https://www.facebook.com/Greatfrankml/https://www.facebook.com/Greatfrankml/
https://www.youtube.com/channel/UC54NSTF0hye_d1SDR17tYWA

FRANK were born in Donostia (Basque Country, Spain) in June 2013. After recording a demo in August in their rehearsal room, they started playing live in October that year. Thanks to that demo posted on their Facebook and Bandcamp sites, Mondosonoro Mag chose them as one of the revelation bands of the year and invited them to play in their Demoscopic Party in February 2014.

In March 2014 they released their debut, a 6 songs EP titled "My Wild Kingdom", which has deep reminiscences from the american folkrock; dense and dark in a way but bright, intense and very emotional, with deep and lyrical voices, strong rhythm basis and roaring guitars full of lights and shadows.

In February 2016 they launched "The Mud And The Thirst", their first LP, a little bit raw, rocker, classic and obscure than its predecessor.

Both the EP and the LP received excellent reviews in specialized media such as Ruta 66, Dod Magazine, Mondosonoro, Makma, Río Rojo, Exhile Magazine, Loff.It, Spoonful, Kulturaldia, etc. being listed as one of the best albums of the year on their national lists. They´ve been compared several times to Neil Young and Crazy Horse, Nick Cave, Maria McKee, Lucinda Williams, Wilco, Cowboy Junkies, The Walkabouts, Sandy Denny, etc.

Since the release of their debut EP, Frank have been playing in venues like Kutxa Kultur Festival, Actual Festival, El Último Vals Festival, Irun Rock, etc., they´ve been opening for bands such as Gallon Drunk, Split Squad, Danny And The Champions Of The World, Los Coronas, etc.

In February 2018 they will release their new album, "Atlas".

PURRFECTION | LANGUAGES MUSIC
AH DIGITAL | FUTURE AVENUE |
COMET RECORDS | BIG BELLS RECORDS
PROGRESSIVE HOUSE ARGENTINA |

• Deejay - Producer - Remixer
• Progressive House
• http://fb.com/franksavio.official

/// DATES 2025
30-08-25 | Techno Will Never Die
Lorbass, Gelnhausen (GER)
27-09-25 | AFTERNOVA (Afterhour)
Casanova, Karlsruhe (GER)
26-11-25 | TOFA Nightshift
Radio X 91,8 FM, Frankfurt/M. (GER)

/// BOOKINGS WORLDWIDE
• mail to: franksavio@icloud.com

/// SEND YOUR PROMOS TO
• mail to: franksavio@gmx.de
(please only progressive house)

/// LABELS
• Purrfection
• AH Digital
• Languages Music
• Comet Records
• Future Avenue
• Progressive House Argentina
• Big Bells Records
• Polyptych Limited
• Harthouse
• Driving Forces Recordings
• Brood Audio
• Neuhain Recordings
• Renesanz
• Gate Null Recordings
• Riot Recordings
• Dope
• Reload Black Label
• Metodiq
• Yellow Recordings
• Drowne Records
• Capsula Recordings
• Minds Of Sin
• Sub:Merged
• DSR Digital
• Dead Cert Records
• Black Groove Recordings
• Seqtor
• Italo Business
• Blacklisted Audio
• Paso Music
• Hybrid Confusion
• Crunch Control
• Elektrax Music
• Naughty Pills Records
• Pragmatik Recordings
• Turning Wheel Records
• Concepto Hipnotico
• 069 Techno
• Strictly Underground

Frank  
Shopra masr 
Rapper Mn 2009 w lsa el Mshwar Twiil ;) 
7atet Hdf f Dma8i w isa hwslo ..
w Bgd Shokrn l kol 7d byd3mny w bysa3dny an awslk l nta 7app tsm3o .. Respect ll nas Kolha ♥♥♥


<a href='http://gigs.gigatools.com/u/frankdw' target='_new'>Frank De Wulf's Upcoming Gigs </a>Saturday 27 July, 2013 <a href='http://www.tomorrowland.be' target='_new'>Tomorrowland 2013, Tomorrowland, Boom, Belgium</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Hey everyone,

When releasing new material, and especially when it has been so long as it was with Frank De Wulf …. you are kind of expected to tell a little bit about yourself. So, here you’ll find a quick overview of his career. You’ll discover how one thing led to another, without getting into too much detail.

You won’t find a list of his work here, if you are more interested in that please check out : http://www.discogs.com/artist/Frank+De+Wulf or soon the discography page on his web-site. If you are more into the insider info and personal anecdotes, you will soon find regularly updates with (sometimes) juicy stories from his days as a DJ/producer on the ‘by the way I just remembered’ page.

So here we go! Frank was born in 1968 as the youngest of three boys. Of course with 2 older brothers hanging around, he was introduced to all kinds of music, not just the mainstream tracks you heard on the radio.
He must have been about 10 when he started experimenting with tape decks, later he used his father’s 2-track recorder to make longer versions of hit records.
In high school, he got invited by one of his classmates to visit the local radio station. Impressed with their set-up, he asked if he could try mixing on their 2 ‘Technics SL1200 MK2’ turntables. It felt great! From there he got his own radio show called “Seventh Heaven Radio”. With Frank on the turntables and another guy doing the talking, they brought a whole new flavor to the dance hits of that time. By re-editing, remixing and manipulating the tracks, he wanted to create a particular atmosphere for the listeners and give them the idea that they were experiencing a live set from home.

Frank De Wulf was always into music with a strong, original sound & rhythm no matter the genre: from new wave, dance, electro European and American experimental post-punk with Kraftwerk and the Art of Noise as two of his major influences or dare he say “muses”. That fresh, energetic layered electro sound was something he aspired to bring himself, by creating his own music as well as through his work as a DJ.
After a while people started noticing his ‘work’ and around 1985, he was asked to do a show by a more ‘dance oriented’ radio station called ‘SIS’.

At the time he was regularly, DJ-ing in 2 of Ghent’s dance café’s. It was an excellent way to practice his skills and since he was still at school, these DJ gigs brought some extra money into his piggy bank … because he was also saving up to buy the Yamaha S7000 sampler and an ATARI 1024 Computer. The new beat movement had just started and he started to feel the need to create music rather than just mix other people’s work more and more. So he started to produce his own tracks and make remixes of existing tracks.
One of his first releases as musician/producer was the 12-inch Acid Rock track with his alter ego band Rhythm Device on Music Man Records. Thanks to Olivier Pieters, resident DJ at the famous night club Boccacio (one of the Belgian clubs where New Beat really took off), he could test run the track. To Frank’s surprise and great relief, the crowd loved it. The track became a big hit, and is now seen as a bit of a classic, or so he’s told.

His work as a DJ gave him the idea to make a record just for DJ’s. He wanted to create a kind of tool for mixing tracks while still keeping the familiar theme going. He started to work on several tracks, but due to a lack of time never really got to finish them. He had a series of beats, mixes and samples from international dance hits and newly created sounds that were not really fit to be released as a-side records. So still eager to release them, he decided to call them The B-Sides. The record went through the roof and he ended up releasing 4 volumes (on Music Man Records) plus remixes of them.
Due to the success of the B-sides, Frank was asked to give live performances as well as do DJ sets all over the world. He traveled around Europe, the States and Australia. It was a remarkable period, he met up with other performers and DJ’s, who where all starting their musical careers, people like Joey Beltram, Moby, Derrick May, Sven Väth. They all shared this great appreciation for each other’s work and Frank really felt that people understood his work. With each new sample or musical idea there was this immense reaction on the dance floor. He really felt that the crowd was on his side, the whole time pushing him on and inspiring him to break new boundaries. During his career, there was also Renaat, the owner of R&S records, who kept him inspired and focused. Renaats energy, drive and strong believe in the success of quality dance music had a major influence on Frank’s career.

He decided to start up his own record labels which gave him more creative freedom to release his tracks and do production work for other artists; like remixes for all kinds of artists in and outside the new beat scene like The Shamen & Erasure but also The Orb, Jam & Spoon, Orbital, Biosphere,…

At the end of the nineties Frank felt, he had reached the limits of what he could do with music at that period in time and decided to concentrate on another great love of his: the world of film and post-production.

He founded “GRID” a post-production company specialized in visual effects and motion design for commercials, video clips and films. He kept his musical career going at the back burner doing the odd remix or DJ set. 

So there you are… even though Franks work kept him quite busy and was creatively challenging, music is a part of who he is. Somewhere in the back of his mind, he always knew that this time would come. And now, he can no longer ignore this need to make music, this need to create and let the magic flow again. He hopes you will all enjoy the ride!

An American radio icon, Joe is known best for his engaging, often philosophical, monologues and radio dramas. Joe’s radio programs are at times dark and frequently funny. Adding to the absurd atmosphere of his monologues and dramas are loops of percussive music over drones.

Throughout his career, Joe has been honored with many major industry awards, including the George Foster Peabody Award, and an Emmy. Over the years Joe’s distinctive approach to making radio has inspired producers around the country to experiment with and stretch the medium beyond traditional boundaries.  Be sure to subscribe to Joe's YouTube channel with full shows and/or selections uploaded each week. Go to:
https://www.youtube.com/c/JoeFrankOfficial

Find out more at www.JoeFrank.com

https://wizkhalifa.komi.io/

Taylor Gang. @taylorgang

Jack Weiss is following