Whities 018 - Reckonwrong
Release date - 23rd November 2018
Buy - whities.bandcamp.com/album/whities-018

A1 - Paris Is Melting
A2 - 14 Days
B1 - Half a Pill
B2 - I'm a Spoon

Mastered and cut by Beau Thomas. 
Art direction by Alex McCullough. 
Sleeve design by Alex McCullough and Jacob Wise. 
Type design by Jacob Wise. 
Screen printed by Greg Abbott at Hidden Print.

018 - Reckonwrong: Paris Is Melting / 14 Days / Half a Pill / I'm a Spoon

Going Good 14 incoming.

Artwork - Ville Hiltunen & Brian Not Brian

Written & produced by - Vesa-Matti Kivioja

Djembe / Percussion - Masi 

Distributed by: GGHQ Distro

A1 - Red Eyed Wood Lizard
A2 - Seven Lined Ameiva 
A3 - Tree Runner
B1 - Wandering Grass Lizard
B2 - Solitary Anole 
B3 - Bogota Anadia

Mastered by - Keith Tenniswood

https://soundcloud.com/ljudverket

GOOD-14 - Vesu's 'List Of Lizards EP' Snippets

READ > https://inverted-audio.com/premiere-krikor-its-not-house-riddim

In parallel with his main venture, @bfdmrec, label boss Judaah is embarking on a distinct venture with Homemade Sound System - a new imprint that sees him return to the roots of his teenage/early adult's love for Reggaean blends and dancehall riddims. First in line, longstanding French undergrounder @krikorparis steps up with the fresher-than-fresh, funky, bassy goods.

Krikor - It's (Not) House Riddim [Homemade Sound System]

Amos’ Flat is a three part album by VASE in collaboration with Opal Tapes & INDEX:Records: an odyssey of sonic manoeuvres through ambient, bass and IDM. This trilogy reveals VASE dissecting compositions down to sparse rhythmic explorations, disruptive power shifts and nebulous bass bliss.
So , here we go , the first part from south-american born, Berlin based artist Vase with this open composition -  BV133 w/ Black Snake Whip -synthesis of cosmic and plasticized melodic collages, birthed from the guts of hand built exotic electronics and various audio devices, built from one's own design and heavily modified beyond audible recognition or return. From torn memories of pleasant dreams to plasticine free futursirstic jazz sculptures, wavey electro cuts squealing like rubber tyres and pop hallucinations. 12" record out Oct 25th you can buy here: https://indexrecords.bandcamp.com/album/amos-flat-room-1

https://soundcloud.com/vasesound
https://soundcloud.com/indexrecords
https://soundcloud.com/opal-tapes

Watch On YouTube

PREMIERE #643 | Vase - BV133 w/ Black Snake Whip [Index:Opal] 2019

Quirke - Steal A Golden Hail LP
Release Date - 13th December 2019
Buy - https://whities.bandcamp.com/album/steal-a-golden-hail

"Are you still there?"
"Yeah so she said the body is the mind's measuring instrument or something - the mind renders information registered on its sensory surface, combines it with old info from the same source and keeps the whole accumulated stock poised to guide action"
"Hence why it sounds like this?"
"Yeah exactly"

'Steal A Golden Hail' is presented within deconstructed sleeve packaging. Each includes a unique airbrush edition, the product of a collaborative performance between Lucas Dupuy and Alex McCullough. Fastened by a plastic bolt through the centre.

Quirke - Steal A Golden Hail - WHYT026

Bruits de La Passion duo Jita Sensation come through with an eccentric machine-boogie freakout.

'L’alarme Fatale' is out soon on Association Fatale.

@jitasensation
@be_lec

Premiere: Jita Sensation - Posuere Nec [Association Fatale]

Taken from "Autobahn Zwei" Triple cassette out on 05/05/2020

A two hour Post-Apocalyptic Driving Music homage to Kraftwerk by genius synthesist Novo Line, in ode to Düsseldorf’s finest but also late ‘80s pulpy sci-fi soundtracks and cinematic rave scenes, massive recommendation if you're into Leyland Kirby, Laurie Spiegel, James Ferraro, 0PN, NYZ, Skanfrom, Depeche Mode...

Cult visionary synthesist Nat Fowler aka Novo Line enacts 2 hours of Post-Apocalyptic driving music in an extraordinary homage to Kraftwerk, late ‘80s/‘90s sci-fi, and cinematic rave. Spread over 3 tapes and accompanied by excerpts of an imagined graphic novel, it’s a real gesamtkunstwerk of pulpy, savant genius that highlights Novo Line among synth music’s most singular voices.

Outlining an absurdist story set 25 years in a future where oxygen is a commodity like oil, ‘Autobahn Zwei’ is a total and heavily functioning artwork ideal for the last few years of humanity’s guiltless consumption on the road. Over 12 tracks written between 2017-2019 and each averaging 10 minutes in length, Novo Line experiments with new midi-methologies to combine the sort of slow, electrifying EBM/new beat rhythms of his ‘Movements’ and ‘Dyads’ LPs with the cinematic scope of ‘To Qatsi And Die In LA’ (2019) in a riveting electronic saga that surely marks up as his magnum opus.

Across ‘Autobahn Zwei’ the sleek, futurist promise of Kraftwerk’s seminal 1974 ode to the road is craftily, anachronistically adapted to purpose with a riveting sense of narrative and a rolling, physical traction that Novo Line steers from the club into his own lane. Fine tuned with influence ranging from Maxploitation flicks to the fantasy art of Jean Giraud’s Moebius, the 1989 B-movie ‘How to Get Ahead In Advertising’ and that “rave” scene in Matrix, as well as his circle of pals in Berlin, Novo Line harnesses his era-consistent Atari computers and FM synths to motor forward with a thrilling, inexorable velcoity and masterfully expressive grasp of his machines’ tone.

Synching vintage circuitry into combustibly dirty, whirring, cranky designs that sound like Tesla’s haven’t caught-on in 2045, the album’s pulpy saga about a ruling corporatocracy BrazilCorp and its monopoly on artificial rainforest-produced oxygen is played out along a schism of real, imagined and synthesised worlds. From panoramic intro replete with viscerally smeared lense flare distortion, to the samples of the iconic *rump/H*llary debate from 2016 riddled into ’Never Going Back’ - where Trump’s tweets are voiced by synthetic birdcalls - and thru the adrenalised arps of ‘Rave Scene’ and the lip-bitingly dissonant tunings of ‘Sewers’, Novo Line surely induces the most inexplicable and oddest psycho-physiological reactions associated with probing new works of sci-fi genius. 

With ‘Autobahn Zwei’ Novo Line draws a profound sense of originality from well-worn tropes with a style and effect that should be massively prized by any and all fans of proper electronic music. It’s a genuinely prism-pushing and seriously rewarding album for the journey.

Buy!

Novo Line - The EuroTunnel Escape [E055]

Digital Download and Limited Edition Cassette available here: https://tinyurl.com/yypfnjm7

JUNGLE GYM RECORDS presents "hlinc", a brand new split from Fourth-Coast-ambient purveyors Chaperone and Glyn Maier. Sand-surfing through oasis mirage our duo makes frequent stops, freediving the microcosms of desert flora and fauna... both real and imagined. Birthed from the search for water in heatstroke mind, "hlinc" inhabits the spaces between, a psychedelic survey presented here for the very first time via limited edition cassette. Exclusively from JUNGLE GYM.

@glynmaier
@enmossed

[JGT51] "hlinc" - Chaperone / Glyn Maier (Previews)

Following initial forays with The Trilogy Tapes and more recently Berlin’s Kashual Plastik, Waswaas wanders further down the path of analogue and modular darkness, casting out his first album, Memories of Perversion.

Self-released CD on the La Nihaya label - Mastered by Amir Shoat, artwork by Ilaha Alize.

Launches Samhain 2020 via Bandcamp and 6th November from other selected outlets.

Almost mundane - Memories of Perversion CD [preview track]

Taken from the album, Recurring Horrors. Out October 30, 2020 on A Colourful Storm.

Pre-order: https://christophdebabalon.bandcamp.com/album/recurring-horrors

Recurring Horrors

Christoph de Babalon - Combine

info: https://radio.syg.ma/episodes/inexact-10-laura-not
https://soundcloud.com/lauranot

Laura Not

inexact 10 – Laura Not

Record label run by @nictasker
https://ad93.ltd/
Distributed by Rush Hour

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018 - Reckonwrong: Paris Is Melting / 14 Days / Half a Pill / I'm a Spoon

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