We knew that track but this is always a pleasure to play it more on the Cloud... So good!!

No Techno

The Future

The Future  (ADE LA ROSSE)

This song is mainly based on the great tune from the demo scene group on amiga called
Wild Copper, from the demo called Wild Copper's Megalo Demos.

RELEASED JULY 1988 on the AMIGA computer

The song: Bodykiss by Bug Vindicator
ALSO KNOWN AS
Laurent
Location: France

BODYKISS

Music, Lyrics, vocals and production done by this guy....enjoy....


Follow the dark, light is not pure
Its absurd, a cure deterring many kills from the hurt
Distilled and working, a systematic decline
You resign from the time your eyes become blind
To the senseless connotations that your mental reflects
Until you speak the latin language with a poor mans respect
Its all a game, nothing is real
Not even the social definition of love that you feel

I appeal to you and try to make a solid case
You follow pace, deface the mask, deny the rape
A matter of fact the dim shadows form your soul
You've got no control as to where your energy goes
Energy flows lava anger let it explode
And corrode the lines their feeding from your head to your toes
Like a puppet they love it making you jump
Until you feel like nothing more than a waste of your lungs
Now you don't breathe let it all go
Suffocate breathe air is no more

I'm in your mind

My core is dead the spark inside cannot persist
I exist only to witness the sense of this bliss
Dismissed as a failure, done, a bitter shit
A heart ripped, let go slip 
More am I more I can know your thoughts
Before you know them and expose them 
Making me distraught

Lonely defies hurt, the pain is no more
The key to my love lies in dust heart sore
Blame the fact that I'm filled with emotions displaced
I've abandoned all this hope for the cycles to change

Follow The Dark

Hold Me.Tonight We're Gonna Move.

This is the sound of the future
This is the sound of the past

Where do we go when the world ends
What do we do if it lasts

Will you hold me in the darkness
Will you kiss me in the cold

So little time left for changes
So many stories untold

Only one train to tomorrow
Only one track in the night

Got no time got no ticket
Drifting slowly out sight

Will you hold me in the darkness
Will you kiss me in the cold

So little time left for changes
So many stories untold...

 

(Music/ Lyrics/ Field Recording: VSS; Image VSS: Kottbusser Tor Subway-Station, Berlin)

Night

Surfers like us - Guitar soundcloud.com/user-411502040/tracks
Well - synths
This time our duo invites you all again into space. We suggest you chase the comet, which sparkles with colors and escapes from us to the unknown territories of the galaxy. We hope you will enjoy this atmosphere. See you aboard our spaceship 🌔
26/3 2024

Hale-Bopp Comet over Indian Cove
JOSHUA TREE NATIONAL PARK

Chasing a Comet - w/Surfers Like Us

Amanecer

Mtlsir https://soundcloud.com/user-434699157 and me are Glitchy dot Phong !!!!

Glitchy Dot Phong - Welcome To The Jungle

www.milanazilnik.com/albums/thelittleprince

THE ALBUM IS COMING AUGUST 2nd!
As a child, I had a truly magical time with stories, and my mom reading them to me. The way she intonated and impersonated each character was just so fascinating to me. Her voice was the music I always heard before falling asleep, and as soon as I would actually fall asleep, the music kept going. Which was and still is sometimes a torture as much as a pleasure.

As an artist, I always come back to that child and those stories. They still resonate with me but on a much deeper level. The notes now combined with colors and smells, patterns become a dance or a soundscape rather than just a melody. So, I splash with my watercolors palette and watch the music as it merges with the world, and I invite the listener to this never-ending journey.

“The Little Prince” was one of my favorite stories, one filled with quiet moments and hidden meanings, mystery, and gentleness, and humor - the kind of story that haunts you all your life. This story holds a philosophy that I resonate with: I feel myself just like the main character - wishing to create my own worlds, organize my thoughts according to my personality, and not to be put into the frame of adulthood. I feel the rebellious urge to wake myself up from a grey existence and use all the colors, humor, sounds, and smells that exist in the story of the Little Prince.

It became even more special since my son was born. We painted the Little Prince on the window in a daycare room, the home daycare I used to run in our own house before embarking on the journey of a composer. At that time, we were surrounded by music and art all day long as my children grew up, and I was experiencing their enchantment with music and the Little Prince once more. In 2021 another miracle happened that was also related to the story: I received an email from Leipzig Ballet, asking for permission to use two of my compositions for their ballet show based on "The Little Prince". All that inspired me to write an entire album dedicated to the story.

I am extremely grateful to my family: parents, children, and a wonderful husband who allows my inner child to grow into an artist. I believe we all need the magic of a storytelling experience, and I tried my best to awaken all the senses into it.

"The Business Man" from "Piano Stories of the Little Prince" by Milana Zilnik

Sand Riders

It’s my personal tribute to 'Monsieur' Kamayatsu (Hiroshi Kamayatsu) - Japanese singer, guitarist - who died on 1st, March this year. He was from the first generation which founded the first Japanese pop-rock band in late 50's - early 60's (I was not born yet), and has been a critical influence on the buildup of J-pop and J-rock culture since then.

This is the instrumental cover version (with my own arrangement), paraphrased from his song 「ゴロワーズを吸ったことがあるかい？」("Have you ever tried Gauloises?" 1975 ) which he wrote when he was 36 years old after some solo activities, inviting the American funk band 'Tower of Power' as backing musician for its recording, and was lately rediscovered by acid jazz movement in 90’s. 
The original song has great lyrics (cheering for being maniac about something he/she found lovely) btw...I’m sorry not to introduce them in my version, though. 

My arrangement includes; 
-Extension/Addition of intro & interlude 
-Addition of riffs onto intro & of guitar solos onto interlude & ending.
-Addition of lead guitar phrases onto verse sections to compensate the vocals & onto solo sections. A few phrases of them were written by reference to their live versions performed by Guitarists Ryunosuke Yamagishi or Junko Sugawara with Monsieur Kamayatsu.
-Each part of rhythm sections (especially rhythm guitar and bass) has been also arranged to have a little more varied patterns than the original's.

Hope you enjoy...any feedback would be appreciated.

In case of interest, listen to the original (Youtube link: not mine): 
https://www.youtube.com/watch?v=5DqIxfPe_GU
Recommended to see what Monsieur played in early 60s with his band The Spiders 
Instrumental version of "Dynamite" (Ciff Richard and The Shadows Cover): 
https://www.youtube.com/watch?v=qJ2F4RWHPTU
Well, they did the originals, too, of course, but most of them are in Japanese lyrics, so, here's just a reference for foreign listeners.

---------------------
[Recording Data]
Arranged and Performed by Me
-Guitars:
   Guitar A:Fender US CS Telecaster
   Guitar B:Fender US ‘58 Stratocaster (extra-reissued)
   Guitar C:Fender Japan Stratocaster with DiMarzio Hum-bucker
1. Rhythm Guitar-1 (Clean) on the left>> Guitar A, w/Maxon RTC600, MXR Phase90 & AD-9, '65 Deluxe Reverb Amp
2. Rhythm Guitar-2 (Overdrive) on the right  with Wah-wah overdubbed onto Organ or Other Chordal fills with Flanger >> Guitar B, w/Crybaby Wah or Boss BF-2, CE-1, Maxon AD-9, '65 Deluxe Reverb Amp.
3. Distortion Lead (with or without Wah-wah) on the right>> Guitar C, w/Boss CS-2, Vintage CE-1 (limitter-use or splitter-use) & Jen Crybaby Wah, Marshall-JVM (Tube Distortion, Channel Delay & Reverb) 
4. Second Lead (Clean)on the center-left in Verse Sections and  Fills >>  Guitar B, w/Boss CS-2, CE-1 & Maxon AD-9, '65 Deluxe Reverb Amp

- Basses: Fender USA '66 Precision-Bass , w/Boss CS-2, Bassman Amp.
- Drums: Tama Acoustic Drum Kit w/Zildjian Cymbals (6-mics rec).
- Organs, Choirs & Brass sections (incl.Sax solo): Software Synth +Midi Keyboards & Pedal boards.
- Mixing: DAW
*Guitars, Bass and Drums were played and recorded in the studio (live, open-mic rec).
*Production & Cover Art: Hiroshi Kohno
---------------------

Gauloises - Tribute to Monsieur Kamayatsu

Thank you for your visiting, listening and supporting.

I'm a spare-time musician, usually working as an architect (running own atelier) on an average day.

I play: Guitar & Drums (respectively since 11 years old & 9 years old, since late 70's, quite intermittently, though; skipping some years not playing them while dedicated myself completely to architectural study and practice incl. working in  Europe),
and a little of Keys & Bass guitar (both of the later were started 10 years ago or so)

Roots: Classic Rock, R&B and Funk Rock, 70's Progressive Rock, 70's-early 80's HR/HM, also interested in many kinds of music and sound-art.

Gauloises - Tribute to Monsieur Kamayatsu

aerogene070

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