Oshko‘s Harfentanz

Summer 2024

RE findings 2024

take it easy

Scott’s Support 2

Gizli Duygular is the opening track of Anadol's LP Felicita.

Felicta

Felicita

buy LP / DL

Anadol: Gizli Duygular (Pingipung 074, LP & digital)

Download

Lost At Sea

Siolim is a small and cosy village situated about 7 km from Mapusa in the Bardez Taluka of North Goa, India. It is also the source of inspiration for When Disco Goes Wrong's Högt I Tak’s (SXDNS179) forthcoming EP on the super cool Paisley Dark Records: "A Night In Siolim" comes wrapped in acid psychedelia and delivers its message through two refreshing originals and four notable remixes made with love by The Machine Soul, Mindbender, Keith Forrester, and A Space Age Freak Out (SXDNS123).

By the way, Janne Berglund could not wrap this year up before paying another visit to Paisley. His 2023 works were solely published either on his very own outlet or on the British imprint. Fidelity at its best!

Premiered here, John Paynter and Ben Lewis dressed as A Space Age Freak Out’s version takes the title track to cosmic realms in which a frenzy and psychotropic aura sets off a mesmerising and immersive e-music experience, far away from same old same old formulas and ready to take over any kind of intelligent dance floor, especially the demanding ones, whose audiences are eager for something more daring and unconventional.

You can find (and buy) this and other music pearls on the Bandcamp page of the label: https://paisleydarkrecords.bandcamp.com/

Follow @janne-berglund and @yeadonred, peeps!

PREMIERE554 // Högt I Tak - A Night In Siolim (A Space Age Freak Out Remix)

early demo of shifting sands, lyrics and vocals coming soon

shifting sand (demo)

I've been staring at the clock, watching seconds drip away
You promised something big, but it's looking like delay
All these empty meetings, words circling like dust
I'm tired of the talk, where's the action, where's the trust?

You keep me hanging on the line
But is it progress or decline?
I gotta know, don't blur the line

Are you wasting my time?
Are we stuck on rewind?
Your empty words don't mean a thing
If you can't back what you bring
Are you wasting my time?
I've got mountains to climb
Stop holding me down, crossing the line
Are you wasting my time?

I'm here pulling double shifts, while you're stuck in first gear
Talking up big plans that I'll never see appear
I'm not your safety net, I'm not a stepping stone
If you can't keep pace, I'll move on alone

You keep me hanging on the line
But is it progress or decline?
I need to know, don't twist the signs

Are you wasting my time?
Are we stuck on rewind?
Your empty words don't mean a thing
If you can't back what you bring
Are you wasting my time?
I've got mountains to climb
Stop holding me down, crossing the line
Are you wasting my time?

Time is a currency I don't waste lightly
If you're standing still, you're falling behind me
I've got miles to run, I've got dreams to chase
I won't let you steal the hours I can't replace!

Are you wasting my time?
Are we stuck on rewind?
Your empty words don't mean a thing
If you can't back what you bring
Are you wasting my time?
I've got mountains to climb
Stop holding me down, crossing the line
Are you wasting my time?

Are you wasting my time?
Or should I just draw the line?
Tick-tock, tick-tock, decide
Are you wasting... my time?

Are You Wasting My Time?

Mellow acoustic americana type ballad about someone coming to terms with their loss. Realizing that they have traded everything and wound up only with a hand of beans. Although they know what has happened , they are in denial and hoping that noone actually confronts them with the truth.

Handfull Of Beans

A cover of my favourite folk song #singer #acoustic #guitar #cover #folk

Beeswing by Richard Thompson acoustic cover

Black Seeds (Free Download)

where am i (prod. cutanna)

Inner Spirit (prod. beatsbyhills)

The Chronicles of Manimal and Samara
“Per Astra"

🔗 Stream on all platforms: https://ffm.to/origins-album
🔗 Watch Official Video: https://youtu.be/gtgW5l6Q1Lg

Music and Lyrics by: Daphne Ang & Andrea Papi
Performed by: The Chronicles of Manimal and Samara
Recorded and Produced by TCOMAS Studio
Mixed and Mastered by Ergosphere Studios

© 2024 The Chronicles of Manimal and Samara
℗ 2024 The Chronicles of Manimal and Samara

The Chronicles of Manimal and Samara:
‣ Official Website: tcomas.com
‣ Spotify: open.spotify.com/artist/2V3zzIcq2sbRbaEjbGypc8
‣ Apple Music: music.apple.com/artist/the-chroni…samara/1521325813
‣ YouTube: www.youtube.com/c/TheChroniclesofManimalandSamara
‣ Instagram: www.instagram.com/tcomas.music
‣ Facebook: www.facebook.com/tcomasmusic 
‣ Twitter: twitter.com/tcomasmusic

#TheChroniclesofManimalandSamara #TCOMAS #PerAstra

Origins

Per Astra

⚡️Watch Video⚡️

Rumo renasce

John Hardman - Vocal (Lyrics/Melody); Lead Guitars; Production
https://soundcloud.com/johnhardmanmusic-swampuk 

Ron Snyder - Riff Guitar; Bass; Drum Arrangement

This is our first composition together (11/2024).


HARDMAN & SNYDER - Never Ever Thought (This Could Happen)

Oh Well

LoNe WolF - "Modern Maverick" [Early Version]









#scfirst #getmoreplays

Modern Maverick

Modern Maverick [Early Version]

The track features the sampled sounds of a raven, a crow, a cobra, a rattlesnake and a pig .  This particular combination is  a world-first .  It is aiming for an organic effect .  Also be sure to listen out for some "truck-driver " key shifts.

Dusk

Sad lyrics in disguise. Caffeine, Spite, and Whatever This Is sounds upbeat but bleeds honesty. It’s a breakdown dressed like a banger.

Caffeine, Spite, and Whatever This Is

Just Another Weekend III is the darkest and most ritualistic chapter in DNamezys’s trilogy — a cinematic descent into shadow, desire, and spiritual unrest. This is not just an EP. It's a southern gothic sermon, whispered through cracked stained glass and swamp-smoke. Rooted in dark Americana, gothic blues, and cinematic occult rock, the project conjures a slow-burning, sensual storm of sound and poetry. Here, love is a curse, touch is sacred blasphemy, and memory is ash smeared across the altar of the self.

Swampy electric guitars bleed into ambient decay. Drums throb like ritual heartbeats. And through it all, DNamezys delivers his lyrics like an incantation — part preacher, part ghost, part wounded god. This EP isn't meant to be heard; it's meant to be felt, possessed, and survived.

🕯 1. Ashes
A haunting opening ritual. In “Ashes,” DNamezys lights the match to everything once holy — a broken prayer turned poison. With serpentine guitars and funereal rhythm, he chants through grief, obsession, and the bitter taste of belief gone wrong. A gothic blues ballad for the damned and still-devoted.

🩸 2. This Skin
A raw hymn of trauma and identity. “This Skin” is a confessional drenched in blood and memory, where the body becomes both a shrine and a battlefield. It pulses with slow, aching darkness, building to an unholy revelation: to survive love, you become the wound. One of DNamezys’s most emotionally devastating songs to date.

🌙 3. No One Knows
A soft, aching ghost story. Here, the artist strips down to emotional bone, singing of loneliness, invisibility, and the aching desire to be seen without fear. It’s a tender moment in the storm — like lighting a candle in a ruin. Perfect for anyone who’s ever felt too much in a world that wants less.

🔥 4. Divine
The EP’s final spell — erotic, defiant, and unapologetically spiritual. “Divine” is DNamezys in his most powerful form: demanding, trembling, drenched in sacred hunger. Gothic blues riffs rise like incense, while his voice becomes a possessed invocation of desire without shame. This is not love. This is worship.

Just Another Weekend III is a forbidden mass for the emotionally haunted — lovers, artists, monsters, and saints. It closes the trilogy not with resolution, but with transformation. DNamezys doesn’t ask to be healed. He sings to be remembered… in ashes, in skin, in silence, and in fire.

No One Knows

from 1st album Tristesse Contemporaine (out 12/03/2012)(dirty / pschent)
Composed by Leo Hellden, Narumi Herisson, Maik
Produced by Pilooski
Mastered by Nilesh Patel at The Exchange, London
Cover Painting (La Dance) by Marie Vidon
Sleeve Design by Laurent Fétis & Sarah Martinon
℗ 2012 Tristesse Contemporaine courtesy of Dirty under exclusive license to Pschent.


06 Daytime Nighttime

Photograph albums seem to be able to hold a memory that is somehow more tangible than their digital equivalent. This song imagines an older women on her favourite chair looking back at pictures from over the years. 

Handfull Of Beans

Abraham Cloud