record. The mini album sees a July release in preparation for a brand new full length album to be released in October, and One Little Indian will also reissue Ackroyd’s back catalogue on CD and vinyl alongside the new mini-album.

Feathers

Aaron Martin’s album "A Room Now Empty" sees him returning to the memory-based recordings of previous albums such as "Almond", "River Water" and "Chautauqua", where layered meanings in the music and titles don’t allow a single clear-cut reading of the music.

“A Room Now Empty is similar to the concept of Day Has Ended where Christoph Berg and I created music to encompass the passing of a day, but stretched out for the passing of a lifetime or at least a portion of a lifetime,” says Aaron.

Using cello, electric guitar, bass, roll up piano, banjo, concertina, acoustic guitar, voice, ukulele, singing bowls and lap steel, "A Room Now Empty" keeps the same intimacy and directness of Aaron’s previous albums, with a slightly more processed sound creating distance within the music.

All music by Aaron Martin

cello, electric guitar, bass, roll up piano, banjo, concertina, acoustic guitar, voice, ukulele, singing bowls, lap steel

Silent Figure with Landscape LIX by øjeRum

Mastered by Ian Hawgood

www.preservedsound.com

Depth of a Glance

Albecq is the project of Angus MacRae, James Jones, and Thom Robson, three London-based experimental artists and composers. The collective was formed in late 2016 based on a love of vintage synths, unhurried free-flowing soundscapes, and the pioneering ambient expeditions of Basinski and Stars Of The Lid. 

Taken from their debut album - A Distant, Guiding Sun - released 7th September.

Pre-order: https://albecq.bandcamp.com
albecqmusic.com