Sad Waters

Galaxy part one

Galaxy part 1 The Beginning By Trancylvania

time is up, here it come this not a love mix up

Nebulize

Prod. Ein Music 2023
Rose e fiori  (140BPM)
it will be on spotify soon, follow my page to see new releases
https://open.spotify.com/artist/3UKvM2M0fR3bN1e8nP7KpA?si=cmi-yqXlRVq1iiK6w64lrw
per tutti quelli come me... che attraversano il buio, per comprendere la parte "rose e fiori" della vita
for all those like me... who pass through the darkness, to understand the "roses and flowers" part of life
I hope you like it
Listen \ Dance \ Repost \ Comment \ Like \ Follow

Rose e fiori

Rose e fiori - Prod. Ein (2023) 140BPM

adults only 
français English belgium dance rythme

your hands touching me everywhere from my neck to my tighs my desire is your pleasure Our sighs without ending till infinity; told him" I wanna see you Wanna touch you, you are mine"

L'amour Fou - Burning Love

FULL INSTRUMENTAL!

“The Way” started with a piano melody and kept unfurling as I healed from the loss of a few loved ones last year…which was capped off with my beautiful family dogs both passing. The lyrics to this song took on their loss, but the whole thing is really an open entry from my own grief process through to happiness again.

Written, performed and produced by Jason Langvee
Mixed & Mastered by Uezurii (audius.co/uezuriiwav)

The Way [Instrumental]

Motus

Cast of characters:
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and composition
Llanpsych–@llanpsych –Tez– guitars, bass, production and composition
J.J. Terrell–@j-j-terrell -- organ and synth
Thanks to Entheogenic Psychonaut (Josh Clary) for the original inspiration 

Ken sent Tez the drums for the track High Noon (with Entheogenic Psychonaut and TexMex Shaman) with the aim of building up a new track - a worthy challenge :))))
Tez did a touch of remixing of the drum track and added the guitars and bass before inviting J.J. to add the finishing touches with his keys adding a new sonic dimension.

Bad Noon Rising - when you wake up at noon you know something interesting has gone on the night before but if the sun rises at noon you know you're in serious trouble (or in the Arctic circle)
Hope you enjoy :)

Listen to High Noon here

High Noon - with Entheogenic Psychonaut (Josh Clary), K2 and the Three, and TexMex Shaman by Llanpsych

Bad Noon Rising - Eclectic Collective

HELLO GABI THIS IS SIGGI TALKING ON THE PHONE
 KNOCK KNOCK HEY STEPHANIE ANYBODY HOME?
JUST WANTED TO REACH OUT AND PASS MY THANKS ALONG 
SO I FIGURED WHY NOT MAYBE PASS THEM THROUGH A SONG

BRAVO LADIES MERCI AUSSI FOR THE BRILLIANT JOB YOU’VE DONE 
AND YOU KEEP DOING DAILY MAN ! YOU TWO ARE ONE AWESOME
SHAKING UP THE DANCE FLOOR TURNING HEADS AROUND 
YOU LOVE MEZCAL I DO TOO SO NEXT ONE IS MY ROUND
DOO DOO DOO
WE WON’T GET BASHED JUST RAISE ONE GLASS FOR YOUR SHOW TO COME WHICH I’M SURE WILL BE A BLAST QUELQUE CHOSE D’ÉNORME 
HORS NORME

HELLO GABI ET STEPHANIE POUR VOS CRÉATIONS
DE LA PART D’UN SIMPLE FROGGIE FÉLICITATIONS
YOU GOT GUTS LOVE ENERGY PLUS IMAGINATION
I GUESS THAT’S THE RECIPE OF WHAT’S MORE THAN JUST FASHION

SO MAYBE JUST ONE MORE SHOT MY VERY LAST ROUND 
SEEMS TO ME YOU’RE ON A HOT SPOT ACCOMPLISHMENT BOUND
DOO DOO DOO DOO DOO DOO

WISH I WAS A MODEL AND I COULD FLY LIKE SUPERMAN 
WISH I WAS A MODEL

SIGGI'S APPLAUSE (Lyrics) Song for Gabi & Stephanie

working on it

Instrumental  Version of "Gimme Some Lovin’" (1966)- for its "50th Anniversary"  
[more info >> below]  - SPEAKERS recommended wo/headphones - 

This is the second collab work with Paul (@paul-racle )- Several months ago, while we were working for the previous collab song, he sent me his cover(backing) of this song as well, and kindly asked me if I’d like to add some onto it. I said Yes!! ...it's one of my all time favorite songs again ! 
His initial version of backing track can be heard in the vocal version featuring our good friend, David - link: https://soundcloud.com/david-louthan/give-me-some-lovin2-paploviante-david-lee-louthan

As you can hear there, the initial version itself already sounded great to my ears, and seemed to work perfectly for vocal addition or so. On one hand, I felt that it wouldn't be interesting enough if I merely interpose guitar solo or the other onto it. So, I asked him if I could re-arrange the whole structure of backing, and he generously allowed me to do whatever with it...
I apologize for my delay in finishing(I'd completed most of arrangement and recordings a few months ago- before the vocal version was published, but I haven't had time to do music at all since then...not only for this)...but finally I could find a little spare time to do....Hope you enjoy!
Once again, I'd like to thank Paul for his offering and patience.

-----
[Music Info]

Instruments marked [*] were done as live, all else were done with DAW.

Paul Paploviante (Initial Version);
-Drums-1 (Bashing basic 4/4 beat pattern except fills - from 0:14 in this version),
-Bass Guitar*(0:17-)
-Backing Guitar-1 (Chordal Comping on the ctr,  0:28-)
-Synths (Brass Lead for the main Verse-Chorus lines and Comping)
-Organ & Piano.

Hiroshi Kohno (Arrangement & Addition);
-Arrangement & Remastering of all parts of initial version (incl. Extensions of Intro & Bridges, Addition* of Gliss & Triplets onto Organ /of Hi-Keys onto Lead Synth, etc)
-Drums-2*(Addition of Tom-rolls, all Fills-in & of Extra Beat Patterns than 4/4, Changes of Cymbals & Kicks of Drums-1, etc)
-Tambourine & Percus 
-Backing Guitar-2*(Main Riffs played throughout on the ctr-rite & partially on the left)
-Backing Guitar-3*(Wobbling Bassy Riffs on the left for the Intro from 0:28-, and for Solo sections from 2:54-) 
-Lead Guitar* (Solos & all Fills)
-Mixing.

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- Original song was written by Steve Winwood, Spencer Davis and Muff Winwood, released in 1966 (London), and performed by The Spencer Davis Group ( later the reprise/self-cover by Traffic). 

- The picture for the cover art was borrowed from the album of Traffic's "Traffic" (1968). Copyright of the original picture must belong to the original artist and the label.

------
[Additional Notes on Arrangements & Recording]

-Guitars: Fender Strat '58 w/ Marshall JVM (overdrive, reverb, open-mic), partially w/ Vintage CE-1, Jen Crybaby Wah (only to narrow the range), MXR Phase 90(only for B Guitar-3)

I have some albums including this song (the original version by the SDG, the live version by Traffic and some other covers), and I love the Traffic's version most.
So, my arrangement started firstly by re-interpreting that version(for the  guitar riffs, percussion, etc).
That one can be found on their album "Welcome to the canteen".
>>Amazon Link: amzn.com/B00006399Z

The major differences from the SDGs original are the riff - than the famous one that the SDG borrowed from the Homer Banks' song "A Lot of Love" - and the rhythm sections. 

You can also see on Youtube, that there is another one(with similar riff arrangement ) performed by Winwood's band featuring E.Clapton("The ARMS Concert, London 1983", which I think was the best performance by them). 
>> Youtube Link: youtu.be/5vvH-mUaPEY

Whereas, those versions that I love don't have any lead phrase of guitar.
Therefore, all guitar licks in our version were written myself.

------
[Posted on 21st (Sat) May, 2016]

Gimme Some Lovin' -  2016 Version (Instrumental) -  P.Paploviante & Aerogene070

Thank you for your visiting, listening and supporting.

I'm a spare-time musician, usually working as an architect (running own atelier) on an average day.

I play: Guitar & Drums (respectively since 11 years old & 9 years old, since late 70's, quite intermittently, though; skipping some years not playing them while dedicated myself completely to architectural study and practice incl. working in  Europe),
and a little of Keys & Bass guitar (both of the later were started 10 years ago or so)

Roots: Classic Rock, R&B and Funk Rock, 70's Progressive Rock, 70's-early 80's HR/HM, also interested in many kinds of music and sound-art.

Hiroshi Kohno （河野 裕）

Gimme Some Lovin' - 2016 Version (Instrumental) - P.Paploviante & Aerogene070

aerogene070