DJ / Producer / Remixer

★ www.lntg.co 
[LNTG DJ mixes available in DL's section]

★ Hi Soundcloud friends, thanks for your support. Jump over and 'Like' my Facebook page.  
I will be using it for any news and updates on new edits, downloads and tour/live DJ performance info.
Thanks for listening.
LNTG.

★ LNTG FACEBOOK http://www.facebook.com/LateNiteTuffGuyOfficial?ref=tn_tnmn

★ BOOKINGS AUSTRALIA+NEW ZEALAND:
'Poster Child' trent@posterchild.com.au

★  BOOKINGS US+CANADA+MEXICO+SOUTH AMERICA: 
'TUFF MUSIC MANAGEMENT' tuffmusicmgmt@gmail.com

★ BOOKINGS UK+EUROPE: 'THE UNITY AGENCY' paul@theunityagency.co.uk

★  BOOKINGS ASIA: 'WARUNG AGENCY' jonathan@warungagency.com

★ MANAGEMENT: 'TUFF MUSIC MANAGEMENT': tuffmusicmgmt@gmail.com 

★ TWITTER: @LateNiteTuffGuy

★ INSTAGRAM: latenitetuffguy

★ TUFF MUSIC MANAGEMENT FACEBOOK
http://www.facebook.com/pages/tuff-musc-management/367270516628833

♥ LNTG.

Mitch Medcalf, aka GALLEON, is one of Australia’s rising stars in dance music. At the young age of 21, this exciting new talent has his finger on the pulse of dance music, always in contact with the world’s best producers, labels & DJ’s, ensuring a delivery of musical sets comprising of only the best upfront & popular dance and house music.

Discovered by JimmyZ (from Wild FM/Nova/Club [V]/4PLAY) in 2011, GALLEON has since been signed to the 4PLAY dance music label and now works as a music co-ordinator for 4PLAY.fm Radio and its associated Industry DJ Promo & Chart Service.

At the young age of six, when most young boys are learning to ride their bicycles, Mitch was honing his craft in dance music. Fast forward a few years, and he is already landing opportunities to mix up for the Triple J National Breakfast Show (Radio), The Kyle & Jackie O Show (Radio), Totally Wild (TV Show), The Shack and Nova 1069’s Breakfast Show, and also for the Queensland Roar Football Club.

There is one aspect of Galleon that stands aside from all other DJ’s: Mitch is visually impaired; he is Australia’s only working Blind DJ.

It is not for the lack of sight, but is his encyclopedic knowledge of dance music from the 70’s to now, along with not only his supernatural ability to read an audience and provide an amazing experience to people through his deep & funky music, but also his exceptional natural talent for “real DJing” employing old school DJ skills of mixing, scratching, beat juggling, transforming and basically playing all the favourite fancy tricks of most skilled DJs in his sets – one of the last remaining Real DJ’s who plays live DJ music with a set of decks that enable him to be a genuine mixmaster.

Mitch explains, “I can hit such a high while listening to a track. It can be anything from a beautiful girly soulful melody or pitched down vocal, the funkiest of bass lines, even something as simple as a cowbell can drive me to hit a natural high. And it is this great love and passion for music that I share with all people to bring them the same satisfaction that I get from the music. Music is a great therapy and healer through good and bad times and is a great tool in bringing people together.”

And through the music he plays, GALLEON communicates his universal message of happiness, love, acceptance and… Togetherness.

Bookings/enquiries:
music@misterbennetts.com

I created this page for the posting of older Breaks DJ mixes. It is not intended to infringe anybody's copyright as an artist or owner of the mixes, just a place to share some of the best and rarest Breakbeat DJ Mixes from yesteryear.

Shalvoy (Peter) is an NYC nightclub veteran, from his residency at the legendary nightclub, Nell’s, to more recent venues like Bungalow 8, Marquee, Cain & The Box. While still DJing (holds a residency at On The Record, Las Vegas), his focus has shifted to production with tracks released on Tropical Disco, Super Spicy, Hot Gorilla, Spa In Disco, Mango Sounds, And Friends, Rare Wiri, Hot Digits and Midnight Riot.

Don’t let the name fool you… he's not very funny at all (well he thinks he is). But he does make awesome music.

Debuting in the disco in 2007, his held down many great residencies in Melbourne with the likes of Revolver, Circus, Tramp & Billboard (a few of Melbourne's most coveted licensed establishments).

A regular on the festival circuit and his found his way onto the keys and away from the bar for at least a couple days a week to make some splendid house.

His signing to Loud Entertainment one of Melbourne's most premier bands, has him set for a bright and expanding future
Ladies and Gentleman, the ever so talented…. Butters.

Loud Entertainment
loudentertainment.com.au/butters

for bookings contact:
andreas@loudentertainment.com.au

DJ CHARAN

In rotation at Los Angeles clubs:
Andy's, Level 8, Desert 5, Poppy, OFFSunset, Bootsy Bellows, No Vacancy, Harriets Rooftop, Breakroom86, Kiss Kiss Bang Bang, Melrose Place, Dirty Monday etc.
CharanAndreas@gmail.com

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

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