Bookings: bookings@davidlewis.nl
Promo: promo@holltmusic.nl

Supported by: Fideles, Artbat, Innellea, Mathame, Jonas Saalbach, Eelke Kleijn, Coeus, Karotte, Solee, Nico Morano, Miss Melera, Olivier Weiter and many more.

Creation and iteration form the center of Hollt’s drive; whether in the studio creating music, on the workbench iterating on his self-made controllers, coding new DAW plugins or directing one of his live sets. Notes and nodes, mixing and modeling, coding and composing - it really is all the same for the cum-laude conservatory graduate.

In recent years, Hollt, a.k.a. Jeffrey Frugte, has been steadily solidifying his name; merging melodic elements with a defiling energy, creating stories and blending genres. Hailing from the Netherlands, Hollt moves comfortably between both Berlin’s melodic techno scene, resulting in the underground hit ‘Halos’ on Jonas Saalbach & David Guzy’s Radikon, as well as his UK friends leading to BBC Radio One support on ‘Fusion’, released on ZeroThree. With his own label ‘die Stube Records’ he has an outlet that allows for full creative and creator control, resulting in ‘Anomia’, the collaboration with Lake Avalon, and  most recently releasing his EP ‘Philosophy of Time’.

On stage, Hollt creates a world consisting of melodies and techno, either DJ’ing or playing live with the Holltesizer. Heavily supported by the likes of ARTBAT, Mathame, Adriatique, Innellea, Kevin de Vries, Fideles, Joris Voorn, Coeus, Eelke Kleijn, Jonas Saalbach & more, his music is now reaching more people every day in both his worlds; online and offline.

There’s no next steps; just constant creation, iteration and excitement to take you on this journey!

Management : ghayath@form-mgmt.com
Booking : katarina@lovelive.agency
Tour dates & music : https://linktr.ee/space92
Founder of @takeoff_music

Music label by @holltmusic
Strong melodic anecdotes with a defiling energy.

For demo submissions please email to demo@diestuberec.com

Booking & contact: joe@nightlaw.net
[Shanti Radio] [All Day I Dream] [Lost & Found]
Founders of sound
@thunderlab
@forestrip_music

SANOI is a musical magician hailing from Germany.
Jonas was bitten by the electronica bug at a wholesome age of fourteen and after studying music it was not long before the hedonism and creativity of Berlin came calling.
Plunging through techno genres his thirst for fresh brought him to N.Z in 2015 and has been impressing ever since.
Constantly developing as an artist and finding expression through music are some of the key factors that drive him, whether it be in the studio or behind the decks. Jonas's Love for all things electronic shines through.
Sanoi has used the last year to bring all his skills to the table, Playing major festivals, putting the name Sanoi on everybody's lips with his meticulous club sets...providing the soundtracks to peoples lives with his in clubs and festivals and unleashing his well honed production skills on labels like Bar 25, Beat & Path, A Tribe Called Kotori and Zehn Records.
Sanois productions are Groove laden, organic,melodic, mischevious, and fun. The type of music crowds want to hear and Djs want to play.

Just a guy. Expressing himself through music. Not bound to any specific genre, but always focussing on the melodic and progressive side of electronic music.

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

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