What Cha Gone Do (instrumental

What Cha Gone Do (instrumental)

The Suite Buy & Bye

Cast of Characters:

Roy Roy – @user-967672349 – Roy – foundational guitar, composition, and arrangement
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synth sax, synth strings, synth brass, production, and mix
TexMex Shaman– @texmex-shaman –Stephen– whah guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass

This song began as a well developed, funky disco idea Roy came up with on his guitar, and shared with JJ. JJ added a wonderfully complex orchestration of various keys, including brass, strings, and the sax solo you hear towards the end. 
  JJ invited Stephen Stephen first, who came up with the funky ass wah guitar that also carries the groove. Of course, JJ realized that this is a disco song, so he enlisted Ken to come up with one of his awesome beats to carry it along. JJ had a rudimentary bass line that he played himself, but decided to get me to do the honors instead. So, I came up with a totally new bass line designed to shake your cheeks.
Once it was in the can, we decided to ask have JJ mix it for us. This is a first time JJ has mixed a song for The Eclectic Collective, and we were all impressed with his work. Stephen mastered it, as he is a master masterer. 
  We're all really impressed and delighted with the experience of working with Roy and his music. He is a very talented artist with a lot of great music to check out on his page, too.
  We hope you enjoy listening to this as much as we enjoyed creating it, and that it makes you shake your hips while you're doing the dishes, too!

Shag Carpet (Eclectic Collective with Roy Roy)

Welcome Home, Rider.
We were both listening to Hawkwind's debut yesterday.

"Historia Jednego Psa"

just changed a few things here
same message
there are times to fight to preserve humanity but through the years most of our wars etc have been for nothing more than to satisfy the shallow desires of miguided leaders.
the distinction between a worthy cause and a fake cause for violence is one of the most difficult for us to make but the most critical

can we learn (take 2)

A change in format from the usual. A poetic look at Autumn; the colourful precursor to Winter.

Light and Dark

Falling Leaves

Cgmaness – @user-419254289-15129531 – Chris – bass, guitar, synth, main drums, percussion, composition, production and mix
TexMex Shaman– @texmex-shaman –Stephen–  electric sitar
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- organ and electric piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– percussion, additional drums 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – traditional gourd form body sitar and lap steel

 This is a song that Chris wrote on the drums, bass, and guitar and shared with the collective. We all love working on Chris's songs, and got to work on it even more enthusiastically than usual. Josh was up first with his lap steel, which he weaves throughout. He also added the sitar at the beginning and the acoustic sitar at the end. Stephen stepped in and added the gnarly electric sitar at the end. JJ also made his presence heard by adding the thrilling organ and electric piano throughout. Ken then augmented Chris's original drums with his own in expert fashion. Last, but not least, Tez added his electric guitat magic to the stew, as well. 
  Since Chris brought this song to the group, and is a fine producer, he did the honors of the mix and production. 
  This is our latest with Chris, whose music we all adore. If you dig this, you should go check out his page, as it contains lots of wonders to hear. We all hope you enjoy listening to this as much as we enjoyed making it.

New String Theory - The Eclectic Collective

Five O Clock  Shadow XXX

Une composition collaborative entre Camille Victoire (https://www.youtube.com/watch?v=x7YCk1DmgJA) (voix) et Fardeau Losange (musique, mixage).

« Tout est construit sur le même plan,
Tout est construit sur le même plan.
Tout est construit sur le même plan,
Tout est construit sur le même plan.
 
Elle essuya précipitamment ses larmes à sa manche.
Tout est construit sur le même plan.
Un départ, un détour, un retour,
D’un automne à l’autre.

C’est toujours un jardin,
C’est toujours un jardin.

Tout est construit sur le même plan,
Tout est construit sur le même plan.

Tout est construit sur le même plan.

Tout est construit sur le même plan.
Tout est construit sur le même plan.

Tout est construit, tout est déconstruit.
Tout est construit, tout est déconstruit.

Tout est construit, tout est déconstruit.
Tout est construit, tout est déconstruit.

Tout est construit. Tout est déconstruit.
Tout est construit sur le même plan.
Tout est construit/déconstruit.


Un départ, un détour, un retour,
D’un automne à l’autre.

Elle essuya précipitamment ses larmes à sa manche.

Tout est/Tout est/Construit/Déconstruit…

C’est toujours un jardin,
C’est toujours un jardin.

Tout est construit sur le même plan. »

Visuel : Maurice Denis, "Taches de soleil sur la terrasse" (1890).
1er novembre 2°24.

C'est toujours un jardin

C'est toujours un jardin (Camille Victoire & Fardeau Losange)

Gene Jumper,  ( Original  Gospel song )

Music By: Norm  Evans

i been walking and talking

Geejump. I Been Walking And Talking,  GENE JUMPER,  Music By: Norm Evans

Remixed material from "Darkening" https://soundcloud.com/velvetsomethingsuperdark/darkening and "Flying" https://soundcloud.com/velvetsomethingsuperdark/flying: Electric guitar, voice, effect pedals, unsynchronized loops, two tube amps. Percussion sample made of crashing dishes. Poem read by VSS. All sounds, voice, mixing and production: Velvet Something Superdark. Image: Evening Sky (photo: VSS).

Text: "An awful tempest", Emily Dickinson (1830-1886): 

An awful tempest mashed the air,
The clouds were gaunt and few;
A black, as of a spectre's cloak,
Hid heaven and earth from view.

The creatures chuckled on the roofs
And whistled in the air,
And shook their fists and gashed their teeth,
And swung their frenzied hair.

The morning lit, the birds arose;
The monster's faded eyes
Turned slowly to his native coast,
And peace was Paradise.

Tempest

Composer, lyricist, published poet, sound artist, improviser, recording artist.

Also known as @ajkaufmann.

"no uchū" is a small online boutique, where you can buy unique items associated with me and support me directly. European Union only, sorry.

https://nouchu.wordpress.com/

"Live where your heart can be given and your life starts to unfold." – Tommy Hall.

#experimental #improvisation #nowave #stoner #psych #kraut #noiserock #punk #folklore.

Adam Majdecki-Janicki (1985) has been writing poetry, lyrics, composing, playing, and recording since 1998. His most important achievements to date include his debut poetry collection “Siva in Rags” (Kendra Steiner Editions, USA, 2008), the vinyl and CD “Second Hand Man” (Mimics Cool, Poland, 2011), the CD-R and vinyl “Stoned Gypsy Wanderer” (Kendra Steiner Editions, USA, 2014 / Ramble Records, Australia, 2021), the experimental/ambient album “Eimi” (Snow in Water Records, France, 2020), the vinyl album of his group Säure Adler (Ramble Records, Australia, 2021), and countless other physical and digital releases worldwide.

"Historia Jednego Psa"

Adam Majdecki-Janicki

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~Mark F

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