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Time Lapse, by Aeryal

The intro to Lay All Your Love on Me played with a GX-1 patch on the Origin. Originally played by Benny Andersson on the legendary "Great White Elephant", Yamaha GX-1. 

It was recently restored by Swedish miracle worker Ulf Soderlund, who knows the beast inside and out. The Origin GX-1 patches  were created based on the wealth of information he posted about its voice and modulation structure. I've now ported the Origin GX-1 patches to the CS-80V3

Abba - Lay All Your Love On Me Intro (GX-1 emulation)

From my most kick-ass Depeche Mode album ever Violator, released in March of 1990 but recorded in 1989 which still qualifies this as 80s music in my opinion!  I recorded this using an avalanche of period synths including a Prophet 08, Yamaha TG-77, Roland JV-1080, E-mu Proteus/1 and ESI-4000 and a bunch of soft synths including MOTU BPM, MX-4, Mach Five 3, NI Kontakt and a Waldorf PPG v3.  The recording was made using MOTU DP-8.  This track is incredibly powerful and builds to an amazing crescendo of 80's synthesizer sonic bliss at the end which is a testament to genius and artistry of this band. 

Enjoy The Silence - Depeche Mode

posted by Theo Bloderer (<a href="http://greatsynthesizers.com" rel="nofollow" target="_blank">greatsynthesizers.com</a>)
“Here are some demos which I made yesterday. Hope you like them (o: 
Pad 1 and Arpeggio 1 are multi track recordings. (4 tracks in Audacity, no extra effects or anything, it's all pure Solaris). Pad 2 is a single track recording."


Solaris Pad 1

When did time begin and where does space end 
Isn't life under the sun just a dream

Wann begann die Zeit und wo endet der Raum
Ist das Leben unter der Sonne nicht bloß ein Traum
(from the film Himmel über Berlin / Wings of Desire)

voix célestes

"Neither by ship nor on foot would you find the marvellous road to the assembly of the Hyperboreans. 
Never the Muse is absent from their ways: lyres clash and flutes cry and everywhere maiden choruses whirling. Neither disease nor bitter old age is mixed in their sacred blood; far from labor and battle they live." (Pindar)

Hyperborea (part1) Tangerine Dream Tribute

https://soundcloud.com/quiltland

Manuela de Gouveia on Bass 
Lidija on Viola

Quiltland - Love

"Inspired by the Dervish dancer who by his whirling realizes the spiraling of the universe"

Dervish D Vangelis Tribute (More Cowbell edition)

A couple of patches from the Modal 002 mixed with sounds from the London Underground.

Five Minutes

Original song;music & lyrics by JW.
We should all have our moments in the circus light.

Photo by JW (Time Lapse Music)

Lucky Ones

TL014 Brian Green - 32012

Alrighty, so this piece was written for a client out in Atlanta, Georgia...hopefully their client likes it as well haha! But I wanted to shared this piece because it was truly a fun piece to write!!! Sure I had less than a weekend to write 8 minutes of music. I wrote up a quick 1:30 demo to them and the director liked it but hadn't heard back from their client as for a green light yet but said I should go on anyway. So Friday, Saturday Night (because of work eating up my entire day) and all day Sunday up until about 3 am and even this morning I was writing this piece....The toughest part about this piece was trying to keep the momentum going for 8 minutes long and still retain that feel and style

When I was first approached about the project, I saw the video and instantly thought of two composers - Hans Zimmer's "Time" and "One Simple Idea" from the Inception soundtrack and also Philip Glass' Metamorphosis album. So I went to town with a simple piano segment which then was introduced to the guitars with their repetitive patterns. The strings were going to be a major factor in this piece as well. I also wanted to add in some electronica elements as well but at a minimum so that the listeners could be sucked into with the strings and piano.

Some obstacles along the way aside from trying to keep the momentum going for 8 minutes was the many modulations and key changes to get to a certain key I wanted. There is a 30 second bit found at 6:03 that frustrated me for a good hour on how to land it in a certain key....the key where the guitar and drums come in. That whole modulating segment took a great deal of time because there were many variations to go but none of them went as smooth as the one you hear.

Some other tidbit information to listen for: at 5:12, the guitar segment there.....I didn't realized it at first because I thought it sounded cool, but those three notes that play there are actually similar to the three notes you hear on the Spiderman cartoon theme haha!!! Also at 6:26, that key change from a G major to a B major was an idea that I had hard on a few Danny Elfman soundtracks.

The drumming found at 6:35 was a lot of fun to do! In the film, it's just clips of a time lapse sequence of downtown Atlanta at night....really cool looking, so to give a feeling of excitement and thrill of downtown I decided to try out this Coldplay kind of feel. It wasn't easy as I'm not a drummer by any means, so I had to figure out what a real drummer could do while I performed the recording on the keyboard haha!!! That last segment is also my favourite due to that sense of accomplishment you feel...I dunno if it's the drumming or the strings or what, but somehow it just feels like this motivation to keep doing the best you can.

Anyway, so there you go! Unfortunately due to this project, it will not be a downloadable piece. But feel free to comment or ask or anything!!! Since this is still being under review, there might be changes needed....if anything I'm assuming the last segment where the drums come in at 6:36. So until then, enjoy the piece!!!

Also check out my youtube channel: http://www.youtube.com/user/jscottrakozy

Also check out my blog as well: http://theinsightfulcomposer.blogspot.com/

Also check out my website (in production): http://jscottrakozy.com/

If you want to ask me about my compositions in how I write them or anything, feel free to send me a message via soundcloud, and for any director or producer wanting to contact me to discuss projects, feel free to contact me as well via soundcloud!

Thanks again and hope you enjoy the piece!!!

~ J Scott Rakozy

T I M E | L A P S E

Track for TV/Documentary
Featured in a video in Peter Matthess's YouTube channel, under creative commons.
www.youtube.com/watch?v=xYejh_R8SY4
Also featured in Jeff Wager's trailer of short documentary 'Superhouse' 
https://www.youtube.com/watch?v=XnxZvK2XvaU

Aglow - Music for 'Superhouse' trailer (documentary)

Short Instrumental cover done on the Origin.

My EQ'ing and mastering skills are obviously lacking.

I Hear You Now

"With Air, Steve Roach, M83, Lindstrøm and Colin Towns, Aeryal is a notable follower of Vangelis and Jean Michel Jarre"
AllMusicGuide.com

« What about the music I see you wondering… Lovers of Moby, Röyksopp, Vangelis or Jean-Michel Jarre will sure dig this as Aeryal (Miguel Samiez) manages to compose a rather calm and dreamy electronica while never forgetting what music is all about: melodies. Flirting with trip hop at times, his music is quite the perfect companion to dreamstates».
Moodswings

"Notable influences are ambient/world artists Vidna Obmana, Mark Seelig, and Shamanic percussionist Byron Metcalf. Analog-era Tangerine Dream is an obvious pointer, as well as Pink Floyd, Peter Gabriel, and Dead Can Dance."
Jim Cormoran

Aeryal's used material:
Analog Synths:
Yamaha CS-80
Dave Smith Poly Evolver Keyboard
Moog Little Phatty Stage II
Alesis Andromeda A6
Studio Electronics Omega-6
Crumar Multiman-S

Analog Drum Machine:
Dave Smith & Roger Linn's Tempest
Roland CR-78

Effects Processor:
Eventide Space

Analog Vocoder:
Electrix Warp Factory

Digital/Hybrid Synths:
Korg Triton
Korg EXB-MOSS
Casio SA-20
Casio SK-1
Korg Prophecy
Roland XP-50
Yamaha EX5-R
Yamaha TG-500
Yamaha VL-1
Yamaha DX-7
Yamaha DX-200
Yamaha Tenori-ON Silver

Controllers & Keyboards:
Kurzweil Midiboard
Akai APC-40
Emu Xboard 61
Emu Xboard 25
Novation LaunchPad

Monitoring:
Senheiser HD-650 headphones
Tapco S5 active monitors

Mic:
M-Audio Luna

Audio Interface:
TC-Electronics Konnekt 24D

Software Synths & DAW:
Ableton Live 8 Suite
Ableton Max 4 Live
ConcreteFX Kubik
Korg Legacy Collection
Korg Legacy MS-20 Controller
Spectrasonics Stylus RMX

Diverse:
Piano
Asian Flutes
Balinese Cymbals
Thaï Gongs
Ipad iMS-20
Ipad Garage Band
Ipad Touchable for Ableton
Buddha FM tone generator
Nintendo Korg DS-10

Misc. Material:
Studio Electronics ATC-X
Roland Jupiter-4
Access Virus Indigo
Akai A-5000 sampler
Ensoniq ESQ-1
Gem CD-30
Korg Karma
Korg EXB Analog Synths
Korg Z1
Korg Trinity V2
Mackie Universal Controller
Roland Fantom S-88
Radikal Technologies Spectralis
Roland D-110
Yamaha An1x
Yamaha Pss-380
Yamaha Pss-480

Ambient, Dark ambient, Drone music, Illbient, Isolationism, Lowercase, Psybient, Chiptune, Game Boy music, Video game music, Downtempo, Ethnic electronica, New age music, Trip hop, Electro hop, Electropop, Electronica, Electroacoustic, Musique concrète, Electronic art music, Folktronica, Ethereal Wave, Space rock, Synthpop, Progressive...

Time Lapse, by Aeryal

Aeryal

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