El Condor

Recorded in the Amazon in traditional ceremony. Used by the permission of Maestro Diogenes.

Kushi feat. Maestro Diogenes

It took a long time, but after 2 Years, my remix of "Doin it" is finally released!

Also check out the whole release:
https://soundcloud.com/marcelvogel/sets/mate-003-marcel-vogel-feat-milos-gersi-gianna-tam-doin-it-release-oct-2014

Marcel Vogel - Doin It (noema's dirty dubbing remix)

Dee C'rell feat. Richelle Claiborne & Neil Stalnaker - Together

Anin Misone - Nobody's Fault (el mago Edit)

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Radiant (Slowed + Reverb Instrumental)

DJ_HForce_remix_8050

Get the new EP digitaly here: http://smarturl.it/summits

@summits_uk
www.facebook.com/summits.music

Taking an open-minded approach to electronic music, Summits is formed of Joe Danvers and Mark Davies. Originally from Bristol and now based in London, they made their first steps into the scene with releases on Apersonal and Alfresco Disco and have been featured by the likes of Stamp The Wax.

Chopping up broken beats, loose house grooves, organic samples and warm melodies, their new Amplify EP for The Magic Movement channels the likes of Bonobo and Auntie Flo. Intricate synth work, solid low end and chunky rhythms combine effortlessly and give the impression of a very accomplished artists.

Amplify

Summits - Amplify (taken from the new "Amplify" EP)

Visti & Meyland feat The Doors -soul Kitchen

Soul Kitchen - V&M 030216 (1)

"Chinampa EP" out worldwide 8/19. 
Pre-Order: https://wonderwheelrecordings.bandcamp.com/album/chinampa-ep

Following on from his Tamoanchan EP inspired by the landscapes and diversity of Mexico, El Búho presents "Chinampa" - the twin EP this time inspired by the sprawling Mexico City or Distrito Federal. Chinampa comes from the Nahuatl work for an old agricultural practice of growing crops on the lake beds in the Valley of Mexico, often on floating islands that can still be seen today if you take one of the beautiful trajinera canal boats in the iconic area of Xochimilco. Though the album is a dedication to "DF´s" urban sprawl, it digs down deeper to find inspiration in the cities inherent ties to water and to ways of life - past and present. 

"Salto de Agua", now a bustling metro stop used to mark the end of the ancient Chapultepec aqueduct - one of the series of canals that allowed the Aztecs to navigate the city. Meanwhile, "Al Tianguis" is a nod to the city´s renowned market´s (tianguis), a tradition that has existed for hundreds of years and remains a crucial part of city life and culture. "Pasale" is a word that you hear all over the city, but especially on its public transport system like the infamous green pesero buses that race through the city streets, booming out classic cumbias or banda and the unwritten rules of traveling on these beasts. The final track, "Temporada de Lluvia", was inspired by the immense downpours during the city´s rainy season from June to September when for a few hours in the afternoon the city is transformed back into its ancient watery past. The city swells with water as the major roads around the city become flooded canals and chaos descends. 

UK born, Robin Perkins AKA El Búho is now based in Paris but spent the last two years living, working, playing and producing music in México City.

Chinampa

El Búho - Pasale

To mark the launch of Kanto Records, our new playground, where I aim to collect everything I believe to be true and beautiful in life and which I believe will contribute to our lives in many different ways, I hereby offer these one original and one edited track that I have only used in my live performances so far as a humble gift to my  friends. 
You are free to mess with them as you like! 
With love....

-Oceanvs Orientalis

Oceanvs Orientalis - "Ghost Song (edit)"

Some Brazilian Umbanda samples featured here that talk about Jorge Amado's masterpiece Capitães da Areia and the abandoned kids of Bahia that earned the title of Captains of Sand <3

Original song // Agenor Ribeiro singing on the composition by Oswaldo Matheus and Zé do Violão, 1972.

Free Download

Capitão De Areia

original music - https://www.youtube.com/watch?v=3cbYc-Gnwmk By rights, Issa Bagayogo should never have become a musician. Born in 1961 to a farming family in Korin, a poor village 30 miles from the nearest town in southern Mali, his fate seemed to be to work the farm his father worked with his four wives and 14 other childen. But Bagayogo was drawn to music, first playing the daro, a bell that keeps farm workers laboring. From there, at ag 12, he took up the six-string young man's harp, or kamele n'goni, a common instrument throughout the Wassalou area of the country. He started singing and soon was making a name for himself locally. At the age of 30, he decided to try his hand in the Malian capital, Bamako, where he met a couple of Frenchmen who had just opened a studio and needed a kamele n'goni player. The end result was his first, very traditonally oriented cassette (cassette being the ubiquitous music medium in African and much of the world). It didn't make any money, but it was his. After three months, Bagayogo returned home, but came back to Bamako two years later to make his second cassette, which still brought no success. This time, however, he remained in Bamako, becoming an apprentice bus driver. Depressed at his failure as a musician, he began drinking and taking pills; his wife left and it seemed as if his life had bottomed out. Eventually, however, he decided to turn his life around and began playing and singing again. He returned to the studio, where he met French engineer Yves Wernert and Foamed Koné, who'd been a guitarist in Ali Farka Touré's band. What they wanted to attempt was something radically different for African music, mixing traditional music with beats and samples. At first Bagayogo was unsure, if only because it was so unlike anything he'd done. He'd never worked with drum machines before and the process proved complex. In late 1998, though, Sya was released, selling a phenomenal 15,000 copies and getting Bagayogo an award in 1999 as Malian song's Brightest New Hope and the nickname of Techno Issa, in addition enabling him to finally quit his job as an apprentice bus driver. In 2002, Timbuktu, the second album from the trio's collaboration, appeared.

Unofficial remix
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FREE DL Issa Bagayogo - Sya (Jack Essek Edit)

Mooji - The Sense I Am

Pilooski - AAA

because - the beatles (diederdas rework unmastered)

08. Clown 'n' Sunset Collective - Her String

"don't dream your life, live your dream"
edit and remix for the share
 Electronic music producer and composer from Bordeaux, Jack Essek explores the boundaries of downtempo, ambient, and deep house. His creations, both hypnotic and organic, invite listeners to embark on an inner journey as much as they inspire movement on the dance floor. Inspired by his travels and cultural encounters, he weaves immersive soundscapes where dreamy melodies, atmospheric textures, and deep rhythms intertwine.
With a rich discography of albums, EPs, and singles — including Kapha, Areknazane, Ubuntu, and his recent EP Psychodeep — Jack Essek stands out as a distinctive voice in the French electronic scene. His collaborations with Stéphane Salerno and other artists further strengthen this unique sonic identity, balancing meditation with tribal energy.
Whether in the studio or on stage, his universe resonates as an invitation to escape and an emotional connection through music.

FREE DL Issa Bagayogo - Sya (Jack Essek Edit)

Jack Essek Project

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