For viola.

Premiered by Andrew McIntosh at California Institute of the Arts.

shine like fire, that mirrors nothing

WHITE  PLAINES  (  1990  )

PIANO , ELECTRONICS  ---   DROR    ELIMELECH

SOUND , SELF , SOUND

Yehuda Hayamit (2020) יהודה הימית
for piano with extended techniques

by Yoav Chorev (b. 1988)

* World Premiere Recording *
| The Israeli Contemporary Music Project

Yoav Chorev: Yehuda Hayamit | Hagai Yodan, Baoding Balls

Goldberg 7 5 3

"Oi" for large ensemble, commission of the Klangbrücken Festival 2022.
Conductor: Martin Brauß
Accordion- Rada Petrovic
Trumpet- Nicola Rouse
Trombone- Elai Grisaru Drori
Percussion- Lea Winkler, Sebastian Mai
Violins- Jeffrey Armstrong, Timofej Lagutin
Viola- Yu-Jou Lee
Cello- Cecilia Camon
Double bass- Luca Kühne

Proportions/Frame

Performed June 22, 2023 at the Constellations concert, Herz-Jesu Kirche Graz, presented by Zeitschleife.

Margarethe Maierhofer-Lischka, Double Bass
Manuel Alcaraz Clemente, Prayer Bowls

Recording: Benedikt Alphart

Boio's Hymn (2023) for double bass and prayer bowls

the awakened, lips parted, the hope, the new ships (for six bowed music stands)

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Orpheus Variations (After Stravinsky) 31:23

Orpheus Variations is a new composition by Alvin Lucier for solo cello and seven wind instruments. It is based on a particular sonority from the first movement of Igor Stravinsky’s ballet score, Orpheus; a sonority that has haunted Lucier for decades. 

Orpheus Variations is one of eight large-scale compositions made expressly for Charles Curtis by Alvin Lucier in the last 15 years. This performance was conducted by Petr Kotik, with Charles Curtis playing solo cello alongside members of the SEM Ensemble.

“Lucier speaks first of a sonority, and only then of a chord. He discusses the chord, its notes and their disposition, but what haunts him is a “particular sonority.” A sonority is the product of physical action on physical materials: the instruments, the registers in which they are activated, the breath of the musicians, the waveforms thus produced, their merging and interfering, and finally the moment and place of these actions. An energy field, certain to vanish completely once the musicians put down their instruments. However concrete and real the actions and materials, the sonority they produce is a phantom.”

Alvin Lucier - Orpheus Variations - Charles Curtis & SEM Ensemble -

On The Vibrations of Wires by Reiny Rolock

shine like fire, that mirrors nothing

Adam Zuckerman