Ólafur Arnalds is a BAFTA-winning multi-instrumentalist and producer from Mosfellsbær, Iceland. Ólafur Arnalds mixes strings and piano with loops and beats crossing over from ambient/electronic to pop.

Known for their trademark vocal harmonies and dynamic use of strings, Árstíðir’s music seamlessly blends Icelandic tradition with contemporary sounds. A viral performance of an Icelandic hymn in a train station, and years of relentless international touring, has earned the band a devoted fanbase all over the world that has crowdfunded half of the band's 8 album strong discography.

Formed in London 2012, Bear’s Den have amassed a dedicated and international fan base with their anthemic indie-folk-rock. With 3 studio albums under their belt, as well as recent collaborative project “Fragments"with composer Paul Frith, they have been a regular fixture in the charts of UK and Europe since their inception. Their Debut album “Islands” also garnered a nomination for an Ivor Novello Award for Best Song Musically and Lyrically.  

Having toured around the world playing theatres, arenas and festivals (including Reading and Leeds, Glastonbury Festival, Pukkelpop, Lowlands and Bonnaroo), in 2019, following the release of their third album “So That You Might Hear Me" they returned to their origins for a tour of tiny "Highlands and Islands" venues across Scotland and a supporting documentary.  No stranger to music documentary making, the band also featured heavily in the award winning documentary Austin To Boston alongside Ben Howard, Nathaniel Rateliff and The Staves. 

The band’s most recent release, 2020’s “Fragments” is a collaborative work with acclaimed composer/arranger Paul Frith (Bear’s Den, The xx, Radiohead), taking highlights of the band’s back catalogue and rebuilding them from the ground up, alongside an orchestral ensemble, creating a completely new body of work from pieces of the originals.

Icelandic chanteuse Lára Rúnars has announced a July 23rd U.S. release for her latest album, Moment. Her fourth full-length and self-proclaimed “darkest release,” Moment achieved three top singles upon its 2012 release in Iceland.  Incorporating electronics with a full band, Rúnars delivers a brooding yet upbeat melodic indie pop record that could only come from the same place that created Of Monsters and Men, Björk and Sigur Rós. 

As one of Iceland’s most successful exports, singer-songwriter Ásgeir has always pushed the boundaries of his thoughtful brand of folk-pop. His debut album, ‘Dýrð í dauðaþögn’, became the best-selling debut in Icelandic history, leading to the English-language version ‘In The Silence’ in 2014. He continued to refine his sound with ‘Afterglow’ in 2017, ‘Bury The Moon’ in 2020, and ‘Time On My Hands’ in 2022’, earning praise from press and radio worldwide, including the likes of The Independent, MOJO, NME, The Line Of Best Fit, Clash Magazine, BBC 6 Music and Radio X.
 
In recent years, Ásgeir has embraced solo performances, playing nearly 70 intimate shows across Europe, the Nordics, and Iceland, including a UK tour with Icelandic singer GDRN. He also performed with the Icelandic Symphony Orchestra and recorded a live session for Arte TV in Berlin. His passion for live music has taken him to unique venues, including small churches, deepening his connection with audiences. He wrote a song for a Kafkaesque play that was hosted at The Reykjavik City Theatre called Sýslumaður Dauðans.
 
Ásgeir is now back with his next album, focusing on songwriting with a fresh approach; prioritizing melody and personal storytelling, exploring themes of relationships, aging, hope, and nostalgia. His influences range from Leonard Cohen and Daniel Lanois to contemporary artists like Adrianne Lenker and Dina Ögon.
 
The album’s production was a hands-on process, with Ásgeir playing most of the instruments and collaborating with a select group of musicians, including Nashville cellist Nat Smith. Recorded both solo and with a band, the songs capture an organic, heartfelt energy. With this new chapter, Ásgeir continues to evolve, offering music that is as introspective and accomplished as ever as well as deeply resonant.

Peter co-founded the group Genesis in 1966 at school. He went on to make 7 albums with Genesis. He left in 1975, but returned to music a year later, since when he has made 11 solo albums. His film soundtrack works include Birdy (1984); The Last Temptation of Christ (1989); Rabbit Proof Fence (2002).

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