IYA SHILLELAGH - WaterWeight (FELT005)
Release Date: 29th September 2023

Vinyl: rubadub.co.uk/products/waterweight
Digital: f-e-l-t.bandcamp.com/album/waterweight

A1 – reGenaRation 
A2 – WaterWeight (ft. How du)
 B1 – out ere as a outlaw (ft. Shifting Borders)
B2 - Scyatta

IYA SHILLELAGH is ELDON & Withdrawn

Recorded at Zig Zag Zig Studios

Mastered by GENG PTP
Cover photo by ELDON
Design by Fergus Jones
Distributed by Rubadub

IYA SHILLELAGH - WaterWeight (FELT005)

first track from my new album on Theory Therapy

"Glasgow-based producer and INDEX:Records co-owner Conna Haraway unveils his debut solo release on Theory Therapy – 8 tracks of luminous electronics and restless textures too amorphous to be neatly categorised into a particular genre. Over 40+ minutes, the co:clear founder fuses dubbed-out illbient abstractions, voluminous low end and aquatic gurgles into unconventional analgesic soundscapes. The overall result is something immersive, visceral, and psychedelic – a fully-fledged sound that sits somewhere between delirium and bliss.

Lusidiq features 3 remixes by Seoul duo Salamanda, Philadelphia-based DJ and producer Opheliaxz, and Adam Dove, best known as sound artist Nexcyia."

Written and produced by Conna Haraway
Mastered by Ike Zwanikken
Artwork by Conna Haraway

Lusidiq

tapes & digis

Fractals

upsammy and Jonathan Castro present 'Dwell,' which maps the emotional resonance of space through sound.

https://www.factmag.com/2023/10/16/fact-mix-upsammy-jonathan-castro/

Fact Mixes

Fact Mix 930: upsammy & Jonathan Casto (Oct '23)

Release date : February 16th
Pre-order : gridrecords.bandcamp.com/album/contrast-ep

Grid kick off 2024 with Contrast EP, a mesmerising collection of future-facing tracks from certified one-to-watch Plebeian (@plebeiann). The NYC producer is quickly garnering deserved attention for his acutely detailed and explorative bass productions reminiscent of Objekt and Djrum.

With his EP Plebeian offers up four shimmering and lush dance organisms that exist in an ecosystem entirely of their own. Microscopic drum engineering coupled with flourishes of dubbed out percussion, moments of blissful beauty and infinitely oscillating synth swells, all distilled to create 4D soundscapes that will captivate and intrigue the listener.
credits

All tracks produced and mixed by Andrew Nerviano
Mastered by Krikor Kouchian
Artwork by Unité Services

Supported by : Akanbi, Amor Satyr, Ayesha, Azu Tiwaline, Bake, Bambi, Big Ever, Blume, Breaka, Cameo Blush, Clemency, Cleveland, Chris Farrel, Daisy Moon, Danielle, De Grandi, DJ Fart In The Club, DJ ojo, Dyslecta, Emily Jeanne, Eric Cloutier, Forest Drive West, Fred P, Giant Swan, Hassan Abou Alam, Henzo, Huerco S., Joanna OJ, Jurango, K Wata, Kouslin, Laurent Garnier, Luke Slater, Martha, object blue, Orson, Soso Tharpa, STL-P, Syz, Toupaz, Tristan Arp, Truncate, Solid Blake, Vladimir Ivkovic, Yushh and more.

GRID012

Contrast EP

Plebeian - Contrast EP [GRID012] previews

Jonny From Space is the moniker of Miami-based producer, DJ, and co-founder of Impacto, Jonathan Trujillo.

After two EP’s on Omnidisc and a few more self-released, Incienso is excited to announce his debut solo LP, ‘back then I didn’t but now I do’.

Loping drum loops, warbling synth lines, sun-streaked pads and voice amble into the depths  of the humid world Jonny’s music inhabits, where tempos shift and often float off into the ether altogether. 

In the words of JFS himself- this album is “built 2 chill”


All songs written and produced by Jonathan Trujillo 
Mastered and Lacquer cut by Anne Taegert @ Dubplates and Mastering
Artwork Josh Abramovici 
Distributed by WordandSound Sales@wordandsound.net

“Live” is taken from Jonny From Space ‘back then I didn’t but now I do’ LP

PRE-ORDER: Vinyl 12"/Digital:
https://inciensorecs.bandcamp.com/album/back-then-i-didnt-but-now-i-do
Out Feb 9th, 2024
INC-026

Jonny From Space 
@jonnyfromspace
https://www.instagram.com/jonnyfromspace/
https://soundcloud.com/jonnyfromspace

Incienso 
www.inciensorecs.bandcamp.com 
www.instagram.com/inciensorecs www.incienso.nyc

Jonny From Space - Live [INC-026]

JAMES K
"ELEKTRA (Scream Through the Eyes of a Statue)"
CD in jewel case w OBI strip
Edition of 250
Release 19.01.2024

“Why is female sound bad to hear?” - Anne Carson

ELEKTRA (Scream Through the Eyes of a Statue), is a multimedia performance broadly conceptualizing the female voice as an “X-ray to the bones of sound.” It was commissioned by Issue Project Room and performed April 26th, 2018 in Brooklyn, New York.  Taking poet, essayist, and Classics professor Anne Carson’s translation of Sophocles’ tragic play Elektra as a point of departure, James K monstrously externalizes the inner sonic world of female vocalization through a scored collaborative framework interpreting each of Elektra’s “screams” in the Greek tragedy.

The piece develops unique methods of screaming through musical and non-musical objects -- performed through manipulated text, videos, and live contributions from James K (voice, electronics, violin, video) Brooklyn-based musician Eve Essex (alto saxophone, various winds and electronics), electronic producer and performer Dylan Shir (electronics), composer and cellist Leila Bordreuil (cello), and poet/artist Eli V Manuscript (textual alchemy, projections).

Within this collaborative framework, James K scores “the scream” to express the various relations between hysteria and the “gender of sound” -- a blurred and overlapping feminine sound defined by its fragmentation and resistance to scripted narrative. Elektra’s presence is emblematic of a radical alienation that occurs as a standing discrepancy to tragic convention. Amongst society, she is the anti-dialogue, a symbol of protest.

‘my cries are wings, they pierce the cage’

Elektra’s vocalizations pierce through language, revealing a shattered interior of multifaceted reflections constructed against habitual linguistic or vocal expression. In tragic convention, such habitual vocalization takes the shape of the often terse, patriarchal voice of the Greek philosopher -- a didactic, conceptual container in opposition to the expressive “becoming” of Elektra’s cries that riot against fixity. As a tragic character, Elektra is radical and alien for Sophocles and his audience -- an ever-present conviction that demonstrates how female shame has constructed a life-size funeral urn around her.

Through translating a text within layers of translations, a fragmentation of the firsthand into traces, James K mirrors Elektra’s deconstruction of reality into siren shards, offering an experiencing of female sign language as a means of sabotage to the world of normal utterances. By sliding on the edge of convention to sharply abandoning rational speech and sonic construction, K’s piece aims to embody Elektra’s strained and stretching screams, as cuts against the glass; her sabotage bound within the blanket loop. In response to rigid vocalization and fixed sonic understandings, ELEKTRA (Scream Through the Eyes of a Statue) takes the scream as an unruly, emotive sonic experience projecting outwards into objects and audience: to the very bones of sound.

This is a live recording of its single performance. Recorded by Bob Bellerue at Issue Project Room in Brooklyn, NY. Mixed by James K. Mastered by Jack Callahan. Performed by James K, Eve Essex, Via App, and Leila Bordreuil. Conceived and scored by James K for four players, and written in collaborative improvisation with the performers. Textual alchemy by Eli V Manuscript. Design and layout by Nicola Tirabasso and James K.

JAMES K - ELEKTRA (iDEAL225 CD excerpt)

My Noise Is Nothing- Lord Of The Isles and Ellen Renton

Listen in Full/Buy Here: https://lordoftheisles.bandcamp.com/album/my-noise-is-nothing

Mastered by Rashad Becker
Artwork by Noah Baker

My Noise Is Nothing - Lord Of The Isles and Ellen Renton

Living Room n°66 ~ @warm_body

q. pls introduce yourself
a: I'm Marty. Sometimes I release music under the name Warm Body, formerly 1/3 of Baby. I co-run a label called Quiet Time with my friend Eli. I'm also an animator by trade.

q. is there a story behind the mix?
a: The mix was made while recovering from jet-lag. So I guess it encompasses that liminal state where you're not totally used to your surroundings and your body still feels like its traveling.

q. what’s the best way enjoy your mix?
a: Enjoy it however you like. Long plane ride, night drive or just going on a walk.

q. describe a favorite object in your living room...
a: Probably my DJ setup / sound system and records. And the 3 stones on my coffee table.

q. are you working on any projects right now (music or not music)?
a: Working on a few Quiet Time releases, some more mixes. And some music that I might release under WB or a different name. stay tuned.

Living Room n°66 ~ Warm Body

Far Away Dub

Electronic lullabies from Australian producer Other Joe.

"for Lex, and all the other Joes."

https://other-joe.bandcamp.com/album/one-billion-kisses-5

@josephbuchan

other joe - one billion kisses

BC: https://coclear.bandcamp.com/album/plateau

The initiatory release on the co:clear label is a stunning debut by Brooklyn-based artist, Eden Aurelius. Written between Chicago and New York throughout 2023, 'Plateau' is a lacework of chiller dub-techno and ambient sparkle, crafted via recorded material, astute sampling, and live instrumentation. Rounded off with a stellar remix from your favourite ambient boyband (Purelink), this record is one for the serial unwinders.

______________________________________________

"Plateau is a collision, formed over years of change — an elevated plane where land forms an even surface.

Towering above the ground you see the scale of the earth — terrain merging with sky, enfolding on one another.

Seclusion and observation — a timeless vortex where moments stand still and find place in clarity."

— Eden Aurelius

Plateau

pi pi pi premiere: Eden Aurelius - Plateau (co:clear)

Record label run by @nictasker
https://ad93.ltd/
Distributed by Rush Hour

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My Noise Is Nothing - Lord Of The Isles and Ellen Renton

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