Benji B is one of the world’s most respected music curators. He maintains an unrivalled level of credibility as a radio broadcaster, a DJ, a record producer and musical director. Benji has held one of the most influential radio shows in the world since the early 2000s, and his global connections span across genres and generations. He has had the honour of conducting significant interviews with culturally revered artists and creatives, some of which are no longer with us. 

Considered a key international tastemaker, Benji B has toured the world as a club DJ for 20 years. He is currently a regular fixture at Circoloco and Manchester’s Warehouse Project. Benji runs the legendary Deviation club nights, since 2007, and has had guests such as A$AP Rocky, James Blake, Kaytranada, Moodymann, Skepta, Travis Scott, Virgil Abloh. Each year, the brand brings its signature sound and energy to Notting Hill Carnival, hosting a highly anticipated stage on the Sunday in collaboration with Killerwatt Soundsystem. 

Benji has also worked with many established recording artists including the likes of Kanye West (‘Yeezus’, ‘Life of Pablo’, and Sunday Sessions), Miles Davis and Bashy.With every project he works on, Benji B ignores dated genre boundaries and celebrates the connections between different musical worlds. He flies the flag for music’s deep history, while also encouraging the new artists who are pushing it forward.

Within fashion, Benji B worked with Phoebe Philo for a number of years on the Celine runway music until her final season and was the music director for Louis Vuitton Mens during Virgil Abloh’s tenure,where he considers some of his most special work in this space to have been created.  Currently, Benji B is the musical director for Burberry, Carven, Jil Sander and Lacoste. Music direction for both runway and film has since become a big part of his multi disciplined work in music.

accounts@benjib.com

2002 DMC World DJ Champion🏆
Ninja Tune Artist 
World DJ Academy Professor 👨‍🏫
(World wide - Online and Studio lessons)
For Bookings:
bookings@endeavorfamilyrecs.com
https://kentaro.komi.io

Mgmt & Inquiries: management@djshadow.com

Exit Records is at forefront of electronic music, constantly pushing the envelope in terms of aesthetic and execution.
Label owner dBridge strikes a careful balance between releasing music that serves a purpose for dancers and thinkers alike. The roster of artists involved in the label is allowed express themselves as they see fit with only one stipulation; pushing the genre forward.
The Exit Records club nights are typically riotous affairs- they stand as a mix of the most cutting-edge music crossed with a firm eye on the dancefloor, from stages at festivals to residencies at clubs across the world, the events are known to sell out.
As the label enters its 15th year of existence a confidence in sound and direction has come to the fore and this is what cements Exit Records as a go-to label for those inside and out of the genre.

Bookings >> Ishsha@echolocationtalent.com
Management>> Laurence@maximum-boost.co.uk

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

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