Last episode of Le Jazz Est Dangereux for the season 2024-2025, two hours of mix by host Tom Val !

Tom Val : Le Jazz Est Dangereux - End of season 2024-2025 - 27 Juillet 2025

Bottom Of The Deck with Druggy Paul @ The Lot Radio 07-25-2025

London-based Oblig's (@djoblig) sound is closely intertwined with the rich DNA of UK club culture. Bass, garage, grime and techno all influence his robust rhythms, whether he's going dark at 140 bpm or hypnotising with sleek techno. His label Obligated Records and regular shows on Rinse FM are extensions of that, as are his razor-sharp DJ sets across the world.

Hot on the heels of Volume 2 of his label's latest compilation, he's put together an hour mix that smudges the lines between his go-to genres. The selections are punchy and uptempo while twisting through mysterious late-night grime, kinetic club cuts and pneumatic bass workouts, all with a constant low-end pressure that keeps lips curled and heads nodding. 

Dekmantel Mix 494 - Oblig

STL-P adopte une approche singulière pour ce podcast d’écoute : elle sélectionne des disques techno et bass produits à l’origine entre 135 et 145 BPM, qu’elle dépitch lentement entre 90 et 100 BPM. Pour ce faire, elle joue ses vinyles en 33 tours au lieu de 45, offrant ainsi une nouvelle lecture rythmique et une densité inédite aux morceaux.

Sa sélection, mêlant vinyle et numérique, est entièrement tirée de sa collection personnelle, patiemment constituée au fil des années.

STL-P - 29 Juillet 2025

Dan Selzer (danergy, New York Endless) w/ Brian Price (Diskono) & Zach Cole (Gag) 

https://www.instagram.com/danselzer
https://www.soundcloud.com/newyorkendless



Dan Selzer (danergy) with Brian Price (Diskono) and Zach Cole (Gag) @ The Lot Radio 07-28-2025

Audio-visual adventurer Trevor Jackson presents a broad spectrum of brand new experimental music, along with ancient oddities of every perceivable genre. A fortnightly uncompromising journey into the unexpected.

Music for sick minds and warm hearts 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/trevorjackson/episodes/trevorjackson-29th-july-2025

Trevor Jackson 290725

Margeaux @ The Lot Radio 07-29-2025

Monthly mixes by Sasha Crush (Sasha Alcocer), a NY native, her taste is influenced by the dancefloor, with an inclination toward disco, Chicago house, synth-pop, funk, freestyle + more. 

Photo Credit: Morgan Maher 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/sasha-crush/episodes/sasha-crush-7th-august-2025

Sasha Crush 070825

A morning meditation on music both young and old.

https://www.instagram.com/betaworldpeace
https://andybeta.substack.com

Beta World Peace @ The Lot Radio 08-08-2025

Between the here and the hereafter, the world burns as strings are pulled from unseen hands, every gesture authored elsewhere, every shadow mistaken for the thing itself, and what feels like freedom is only a script, already rehearsed.

Featuring tracks by I Made Yogi Antara (Sattle Remix), Safuan Johari, Bint Mbareh, Ottomani Parker, Normil Hawaiians and more! 

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Strange Weather Dunia - Dan Akhirat w/ A’alely @ Kiosk Radio 12.08.2025

Acid Camp Records is rolling through again, this time with an artist known for his atmospheric and cosmic-oriented tracks, Natan H. Conveying inspiration for this record — “Just a little nod to extrasensory experiences and perception” — is undoubtedly fitting for ACR’s second release. 

The opening track “Atmosphere” begins with layers of time signatures working in tandem. As the track pushes forward, the off-kilter drums grow towards a heavier climax. Followed up with a remix from techno serialist, Conforce. Through the use of filters, polyrhythms, and kinetic programming, Conforce lays a blueprint for driving techno. “Remote View Pt. I” is an ambient break, shifting gears to take listeners to a place both ethereal and planetary. The final track, “Remote View Pt. II”, again breaks away from traditional timing by tracing layers of hi-hats, delayed strings and synths that alternate throughout the arrangement in syncopation.

“This record definitely takes a bit more of a layered approach," — Natan H offers us yet another unique, immersive, and charismatic release for Acid Camp Records.

Natan H - Remote View Pt. I

Acid Camp