Name: Jellyfish Touch by Aedos Cluster of the Waterfall
Duration: 6 min 19 s
Description: Obliodrivers by Aedos Cluster of the Waterfall

🔥. Great build throughout. The keys in the background fill out the song. Nice job.

Interesante track, me gusta mucho la percusión

Like this smooth arrangement, nice chill track

Interesting vibes andcatmisohere. Very well mixed and performed.

Very interesting track, good choice of sounds and nice voice

Awesome beat, and i love ur voice hitting those high notes ;DD

01 - De Tanto Mirarte

Sonido y letras características de"El Ñuki"

Color De Miel

A song about avoidable mayhem, made for Life's Everyday Soundtrack from stems provided by Sky Loom/SKLOM

Life's Everyday Soundtrack
https://www.youtube.com/watch?v=B1PWgplXnwY

Sky Loom/SKLOM
https://soundcloud.com/skyloom

Special thanks to Soran Leif and Bentley for hosting Life’s Everyday Soundtrack!

What Have We Done

Toddler Drives a Semi (Featuring Sky Loom)

Toddler Drives A Semi (Featuring Sky Loom)

"Tea with Debussy & Pärt in Casablanca" is a musical dream that bloomed during my vacation in Havana, Cuba. Inspired by classical masterpieces from Arvo Pärt and Claude Debussy, I envisioned an imaginary encounter with these esteemed composers in Casablanca, over Moroccan tea.

Commissioned by a dear friend and talented violist Vincent Delorme, this piece is not an imitation of their styles but rather a heartfelt conversation between us. It embodies the essence of typical conversations in Morocco, where we all speak at the same time, meandering from topic to topic, and experiencing numerous changes of atmospheres, tempi, textures, and fragments of thematic material.

It begins with minimalist touches, a nod to Pärt's recent works, where the piano introduces serene arpeggios, intertwining with heartfelt viola melodies. As we delve into our tea time, I incorporate some of Debussy's harmonic vocabulary. 

Throughout our harmonious dialogue, the piece mirrors the dynamic nature of conversations in Morocco. We experience moments of collective excitement, where the music swells with vibrant textures and lively tempi, as if everyone is speaking at once. Themes and motifs emerge and intertwine, mirroring the meandering nature of our discussion as we navigate from one topic to another.

As our musical journey unfolds, our collaboration celebrates cultural fusion, weaving together Pärt, Debussy, and my artistic zest. Each voice contributes to the narrative, inviting moments of wonder and contemplation through our shared inspirations.

Tea with Debusy and Pärt in Casablanca

Tea With Debussy and Pärt in Casablanca - World Premiere (Live Performance)

'Fallen Star' is one of our very early songwriting ideas that roots on slow rock kind of vibes. Almost a decade later we've decided to produce this song, along with the vocal. Many attempts of the vocal style were failed to deliver the exact nuance that we've imagined. Seems like the whispery vocal style fits this track the most. We're beyond than happy that this particular track finally sees the light once again! Enjoy!

Mother Nature

Fallen Star

UNDERGROUND
A Tribute to Metallica's Kill'Em All Phase
Music by Overdrive

Check out the IG promo video:
https://www.instagram.com/p/C2AFHGkOJG7/

This is an original track inspired by Metallica's Kill'Em All phase, which features James Hetfield's AI-generated vocals. It's a non-commercial/experimental track made as a tribute to the band and created under the fair use permission of copyright statute.

The use of AI-generated vocals is still a source of much controversy and heated discussion. I've been following the issue closely since the beginning of 2023, when French DJ David Guetta replicated the voice of American rapper Eminem during a concert, causing a wave of immense buzz about it.

Also in early 2023, the track "Heart on My Sleeve", which used AI-generated vocals from Canadian rappers Drake and The Weeknd, went viral before being taken down by streaming services. 

In September, John Lennon's voice was removed from a demo tape recorded in 1978. The poor quality audio was processed with AI for a new Beatles recording, giving rise to the song "Now & Then".

During this period, there was an eruption of websites focused on voice cloning, which, in October 2023, led RIAA to request the inclusion of such websites on the government's piracy watchlist -- and the main target became Vocify.ai. 

On the other hand, Aditya Bansal, a 20-year-old UK student who founded Vocify.ai, claims that several record companies have already contacted him wanting to make models of their own artists for demo tracks, "as drafts before the full recording process".

As MusicBusiness rightly pointed out, "major record companies hate AI voice-cloning platforms that don't pay".

I myself have had some very interesting personal experiences on the subject. A demo track of "Underground" was posted on a Discord server dedicated to vocaloids and synthesized vocals. The track was deleted less than 24 hours later by the moderator, who made a point of publicly censoring me on the open channel, stating that he didn't accept what he called "unethical" methods. I tried to explain that it was an experimental track, with no commercial purpose; that it was made as a tribute; that I had also sent the link directly to the band on their official Metallica Instagram, and so on. But the mere act of replying got me summarily kicked off the server.

I honestly believe that merely using tools like Voicify.ai and Kits.ai is not an unethical activity when the aim is to test the potential of a new technology. And the track "Underground" worked exactly as an experiment. It taught me that AI-cloned vocals need a lot of filters on the daw to mask defects derived from the cloning process. It served to show that the quantity of examples provided during the training of the AI is essential for improving the quality of the model. It served to show that training the model is better with vocals recorded in mono than with vocals in stereo; better with vocals recorded dry than recorded with reverb; and so on.

Moreover, I'm particularly happy with the AI-generated commercial voices I already use with Synthesizer V software, so I have no intention of replacing them with cloned voices of famous singers.

Hopefully, this small initiative will at least serve to dispel a little of the immense prejudice that has arisen around a technology that will soon become commonplace in the music industry. Nowadays, no one remembers all the controversy caused by the emergence of radio, when record company managers boasted that no one would buy albums anymore. It's the same story every time a new technology emerges.

Hope you enjoy the track.

TECH TRIVIA
* The guitar solos were assembled from multiple pieces of isolated audios of Kirk Hammett's solos available on YT.

* The rhythm guitars and the bass are Kontakt libraries. 

* The original vocals were created in Synthesizer V with NineZero voicebank. The NineZero's isolated audio was then converted into James Hetfield's vocals.

Underground - A Tribute to Metallica's Kill'Em All Phase

S01E04.

------------

Synthesizer, guitars, programming & vox by The Darkstars.

Cover design by M. Whyte.

*Dread Helm Records [DHR0012]*

John Locke (Don't tell me what I can't do!)

Obliodrivers by Aedos Cluster of the Waterfall

Jellyfish Touch



Earth Patriot - Days go By


this song opens the album, also.
You can listen to it right here:

https://soundcloud.com/earth-patriot/sets/dealing-out-hands-counting-out

Dealing out Hands/ Counting out Time

Dealing out Hands, Counting out Time

Days go By

Artist: xoPa
Album: The mask that rules
Year: 2021
License CC BY-NC
Music: Anxo Peón, Pablo Peón & Fat Daddy. Lyrics: Fat Daddy

9. The Mask That Rules

All you need to know about Aedos, it's that we live Nowhere... Yes, Nowhere, but behind a Waterfall...

Jellyfish Touch

Aedos Cluster of the Waterfall

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