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The track “Smokin’ Love” opens with swirling piano chords, catchy lyrics highlighting the band’s signature dub sound. The track details multi-instrumentalist, producer and singer Scott Woodruff’s upbeat narrative of wanting to smoke with the one he loves, highlighted in the lyrics:

“I wanna get high, I wanna get low, come on I wanna smoke little spliff with you / Lord knows I’m not a fool, I’m just crazy for you.”

“Smokin’ Love” was recorded the same way as all their songs; in Woodruff’s home studio with each instrument individually recorded and layered in unison to one other. The band has previewed the track through their social media sites and have recently started playing it live. 

http://www.stickfiguremusic.com
https://www.facebook.com/stickfiguremusic
http://www.twitter.com/StickFigureDub
http://www.soundcloud.com/stickfigure
https://www.instagram.com/stickfiguremusic

iTunes

Smokin' Love (feat. Collie Buddz)

Title
Outliers

Dates:
20-Jun-2024 (inception), 21-Jun-2024 (finalised), 22-Jun-2024 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/track/outliers

Description:
I have been working on a new digital synthesiser, the 137FeedBacker. Inspired from all the crazy feedback systems Hainbach loves to explore, plus the sound design philosophies of Vlad Kreimer of Soma Laboratory. More details on my BandCamp and FaceBook page.

The tuning system is microtonal, a harmonic series using the following frequency ratios:
... 5/8 5/7 5/6 5/5 6/5 7/5 8/5 ...
Where the 5/5 ratio servers as the root note, here this was tuned to 600 Hz.

The master timing was 4/4 at 120 bpm (500 ms per beat), but as will be explained later, plenty of poly-meters were used to spice things up.

Track 1:
The led is taken on by the 137FeedBacker synthesiser plus some reverb from the Native Instrument's Raum. There is no time signature for this track, a free improvisation against the backing tracks (no click track, no post quantisation). This was performed on the Ableton Push2, making expressive use of live parameter modulations of the 137FeedBacker via the Push2's rotary encoders. This synthesiser does not accept the conventional midi pitch bend messages, rather it has custom pitch bending with a huge range of some 7 octaves, using either linear or log scaling, this feature was used to full effect, using track 2 harmony as a guide to home in on the target frequencies.

Track 2:
The rhythmic harmonic track is also played by the 137FeedBacker plus my custom three bank audio delay effect, the MultiFeedBack. The rhythmic harmonic patterns were generated in the MDD Snake device (by maximedangles). Plenty happening here with polymeters, the pitch choices  repeated over a period of 7/8, whereas the velocity pattern repeated over a 3/16 period. The delay device (MutliFeedBack), had the first delay bank at 250 ms, second delay bank at (2/1)x250 ms and the third delay bank at (5/2)x250 ms, with some slight timing offsets in the right stereo channel to fatten it up a bit.

Track 3:
The percussion section used a time signature of 7/4, can't go with 4/4 can we?! This was performed on the Ableton Push2.


So a simple two track backing track system (tracks 2 and 3), paving the way for free improvisations for track 1 and 4.

Track 4:
The crazy sound timbres from 137FeedBacker beckoned the Soma Pipe to come out and play. I used the Filterra and Orpheus modes, feeding my own voice into the Pipe. The tuning was not your conventional Western tuning of an equal twelve divisions of the octave (12EDO), but a harmonic tuning of over and undertones, plus the Pipe has no specific dial markings for the resonant frequencies of the Orpheus mode, so I just had to listen to the backing tracks, put some sounds out there and improvise from there, modulating the frequencies both with my voice and the Pipe controller knobs. The Filterra mode comes in at 0min:05secnds - 1:36, playing a purely percussive role, feeding it a rhythmic "sh" sounds imitating a hi-hat. The Orpheus mode comes in at 1:45 - 2:10, providing a pad like harmonic role.

Buy Outliers

Outliers

"What you see depends on not only what you look at, but also, on where you look from."
Early New Year gift for you all! We hope you bring in 2016 with nothing but positive vibes. Cheers! 

Follow us:
@hraach
https://www.facebook.com/hraaach
www.facebook.com/ArmenMiranOfficial/

Armen Miran & Hraach - Karahunj (The Prelude) <<FreeDL>>

like it :)

Mulajia (Live)

Edit-Time again.

Listen & think of summertime.

Free Download

Né Nana (Pay Kusten Edit) - Abou Diarra

beatverliebt. in Shkoon | 054 [LIVE]
*all tracks were produced and composed by the artists themselves

///links

@shkoon-music
www.facebook.com/shkoonmusic
booking contact: sanny@captbook.de

@beatverliebt-podcasts
www.beatverliebt.de
www.facebook.com/beatverliebt

///tracklist
coming soon on www.beatverliebt.de/054-shkoon

<a href='https://theartistunion.com/tracks/7da62b'>Download for free on The Artist Union</a>

www.beatverliebt.de

beatverliebt. in Shkoon | 054 [LIVE]

Odetta - Pastures Of Plenty (Waxwood Edit)

Atahuapa Yupanqui was an Argentine singer, songwriter, guitarist, and writer. He is considered the most important Argentine folk musician of the 20th century , @Ulize added his touch in this track to create the perfect Edit.

Atahualpa Yupanqui - Los Ejes De Mi Carreta (Ulises Edit)

Amazing Edit featuring woman voices that are sharing the feelings of Mother Earth

@Samarana

Women Voices - Cuentan Y Cantan (Samarana Edit)

original music - https://www.youtube.com/watch?v=3cbYc-Gnwmk By rights, Issa Bagayogo should never have become a musician. Born in 1961 to a farming family in Korin, a poor village 30 miles from the nearest town in southern Mali, his fate seemed to be to work the farm his father worked with his four wives and 14 other childen. But Bagayogo was drawn to music, first playing the daro, a bell that keeps farm workers laboring. From there, at ag 12, he took up the six-string young man's harp, or kamele n'goni, a common instrument throughout the Wassalou area of the country. He started singing and soon was making a name for himself locally. At the age of 30, he decided to try his hand in the Malian capital, Bamako, where he met a couple of Frenchmen who had just opened a studio and needed a kamele n'goni player. The end result was his first, very traditonally oriented cassette (cassette being the ubiquitous music medium in African and much of the world). It didn't make any money, but it was his. After three months, Bagayogo returned home, but came back to Bamako two years later to make his second cassette, which still brought no success. This time, however, he remained in Bamako, becoming an apprentice bus driver. Depressed at his failure as a musician, he began drinking and taking pills; his wife left and it seemed as if his life had bottomed out. Eventually, however, he decided to turn his life around and began playing and singing again. He returned to the studio, where he met French engineer Yves Wernert and Foamed Koné, who'd been a guitarist in Ali Farka Touré's band. What they wanted to attempt was something radically different for African music, mixing traditional music with beats and samples. At first Bagayogo was unsure, if only because it was so unlike anything he'd done. He'd never worked with drum machines before and the process proved complex. In late 1998, though, Sya was released, selling a phenomenal 15,000 copies and getting Bagayogo an award in 1999 as Malian song's Brightest New Hope and the nickname of Techno Issa, in addition enabling him to finally quit his job as an apprentice bus driver. In 2002, Timbuktu, the second album from the trio's collaboration, appeared.

Unofficial remix
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FREE DL Issa Bagayogo - Sya (Jack Essek Edit)

Download

Lamine Konte - Dunya (Housework Slightly Acid Edit)

Get it here: https://dandara1.bandcamp.com/album/endless-summer

These 4 songs travelled with me all summer. Now I'd like to share them with all of you and hope you will enjoy them as much as I do.

Bandcamp

Blay Ambolley - Afrika Yie (Dandara Edit)

FREE DOWNLOAD: https://hypeddit.com/track/nps3cs

Follow on SoundCloud:

https://soundcloud.com/moontideaus

Follow Suprematic Sounds:

✖ Membership ▸ https://bit.ly/2E9IKCH
✖ Facebook ▸ https://bit.ly/2Th3BNY
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⬇︎ DOWNLOAD

FREE DOWNLOAD: Afel Bocoum — Alasidi (MOONTIDE Live Reshape)

Patrice - We Are The Future  ( Monvol Remix ) Free Download WAV

Edit by @monkymanmusic & @nasnan
____
Original credits:

Letra, Arreglos, Melodía,Concepto,Voz Principal y Maracas: Orito Cantora
Gaita Corta : Nayib Feres F.
Tambor Alegre: Jenn del Tambó
Tambora y Llamador: Benigno Cárdenas
Coros: Jorge Bojacá
Grabación y Mezcla: Humberto Castro

[ΔKSHMUT006] Orito Cantora - Lamento de Gaita (Monkyman & Nasnan Edit)

"don't dream your life, live your dream"
edit and remix for the share
 Jack essek is a musician and producer from the electronic wave, he particularly appreciates the mix of different cultures he has obtained during his travels across the planet, he invites you to travel in his world where the rhythms of the whole world mix.
Please share the message with your friends to avoid unnecessary transactions on commercial plattforms.

FREE DL Issa Bagayogo - Sya (Jack Essek Edit)

Jack Essek Project

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