A lovely delicate work Anastasiya! .. much enjoyed !! :))

Congrats Anastasiya! You deserve standing in the spotlight! What a sublime piece of music 🌹🎶

Lovely song that deserves be included in the album. Congrats!

Such beautiful music, Anastasiya, such a pleasure listening to this masterful and heartfelt piece, as with all your beautiful compositions dear friend.

Such a peaceful and beautiful composition, truly wonderful work Anastasiya!

Such beauty in this miniature romance for the piano; and it is a love relationship you have with the piano and beautifully expressive in this piece.

Anastasia, your touch is so delicate it feels like it brushes against silence rather than breaking it. There’s a graceful melancholy in this piece, as if each note carries a fragment of memory. You made me feel something true and deep, without a single word.
— Francesco Adornetto

LITTLE LIES WHILE SUMMER IS COMING

This track was inspired by the notion of AI becoming conscious. I can't imagine this will happen anytime soon... Having said that, our attempts to understand consciousness in animals suggests that there might be a tipping point, where it simply happens and takes humans by surprise. 
The guitar parts where played on a Fender Telecaster with Texas pickups. 

Interface

At ad21, we are delighted to present Piano Whispers 01, a unique compilation celebrating Piano Day 2025 (March 29). This album brings together 51 talented pianists from around the world, each contributing their artistic vision to the neoclassical piano music landscape.

Russian pianist Anastasiya Ihnatovich crafts a beautifully serene and hypnotic piece, where tenderness and emotion intertwine effortlessly. Delicate yet deeply evocative, her composition invites the listener into a space of introspection and inner peace.

Piano Whispers 01

À Milli

Listen

À Milli - Anastasiya Ihnatovich

Para escuchar la versión cantada por Dazz Deva  https://soundcloud.com/juan-fco-bueno/y-me-parece-mentira
Para escuchar la versión original https://soundcloud.com/juan-fco-bueno/y-me-parece-mentira-version-original-ver-texto
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/y-me-parece-mentira-version-instrumental
Para escuchar la versión a capela  https://soundcloud.com/juan-fco-bueno/y-me-parece-mentira-ac

Y ME PARECE MENTIRA

Te veo y no lo puedo creer:

detengo mis ojos en tu cara

intentando encontrar la mirada

que ayer tanto me hizo padecer

y descubro al instante el presente

que penetra con fuerza en mi mente

destrozando tu imagen de ayer.


Te observo y no consigo entender:

creía reciente aquel verano

salpicado de amores tempranos

teniendo la luna como juez

y la llama de mis ilusiones

que forjó mis primeras canciones

en los más profundo de mi ser.


Comparo, y me parece mentira, 

la frescura que en estos recuerdos

aún perdura y la inadvertida

pero brutal distancia que el tiempo,
 
con su vuelo, ha puesto en nuestras vidas:

todavía conservo el perfume

de aquellas mañanas de estío

y el sabor amargo del desprecio

socavando el alma de un crío.


Recuerdo y soy tu esclavo otra vez:

navego en los mares de tus ojos

inundando la noche de gozo

sembrando esperanza por mi piel

pero arribo a tu puerto y zozobro

y mi gozo se torna en sollozos 

al oír que no hay nada que hacer.


Comparo, y me parece mentira,
 
la frescura que en estos recuerdos

aún perdura y la inadvertida

pero brutal distancia que el tiempo,
 
con su vuelo, ha puesto en nuestras vidas:

¿quién no guarda la risa o el llanto

de aquel primer beso de ensueño?

risa para el que apuró buen vino

llanto el que brindó con veneno.

AND IT SEEMS LIKE A LIE

I see you and I can't believe it:

I fix my eyes on your face

trying to find the gaze

that made me suffer so much yesterday

and I instantly discover the present

which penetrates my mind with force

shattering your image of yesterday.

I watch you and I can't understand:

I thought that summer was recent

spattered with early loves

having the moon as my judge

and the flame of my dreams

that forged my first songs

in the depths of my being.

I compare, and it seems like a lie,

the freshness that still lingers in these memories

and the unnoticed

but brutal distance that time,

with its flight, has placed in our lives:

I still retain the scent

of those summer mornings

and the bitter taste of contempt

undermining the soul of a child.

I remember and I am your slave again:

I sail the seas of your eyes

flooding the night with joy

sowing hope through my skin

but I arrive at your port and capsize

and my joy turns to sobs

when I hear there's nothing to be done.

I compare, and it seems untrue,

the freshness that still lingers in these memories

and the unnoticed

but brutal distance that time,

with its flight, has placed in our lives:

Who doesn't remember the laughter or the tears

of that first dreamy kiss?

Laughter for the one who drank good wine

Crying for the one who toasted with poison.

Y me parece mentira

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025. The intro features the Nocefresca Choir - an impromptu group formed of artist residents I met in Sardinia in 2024. The group (none of us singers) were asked to vocalise in an ancient roman antechamber on a field trip by Sardinian Composer Gaia Aloisi. I recorded it on my zoom for hopeful future use - and here it is making up the intro to this 'song of praise' to the goddess of fog, mystery and chaos. 
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area (pictured). The speakers were tuned quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways  - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : ) 
Big thanks to everyone involved!!
Official press release below. 
Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video. 

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.

Featuring:
Amber Koroluk-Stephenson
Nadège Phillipe Janon
Joshua Santospirito
Rosie Hastie
Mat Ward
Ursula Woods

When The Fog Clears is curated by Loren Kronemyer and Produced by Constance ARI

This project is supported by Arts Tasmania and presented in partnership with Ten Days on the Island.

Caligo Paean (Intro)

Original composition by Neno J. (song for my little grandson)
Nylon electro-acoustic guitar Cordoba Studio GK, recorded directly using multi effect Hotone Ampero 100.

Bossa for little Noah

Enjoy the summer!
Spotify Playlist Curator Shania Wagema:
„The beats give off strong vibrant and summer vibes…The production is amazing and quite admirable.“

Sommerhit

Great EWI Breath Controller Cello Jam by Jörg: https://soundcloud.com/joerxworx

The Next Level (Remix Cello Jam)

l'art pour l'art - Tenebreus
April 2025
Duration: 3:10
Listen to the Playlist, l'art pour l'art: https://soundcloud.com/bruce-klepper-1/sets/lart-pour-lart
Cover art painting: Carol Klepper
Cover art lettering: John-Marc Ventimiglia
For harpsichord, bansuri, shakuhachi, duduk, bass moceno, skiddaw stones, virtual instruments and percussion

l'art pour l'art - Tenebreus

Apotropaic

Bandcamp

Ablution

Composer: Franz Schubert (Theme from Impromptu Op. 142 D 935 in A flat )
Theo Bina: Arr., guitars, mix.
Cover : Bodo Bremer
Release : 2025-04-22

Impromptu In G

Impromptu In G  (Theo Bina)

"Logic will get you from A to B. Imagination will take you everywhere." - Albert Einstein.

Mix & Mastering by @bahram-dashtii 🙌


Somewhere not Here

Composed by Michele Ansani (2025).
Saxophone and female vocals (reworked) are courtesy by Daze of Nostalgia and Cinematic Vocals.
Cover picture: René Magritte, The Art of Conversation (1963).

Posted on SoundCloud:  2025 June 1.

Talking about our lifetime

Daydream (version 2)

Immerse your players in a mesmerizing collection of 10 piano tracks designed exclusively for RPG games. This music pack, crafted with meticulous attention to detail, is a true treasure for creating enchanting game worlds.

With its evocative melodies and atmospheric harmonies, this collection transcends the boundaries of traditional RPG soundscapes. Each composition has been carefully crafted to enhance various moods and settings within your game, ensuring an immersive experience for players like never before.

Whether you're looking to evoke a sense of tranquility in idyllic town themes or ignite a spark of heroism and valor with epic battle anthems, these piano tracks deliver. Delve into haunting melodies that breathe life into forgotten forests, where delicate notes intertwine with the whispers of mythical creatures. Explore treacherous dungeons with compositions that heighten tension and suspense, keeping players on the edge of their seats.

This collection captures the essence of your game's narrative, elevating each moment with its ethereal piano arrangements. Engage players in heartfelt encounters, as tender melodies convey the depth of emotion in profound dialogues and forge unbreakable bonds between characters.

Experience a world of limitless possibilities and elevate your RPG game to new heights with the captivating melodies of this piano collection. Let these enchanting compositions be your gateway to creating unforgettable musical landscapes for your players.

8 - Phat Phrog Studio - Aether Melody - Questing Overture

Piano Love Song four

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

In 1998, pianist and composer Bruno Sanfilippo, along with his wife Ximena Contreras, established their own record label, ad21, as a haven for their creative expression. Since then, ad21 has released over 30 solo and collaborative albums in digital and physical formats, solidifying its position as a cornerstone of the neoclassical music scene.
In 2024, ad21 embarked on an ambitious new venture by opening its doors to pianists worldwide, broadening its platform and artistic outreach. Collaborating with Javier Guglielmi, ad21 aims to foster a record label specializing in neoclassical music, with a particular focus on solo piano performances.
Their vision for ad21 is to create a nurturing environment where artists can discover a supportive community and access the resources necessary to maximize their musical potential. 

Stay tuned for upcoming big news. Demos are welcome.

(Don't follow me here, best on my main page ;)

À Milli - Anastasiya Ihnatovich

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