"Memory in Reverb"

Hello, Everyone! Do you like surf rock? Do you like the soundtrack from „Pulp Fiction” and „Kill Bill”? I try to combine surf rock with other styles of music: with indie, psychedelic, space rock, ambient, electronica… 
All pieces on my profile were written by me (unless otherwise noted in the description) 
I hope you enjoy the vibe 😎🎸

COLLABORATIONS 

I co-found a duo with my friend from Sweden, Håkan (WELL ) on synthesisers. We have recorded several tracks together, which you can easily find on my profile and on WELL's profile. My friend and I are trying to combine ambient music or space rock with a surf guitar sound in our project. Our collaboration continues 😎 Please check out Håkan’s profile on SoundCloud:

https://on.soundcloud.com/QqMQiooju5M6WSFx7

I also recorded a few tracks with my friend from Poland, Marcin Jakubowski. He is a great composer, musician and producer of electronic and ambient music. You can listen to our tracks  „On the open road to north”,  „Drifting Away” and „Space Crash” on SoundCloud 😎

https://on.soundcloud.com/bMxPLfRnmm7MaPk69

Notable are my collaborative tracks with my friends under the banner of The Eclectic Collective. We recorded nine tracks together (compositions of my own making): Surf Dance/ A Time Race/ The One/ See You Soon (in a better world)/ Tell Me The Truth/ Sweet Rainy Day/ Flow Of Life/ Between Sun and Moon/ I Feel the Same as You 😎 
This music goes beyond surf rock and into psychedelic territory with the help of incredibly creative musicians such as Josh Clary (bass), Ken Karasek (drums), J.J. Terrell (keyboards), Carl Culliton (vocals and guitar), Tez Terril (guitar) and Stephen Watkins (guitar and sitar) 🌞 Listen to our songs on Josh Clary's profile:

https://on.soundcloud.com/zRWZiu92GW5C8Sv27

A special project is the track "Ghost Train" which was recorded in a quartet, with Håkan (WELL), Josh Clary and Tez Terril. It's psychedelic ambient based on a trance beat, synths, bass and guitars!🌔

https://on.soundcloud.com/9xhTU5uo5phBPj8A6

Another notable one is the project with my friend from Kansas City - Nathaniel Ehrnman. Together we created a quiet track called "Good Days”. Nathaniel added his guitar parts (slide and baritone) and harmonica to my track. His unique playing style gave the song a folk character 🍀 Please check out Nathaniel’s profile on SoundCloud:

https://on.soundcloud.com/KmSiEyaRZLmFxWGTA

In the next track called 'Clouds', our friend Bill Brooks (Remnant60) joined our duo (Nathaniel and me) on synthesizers. This combination of different musical styles gave an interesting final result, so I invite you to listen to the both songs (produced by Remnant60)🍀

A short time later, another project followed: "Between Us”. Bill Brooks (Remnant60) added his synthesizers to my guitar part and also took care of the production of this song! This is how the combination of surf music with electronica came about. 🌔
Our next collaborative piece between Bill Brooks and myself is titled: „Things Change”. Bill added his synths and bass to my guitar track and also took care of the production and mixing. The end result is available on our profiles! 😎 
Our latest track so far is “Surf Odyssey 2025” where Bill added his synths, second guitar and “ocean sounds”, and handled the mixing and production! 😎🏄🏼‍♂️ Please check out Bill’s profile (Remnant60) on SoundCloud:

https://on.soundcloud.com/Bcfbq2vJq8vZqUXM7

In 2025 I recorded two tracks with Andre (noxpox), a friend of mine and a great musician (synths, bass) from Germany: „Meltdown of the Ego” and „Surfin’ Marrakech”. He is also the producer of the both pieces. You can find many other interesting tracks on Andre’s (noxpox) profile:

https://on.soundcloud.com/RebtnaZDvscdseHA8

Enjoy surf music in a new version! 🔆🎸

MANY THANKS for listening, commenting, reposting and support 😊

Artur / Surfers like Us  

[ All rights reserved ]

Via Kosmische launched as a netlabel in January 2018. In 2020 we started working with Herby Records on select lathe-cut vinyl releases. We ceased operations on September 5 2025.

Electronic music ranging from ambient to experimental.

Probably the worst one man industrial band from Escondido.

"Live where your heart can be given and your life starts to unfold." – Tommy Hall.

#experimental #improvisation #nowave #stoner #psych #kraut #noiserock #punk #folklore.

Adam Majdecki-Janicki (1985) has been writing poetry, lyrics, composing, playing, and recording since 1998. His most important achievements to date include his debut poetry collection “Siva in Rags” (Kendra Steiner Editions, USA, 2008), the vinyl and CD “Second Hand Man” (Mimics Cool, Poland, 2011), the CD-R and vinyl “Stoned Gypsy Wanderer” (Kendra Steiner Editions, USA, 2014 / Ramble Records, Australia, 2021), the experimental/ambient album “Eimi” (Snow in Water Records, France, 2020), the vinyl album of his group Säure Adler (Ramble Records, Australia, 2021), and countless other physical and digital releases worldwide.

/ -.--.--. I AM LIVING PROOF  -- . .  -- . -- .. --  I AM LIVING PROOF -- . .  -- . -- .. --  I AM LIVING PROOF

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

A.J. Kaufmann—wandering bard of Poznań, sonic druid of the cassette realm. Born under a vinyl moon during a lo-fi storm, raised by spectral mixtapes and surreal dreams. He’s conjured 200+ albums while debating invisible muses and sipping metaphor tea. Writes like a mystic, sings like a caffeinated oracle. May or may not be part mushroom. Proceed with headphones.

“They Call Him Sunlight, They Call Him the Eagle”

Adam Majdecki-Janicki (1985) has been writing poetry, lyrics, composing, playing, and recording since 1998. His most important achievements to date include his debut poetry collection “Siva in Rags” (Kendra Steiner Editions, USA, 2008), the vinyl and CD “Second Hand Man” (Mimics Cool, Poland, 2011), the CD-R and vinyl “Stoned Gypsy Wanderer” (Kendra Steiner Editions, USA, 2014 / Ramble Records, Australia, 2021), the experimental/ambient album “Eimi” (Snow in Water Records, France, 2020), the vinyl album of his group Säure Adler (Ramble Records, Australia, 2021), and countless other physical and digital releases worldwide.

Following resonances through ambient-drone, minimalism, post-rock, experimental, and field recordings. Captured without digital post-production, preserving a moment, an idea, and their instant determinations.

"Memory in Reverb"

Adam from Mu